He has been called “hilarious . . . refreshing . . . a terrifically gifted storyteller with a sharp country-boy wit” (Washington Post Book World), and praised for his “folklorist’s eye for telling detail and [his] front-porch raconteur’s sense of pace” (New York Times Book Review). Now, Joe R. Landsdale gives us a fast-moving, electrifying new novel: a murder mystery set in a steamy backwater of Depression-era East Texas.
It begins with an explosion: Sunset Jones kills her husband with a bullet to the brain. Never mind that he was raping her. Pete Jones was constable of the small sawmill town of Camp Rapture (“Camp Rupture” to the local blacks), where no woman, least of all Pete's, refuses her husband what he wants.
So most everyone is surprised and angry when, thanks to the unexpected understanding of her mother-in-law—three-quarter owner of the mill—Sunset is named the new constable. And they're even more surprised when she dares to take the job seriously: beginning an investigation into the murder of a woman and an unborn baby whose oil-drenched bodies are discovered buried on land belonging to the only black landowner in town. Yet no one is more surprised than Sunset herself when the murders lead her—through a labyrinth of greed, corruption, and unspeakable malice—not only to the shocking conclusion of the case, but to a well of inner strength she never knew she had.
Landsdale brings the thick backwoods and swamps of East Texas vividly to life, and he paints a powerfully evocative picture of a time when Jim Crow and the Klan ruled virtually unopposed, when the oil boom was rolling into and over Texas, when any woman who didn't know her place was considered a threat and a target. In Sunset, he gives us a woman who defies all expectations, wrestling a different place for herself with spirit and spit, cunning and courage. And in Sunset and Sawdust he gives us a wildly energetic novel—galvanizing from first to last.
From the Hardcover edition.
"synopsis" may belong to another edition of this title.
Joe R. Lansdale has written more than a dozen novels in the suspense, horror, and Western genres. He has also edited several anthologies. He has received the British Fantasy Award, the American Mystery Award, six Bram Stoker Awards, and the 2001 Edgar Award for best novel from the Mystery Writers of America. He lives in Nacogdoches, Texas, with his family.Excerpt. © Reprinted by permission. All rights reserved.:
On the afternoon it rained frogs, sun perch, and minnows, Sunset discovered she could take a beating good as Three-Fingered Jack. Unlike Jack, who had taken his in the sunshine, she took hers in her own home at the tail end of a cyclone, the windows rattling, the roof lifting, the hardwood floor cold as stone.
She was on her back wearing only the top half of her dress, because the bottom half had been ripped away when Pete, during the process of beating her, had stepped on it, and the dress, rotten as politics, had torn and left her clothed only from waist to shoulders.
It went through her mind that she was down to two dresses now, and that she hated to see this one go, as it, though faded, had a flowery pattern she liked and the colors blended well with the stains.
But this was a passing thought. She was mostly thinking: How can I stop him from hitting me? She was trying to do this by holding her hands up, but he was beating them down, and her own arms and hands flying back into her face were doing near the damage his fists might have.
Finally, he hammered her to the floor, followed her down, spread her legs, went to tearing and clawing off the rest of her clothes.
When the top of her dress ripped open and he jerked loose one side of her bra, revealing her, he said, "There's that tittie." His speech was slurred and his breath seemed to bleed alcohol.
He raked at her undergarments, tore them and tossed them. When he snapped his gun belt free, he tossed it nearby, and while he was on her, tugging at his zipper, trying to put the mule in the barn, Sunset reached over and slipped his .38 revolver from its holster, and without him being aware, put it to his head, gave him one in the temple.
When she pulled the trigger the shot was loud as Gabriel blowing her up to heaven, but it was Pete who went to heaven. Or departed anyway. Sunset liked to think he got a nice chair in hell, right next to the oven.
But in that moment, the shot made her scream, once, sharp and hard as if she had taken the bullet, or as if she had just received a slap on the bottom at birth.
Pete went limp, not only in the organ he had intended to use, but all over. He said not a word. No "Ouch," "Oh shit," or "Can you believe that?" Things he liked to say under normal circumstances, moments of surprise and duress.
He just took the hot load, cut a fart near loud as the .38 shot, collapsed, and rode on out on Death's black horse.
If it wasn't bad enough she had lost her dress, underclothes, and dignity, now all the windows on the east side shook like Marley's chains, then exploded. The door leaped apart as if it had never been anything other than a loosely connected puzzle, and the wind took the roof away.
She lay there on her back, fragments of clothes fastened to her body, her old flat-heeled shoes still on her feet, a piece of window glass poking out of her shoulder, Pete lying heavy against her. She still had the gun in her hand. The shot had gone in small and hadn't come out big like she expected. It must have been a bad load, jumping around in his brain, making jelly of it. Blood ran from the wound, out of his nose and onto her.
She rolled him off and looked at him. No mistaking. He wasn't going to recover from this.
"Surprised you, didn't I?" Sunset said.
She studied Pete for a long moment, then started to scream as if a banshee were inside of her. But it wasn't screaming you would have heard if you had been in the other room. It was loud enough, but the storm was louder. The house rocked, squeaked, squealed, and whined.
Then, except for the floor, two ugly chairs, an iron cookstove, Sunset and the dead man, it was all sucked up and thrown lickety-split on down country.
