A gripping and explosive new thriller from internationally acclaimed forensic anthropologist and New York Times bestselling author Kathy Reichs, featuring Temperance Brennan and Detective Andrew Ryan on the trail of a modern murder and an ancient biblical mystery...
When an Orthodox Jewish man is found shot to death in Montreal, Temperance Brennan is called in to examine the body and to figure out the puzzling damage to the corpse. Unexpectedly, a stranger slips her a photograph of a skeleton and assures her it is the key to the victim's death. Before she knows it, Tempe is involved in an international mystery as old as Jesus, and one that could lead to the rewriting of two thousand years of religious history.
As Tempe investigates, she learns that the stranger's picture shows bones uncovered during an archaeological dig. She discovers the Montreal shooting victim ran an import business that just might have been a front for the trading of black market antiquities. Along with Detective Andrew Ryan and biblical archaeologist Jake Drum, Tempe travels to Israel to probe the origins of the skeleton and the ancient crypt in which it was found. Together they make a startling discovery that raises radical questions about Christ's death and places them squarely in the middle of a swirling controversy. Could one of the tombs really be Christ's last resting place? Are the bones in the ancient ossuary the last remnants of James, the brother of Jesus, as the inscription claims? Or has someone concocted an elaborate hoax?
Using her skills as a forensic scientist, Tempe plunges into the most controversial case of her career. The stakes have never been higher -- the more she learns, the greater the danger. And though Ryan is sexier and more engaging than ever, he may not be able to protect Tempe in this place where there seem to be so many foes.
Cross Bones, with its lightning pace, intricately plotted story, riveting and state-of-the-art forensic detail, is Kathy Reichs's most compelling and dramatic novel yet.
"synopsis" may belong to another edition of this title.
Kathy Reichs is the author of more than twenty New York Times bestselling novels featuring forensic anthropologist Temperance Brennan, including her most recent The Bone Collection. Like her protagonist, Reichs is a forensic anthropologist—one of fewer than one hundred ever certified by the American Board of Forensic Anthropology. A professor in the Department of Anthropology at the University of North Carolina at Charlotte, she is a former vice president of the American Academy of Forensic Sciences and serves on the National Police Services Advisory Council in Canada. Reichs’s own life, as much as her novels, is the basis for the TV show Bones, one of the longest-running series in the history of the FOX network.Excerpt. © Reprinted by permission. All rights reserved.:
Following an Easter dinner of ham, peas, and creamed potatoes, Charles "Le Cowboy" Bellemare pinched a twenty from his sister, drove to a crack house in Verdun, and vanished.
That summer the crack house was sold up-market. That winter the new homeowners grew frustrated with the draw in their fireplace. On Monday, February seventh, the man of the house opened the flue and thrust upward with a rake handle. A desiccated leg tumbled into the ash bed.
Papa called the cops. The cops called the fire department and the Bureau du coroner. The coroner called our forensics lab. Pelletier caught the case.
Pelletier and two morgue techs were standing on the lawn within an hour of the leg drop. To say the scene was confused would be like saying D-day was hectic. Outraged father. Hysterical mother. Overwrought kids. Mesmerized neighbors. Annoyed cops. Mystified firefighters.
Dr. Jean Pelletier is the most senior of the five pathologists at the Laboratoire de sciences judiciaires et de médecine légale, Quebec's central crime and medico-legal lab. He's got bad joints and bad dentures, and zero tolerance for anything or anyone that wastes his time. Pelletier took one look and ordered a wrecking ball.
The exterior wall of the chimney was pulverized. A well-smoked corpse was extracted, strapped to a gurney, and transported to our lab. The next day Pelletier eyeballed the remains and said, "ossements." Bones.
Enter I, Dr. Temperance Brennan, forensic anthropologist for North Carolina and Quebec. La Belle Province and Dixie? Long story, starting with a faculty swap between my home university, UNC-Charlotte, and McGill. When the exchange year ended, I headed south, but continued consulting for the lab in Montreal. A decade later, I'm still commuting, and lay claim to the mother lode of frequent flyer miles.
Pelletier's demande d'expertise en anthropologie was on my desk when I arrived in Montreal for my February rotation.
It was now Wednesday, February 16, and the chimney bones formed a complete skeleton on my worktable. Though the victim hadn't been a believer in regular checkups, eliminating dental records as an option, all skeletal indicators fit Bellemare. Age, sex, race, and height estimates, along with surgical pins in the right fibula and tibia, told me I was looking at the long-lost Cowboy.
Other than a hairline fracture of the cranial base, probably caused by the unplanned chimney dive, I'd found no evidence of trauma.
I was pondering how and why a man goes up on a roof and falls down the chimney, when the phone rang.
"It seems I need your assistance, Temperance." Only Pierre LaManche called me by my full name, hitting hard on the last syllable, and rhyming it with "sconce" instead of "fence." LaManche had assigned himself a cadaver that I suspected might present decomposition issues.
"Oui." My boss paused. "And other complicating factors."
"I'll be right down."
After saving the Bellemare report on disk, I left my lab, passed through the glass doors separating the medico-legal section from the rest of the floor, turned into a side corridor, and pushed a button beside a solitary elevator. Accessible only through the two secure levels comprising the LSJML, and through the coroner's office below on eleven, this lift had a single destination: the morgue.
Descending to the basement, I reviewed what I'd learned at that morning's staff meeting.
