(From the Catalog-Movie)
Los Angeles, 1953: six innocent people gunned down at an all-night diner. Three policemen arrive to investigate: Ed Exley, goaded by his father's success on the force, burning to eclipse him; Bud White, witness to his mother's murder, a time bomb with a badge; and Jack Vincennes, former addict, a shake-down artist who works celebrities. Worse yet, these three see themselves as rivals. Their own rage mirrors that of the killers they seek, all players in a game without rules or survivors.
"James Ellroy is a fictional sculptor who carves a universe without beauty, laughter or remorse. L.A. CONFIDENTIAL is his finest work yet." (People)
"synopsis" may belong to another edition of this title.
James Ellroy's L.A. Confidential is film-noir crime fiction akin to Chinatown, Hollywood Babylon, Raymond Chandler, Dashiell Hammett, and Jim Thompson. It's about three tortured souls in the 1950s L.A.P.D.: Ed Exley, the clean-cut cop who lives shivering in the shadow of his dad, a legendary cop in the same department; Jack Vincennes, a cop who advises a Police Squad- like TV show and busts movie stars for payoffs from sleazy Hush-Hush magazine; and Bud White, a detective haunted by the sight of his dad murdering his mom.
Ellroy himself was traumatized as a boy by his party-animal mother's murder. (See his memoir My Dark Places for the whole sordid story.) So it is clear that Bud is partly autobiographical. But Exley, whose shiny reputation conceals a dark secret, and Vincennes, who goes showbiz with a vengeance, reflect parts of Ellroy, too.
L.A. Confidential holds enough plots for two or three books: the cops chase stolen gangland heroin through a landscape littered with not-always-innocent corpses while succumbing to sexy sirens who have been surgically resculpted to resemble movie stars; a vile developer--based (unfairly) on Walt Disney-- schemes to make big bucks off Moochie Mouse; and the cops compete with the crooks to see who can be more corrupt and violent. Ellroy's hardboiled prose is so compressed that some of his rat-a-tat paragraphs are hard to follow. You have to read with attention as intense as his—and that is very intense indeed. But he richly rewards the effort. He may not be as deep and literary as Chandler, but he belongs on the same top-level shelf.From the Publisher:
10 1.5-hour cassettes
"About this title" may belong to another edition of this title.
Book Description Books on Tape 1991-08-22, 1991. Audio Cassette. Book Condition: good. 0736620125. Bookseller Inventory # 597489