Sunset, screaming, clung to the floor while the storm raved on.
The moment the storm passed, the sky turned clear and the sun poked out and stoked up the heat. It was as if the cool wind and rain had never been.
Sunset stood up, weak and bleeding, fragments of her clothes falling from her. She pulled the piece of glass from her shoulder. It came out smooth without causing too much damage, hardly any blood.
Naked, except for her shoes and the gun she was holding, she wandered off of what remained of her house, stumbled down the muddy clay road in front of the place, frogs, minnows, and perch hopping and flapping beneath her shoes.
She felt as lost as Cain after he killed Abel.
She saw Pete's car, turned over and smashed up, bent in half between two big oak trees as if it had been made of wet licorice. Nearby, his wooden file cabinet was burst open and there were files all over the place.
Fatefully, she came across one of her curtains, made from a flour sack and dyed blue. It had wrapped itself around a scrub tree limb and was hanging there like it was on the arm of a valet.
Sunset draped it around the lower part of her body, pulled her long red hair down over her breasts, started down the road again, mud squishing around her shoes.
Stooping to yank a mashed frog from the bottom of her shoe, she looked up to see the colored knife sharpener, Uncle Riley, coming down the road with his two mules and wagon. Uncle Riley's son, Tommy, was walking alongside him, spearing sun perch from the ground with a sharp stick, flipping them into the wagon bed.
Uncle Riley pulled on the reins when he saw her, said, "Oh, hell. Now I ain't looking, Miss White Woman. Really. And Tommy, he ain't neither. We ain't seeing a thing."
But Tommy was seeing plenty. Sunset's breasts were poking through her red hair, and Tommy had never seen breasts before, white or black, except those of his mama when suckling, but that was a long-lost memory.
Sunset, at that moment, didn't care who saw what. She was bleeding from nose and mouth and her eyes were starting to swell shut. She felt as if she had been set on fire and put out with a yard rake.
"Uncle Riley," she said, "it's me, Sunset. I been beat."
"Oh, Lord, chile, you sure have. I'm gonna get down and help you. Don't shoot at nothing now, you hear?"
Sunset staggered to one knee, tried to get up, couldn't.
Uncle Riley, who was six-four and forty-four, weighed two-twenty and had a slick bald head he covered with a droopy hat, climbed down from the wagon, took off his work shirt, kept his head turned as he walked toward her.
Uncle Riley put the shirt over Sunset's shoulders. She dropped the curtain and pulled the shirt shut and buttoned it with her free hand. All this from where she knelt on one knee. She tried again to get up, but couldn't. Uncle Riley lifted her into his arms easy as a child. She clung to the pistol as if it were a part of her hand.
He carried her to the wagon and set her on the seat, climbed up beside her. "Now I ain't touching on you, Miss Sunset."
"It's okay, Uncle Riley. You've been a real gentleman."
Tommy, who was standing beside the wagon with a fish stuck on the end of his pointed stick, had yet to close his mouth.
"Get on up here," Uncle Riley said.
Tommy climbed in the back of the wagon with the fish they had been collecting. They were scattered from one end of the wagon bed to the other, and in places they were ankle deep. Uncle Riley had seen the rain of fish as a bonus from God. Fish to eat, fish to salt and smoke for later. They had even gathered a few frogs because Tommy's mama, the midwife, Cary, liked frog legs.
Now Tommy wondered if the fish would keep because it was turning hot again and they were having to haul around this beat-up, big-tittied white woman. What in heaven's name were they going to do with her?
Tommy thought: Her hair is so long and red and wild it looks like tumbling fire. He smiled to himself. Good Lord, he had seen fish rain from the skies and he had seen a white woman's tits. It had been a special day.
"Miss Sunset, I haul you around like this, they gonna kill me," Uncle Riley said.
"Not with me with you they won't."
Sunset heard her mouth say the right things, but she felt as if it were all a dream. She scratched a place behind her ear with the barrel of the .38.
"Missy, they ain't gonna believe me. They ain't gonna believe you."
"They'll believe me."
"My cousin Jim, he just seen a white woman bending over in her yard, taking hanging clothes from a basket, and though there wasn't nothing to see cause she had her clothes on and he was up on the road, a white man seen him look at her, and for that, the word got around and them Kluxers took Jim out and castrated him, poured turpentine on thecuts."
"I tell you, it'll be okay."
"What's your husband, Mr. Pete, gonna say?"
"He ain't gonna say nothing, Uncle Riley. I blew his brains out."
"Oh, my goodness."
"Take me to my mother-in-law's."
"Sure you want to go to your mama-in-law's?" Uncle Riley said.
"My daughter's there. Ain't got nowhere else to go."
"Don't know Miss Marilyn gonna take kindly to you shooting her boy."
"I'll cross that bridge when I get to it. Oh, God, what is Karen going to think?"
"She surely loves her daddy."
"They gonna castrate me and my boy."
"No, they're not. I'll see to it. For heaven's sake, Uncle Riley, I've known you all my life. Your wife helped deliver my baby."
"White folks forget them things when they want to. And with this Depression on, people just meaner anyhow."
The storm had come so fast and furious, it was hard to accept all the sunlight and heat, but already the fish in the back of the wagon were beginning to sme...
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