South African performance and archives of memory (Theatre Theory Practice Performance MUP)

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9780719083730: South African performance and archives of memory (Theatre Theory Practice Performance MUP)

This book argues that memory functions as a key element in contemporary South African re-imagining of historical events and in constructing new definitions of national and personal identity. It compares two ways in which memory is embodied: in repertoires of practices, songs, dance, rituals, and in material archives, texts, documents, buildings. The particular contribution of this study is its focus on the role of performance in South Africa's renegotiation of memory and historical understanding, as exemplified in public events such as the Truth and Reconciliation Commission, the South Africa-Mali Timbuktu Manuscript Project and the 2010 World Cup opening ceremony, and in memorial sites such as the Voortrekker Monument and Freedom Park. The book explores the implications of translating diverse embodied memories into a coherent, official national narrative that is usually defined and made coherent that is, over-simplified - by the state, which defines South Africa as a unitary 'rainbow nation'.

The book compares official narratives that have tended to define how the 'new' South Africa is remembering the past to various theatrical engagements with memory that highlight specific disavowed themes which recur in post-apartheid South African theatre, which include exile, ghosts and hauntings, masculinity, and the tension between justice and reconciliation. The analyses extend beyond thematic accounts to include exploring the reasons for and effects of juxtaposing 'realist' and 'verbatim' aesthetics to more exaggerated, hyper-theatricalised forms. Ultimately this book argues for keeping archives and repertoires open to reinvestigation and reinterpretation, and in dialogue with one another.

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About the Author:


Yvette Hutchison is Associate Professor in the School of Theatre, Performance and Cultural Policy Studies at the University of Warwick, UK

Review:


"The book provided valuable insights and provoked deep thought, as well as providing a well of information on different topics." - N Jade Gibson, Wits City Institute, University of Witwatersrand, South African Theatre Journal, October 2016


"For any reader interested to learn more on the current state of performance and theatre in South Africa, Hutchison's study will provide an extremely valuable and informative account of the field. Most impressive is the ample space she grants for close readings of a host of recent theatrical productions." - Ed Charlton, Journal of Contemporary Drama in English (JCDE) 2016/4(2)


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Yvette Hutchison
Published by MANCHESTER UNIVERSITY PRESS, United Kingdom (2013)
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Book Description MANCHESTER UNIVERSITY PRESS, United Kingdom, 2013. Hardback. Book Condition: New. 212 x 140 mm. Language: English . Brand New Book. This book explores how South Africa is negotiating its past in and through various modes of performance in contemporary theatre, public events and memorial spaces. It analyses the Truth and Reconciliation Commission as a live event, as an archive, and in various theatrical engagements with it, asking throughout how the TRC has affected the definition of identity and memory in contemporary South Africa, including disavowed memories. Hutchison then considers how the SA-Mali Timbuktu Manuscript Project and the 2010 South African World Cup opening ceremony attempted to restage the nation in their own ways. She investigates how the Voortrekker Monument and Freedom Park embody issues related to memory in contemporary South Africa. She also analyses current renegotiations of popular repertoires, particularly songs and dances related to the Struggle, revivals of classic European and South African protest plays, new history plays and specific racial and ethnic histories and identities. Bookseller Inventory # AAR9780719083730

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Book Description MANCHESTER UNIVERSITY PRESS, United Kingdom, 2013. Hardback. Book Condition: New. 212 x 140 mm. Language: English . Brand New Book. This book explores how South Africa is negotiating its past in and through various modes of performance in contemporary theatre, public events and memorial spaces. It analyses the Truth and Reconciliation Commission as a live event, as an archive, and in various theatrical engagements with it, asking throughout how the TRC has affected the definition of identity and memory in contemporary South Africa, including disavowed memories. Hutchison then considers how the SA-Mali Timbuktu Manuscript Project and the 2010 South African World Cup opening ceremony attempted to restage the nation in their own ways. She investigates how the Voortrekker Monument and Freedom Park embody issues related to memory in contemporary South Africa. She also analyses current renegotiations of popular repertoires, particularly songs and dances related to the Struggle, revivals of classic European and South African protest plays, new history plays and specific racial and ethnic histories and identities. Bookseller Inventory # AAR9780719083730

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Book Description Manchester University Press. Hardback. Book Condition: new. BRAND NEW, South African Performance and Archives of Memory, Yvette Hutchison, This book explores how South Africa is negotiating its past in and through various modes of performance in contemporary theatre, public events and memorial spaces. It analyses the Truth and Reconciliation Commission as a live event, as an archive, and in various theatrical engagements with it, asking throughout how the TRC has affected the definition of identity and memory in contemporary South Africa, including disavowed memories. Hutchison then considers how the SA-Mali Timbuktu Manuscript Project and the 2010 South African World Cup opening ceremony attempted to restage the nation in their own ways. She investigates how the Voortrekker Monument and Freedom Park embody issues related to memory in contemporary South Africa. She also analyses current renegotiations of popular repertoires, particularly songs and dances related to the Struggle, revivals of classic European and South African protest plays, new history plays and specific racial and ethnic histories and identities. Bookseller Inventory # B9780719083730

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Book Description MANCHESTER UNIVERSITY PRESS, United Kingdom, 2013. Hardback. Book Condition: New. 212 x 140 mm. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This book explores how South Africa is negotiating its past in and through various modes of performance in contemporary theatre, public events and memorial spaces. It analyses the Truth and Reconciliation Commission as a live event, as an archive, and in various theatrical engagements with it, asking throughout how the TRC has affected the definition of identity and memory in contemporary South Africa, including disavowed memories. Hutchison then considers how the SA-Mali Timbuktu Manuscript Project and the 2010 South African World Cup opening ceremony attempted to restage the nation in their own ways. She investigates how the Voortrekker Monument and Freedom Park embody issues related to memory in contemporary South Africa. She also analyses current renegotiations of popular repertoires, particularly songs and dances related to the Struggle, revivals of classic European and South African protest plays, new history plays and specific racial and ethnic histories and identities. Bookseller Inventory # BTE9780719083730

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