Avram Ferris, a fifty-six-year-old Orthodox Jew, had gone missing a week earlier. Ferris's body had been discovered late yesterday in a storage closet on the upper floor of his place of business. No signs of a break-in. No signs of a struggle. Employee said he'd been acting odd. Death by self-inflicted gunshot wound was the on-scene assessment. The man's family was adamant in its rejection of suicide as an explanation.
The coroner had ordered an autopsy. Ferris's relatives and rabbi had objected. Negotiations had been heated.
I was about to see the compromise that had been reached.
And the handiwork of the cats.
From the elevator, I turned left, then right toward the morgue. Nearing the outer door to the autopsy wing, I heard sounds drifting from the family room, a forlorn little chamber reserved for those called upon to identify the dead.
Soft sobbing. A female voice.
I pictured the bleak little space with its plastic plants and plastic chairs and discreetly curtained window, and felt the usual ache. We did no hospital autopsies at the LSJML. No end-stage liver disease. No pancreatic cancer. We were scripted for murder, suicide, accidental and sudden and unexpected death. The family room held those just ambushed by the unthinkable and unforeseen. Their grief never failed to touch me.
Pulling open a bright blue door, I proceeded down a narrow corridor, passing computer stations, drying racks, and stainless steel carts on my right, more blue doors on my left, each labeled salle d'autopsie. At the fourth door, I took a deep breath and entered.
Along with the skeletal, I get the burned, the mummified, the mutilated, and the decomposed. My job is to restore the identity death has erased. I frequently use room four since it is outfitted with special ventilation. This morning the system was barely keeping up with the odor of decay.
Some autopsies play to an empty house. Some pack them in. Despite the stench, Avram Ferris's postmortem was standing room only.
LaManche. His autopsy tech, Lisa. A police photographer. Two uniforms. A Sûrété du Québec detective I didn't know. Tall guy, freckled, and paler than tofu.
An SQ detective I did know. Well. Andrew Ryan. Six-two. Sandy hair. Viking blue eyes.
We nodded to each other. Ryan the cop. Tempe the anthropologist.
If the official players weren't crowd enough, four outsiders formed a shoulder-to-shoulder wall of disapproval at the foot of the corpse.
I did a quick scan. All male. Two midfifties, two maybe closing out their sixties. Dark hair. Glasses. Beards. Black suits. Yarmulkes.
The wall regarded me with appraising eyes. Eight hands stayed clasped behind four rigid backs.
LaManche lowered his mask and introduced me to the quartet of observers.
"Given the condition of Mr. Ferris's body, an anthropologist is needed."
Four puzzled looks.
"Dr. Brennan's expertise is skeletal anatomy." LaManche spoke English. "She is fully aware of your special needs."
Other than careful collection of all blood and tissue, I hadn't a clue of their special needs.
"I'm very sorry for your loss," I said, pressing my clipboard to my chest.
Four somber nods.
Their loss lay at center stage, plastic sheeting stretched between his body and the stainless steel. More sheeting had been spread on the floor below and around the table. Empty tubs, jars, and vials sat ready on a rolling cart.
The body had been stripped and washed, but no incision had been made. Two paper bags lay flattened on the counter. I assumed LaManche had completed his external exam, including tests for gunpowder and other trace evidence on Ferris's hands.
Eight eyes tracked me as I crossed to the deceased. Observer number four reclasped his hands in front of his genitals.
Avram Ferris didn't look like he'd died last week. He looked like he'd died during the Clinton years. His eyes were black, his tongue purple, his skin mottled olive and eggplant. His gut was distended, his scrotum ballooned to the size of beach balls.
I looked to Ryan for an explanation.
"Temperature in the closet was pushing ninety-two," he said.
"Why so hot?"
"We figure one of the cats brushed the thermostat," Ryan said.
I did a quick calculation. Ninety-two Fahrenheit. About thirty-five Celsius. No wonder Ferris was setting a land record for decomposition.
But heat had been just one of this gentleman's problems.
When hungry, the most docile among us grow cranky. When starved, we grow desperate. Id overrides ethics. We eat. We survive. That common instinct drives herd animals, predators, wagon trains, and soccer teams.
Even Fido and Fluffy go vulture.
Avram Ferris had made the mistake of punching out while trapped with two domestic shorthairs and a Siamese.
And a short supply of Friskies.
I moved around the table.
Ferris's left temporal and parietal bones were oddly splayed. Though I couldn't see the occipital, it was obvious the back of his head had taken a hit.
Pulling on gloves, I wedged two fingers under the skull and palpated. The bone yielded like sludge. Only scalp tissue was keeping the flip side together.
I eased the head down and examined the face.
It was difficult to imagine what Ferris had looked like in life. His left cheek was macerated. Tooth marks scored the underlying bone, and fragments glistened opalescent in the angry red stew.
Though swollen and marbled, Ferris's face was largely intact on the right.
I straightened, considered the patterning of the mutilation. Despite the heat and the smell of putrefaction, the cats hadn't ventured to the right of Ferris's nose or south to the rest of the body.
I understood why LaManche needed me.
"There was an open wound on the left side of the face?" I asked him.
"Oui. And another at the back of the skull. The putrefaction and scavenging make it impossible to determine bullet trajectory."
"I'll need a full set of cranial X-rays," I said to Lisa.
"All angles. And I'll need the skull."
"Impossible." Observer four again came alive. "We have an agreement."
LaManche raised a gloved hand. "I have the responsibility to determine the truth in this matter."
"You gave your word there would be no retention of specimens." Though the man's face was the color of oatmeal, a pink bud was mushrooming on each of his cheeks.
"Unless absolutely unavoidable." LaManche was all reason.
Observer four turned to the man on his left. Observer three raised his chin and gazed d...
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