The complete graphic novel cycle, with Ellison's short stories featuring illustrations by Corben. Beginning with "Eggsucker," chronicling the early days between 14-year-old loner Vic and his brilliant, telepathic dog, Blood, the book continues and expands into "A Boy and his Dog," showing how much smarter Blood is and how loyal Vic is. Each adaptation is followed by the actual Ellison short story, illustrated with previously unpublished art by Corben.
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Harlan Ellison has been called “one of the great living American short story writers” by the Washington Post. In a career spanning more than fifty years, he has won more awards than any other living fantasist. Ellison has written or edited one hundred fourteen books; more than seventeen hundred stories, essays, articles, and newspaper columns; two dozen teleplays; and a dozen motion pictures. He has won the Hugo Award eight and a half times (shared once); the Nebula Award three times; the Bram Stoker Award, presented by the Horror Writers Association, five times (including the Lifetime Achievement Award in 1996); the Edgar Award of the Mystery Writers of America twice; the Georges Melies Fantasy Film Award twice; and two Audie Awards (for the best in audio recordings); and he was awarded the Silver Pen for Journalism by PEN, the international writers’ union. He was presented with the first Living Legend Award by the International Horror Critics at the 1995 World Horror Convention. Ellison is the only author in Hollywood ever to win the Writers Guild of America award for Outstanding Teleplay (solo work) four times, most recently for “Paladin of the Lost Hour,” his Twilight Zone episode that was Danny Kaye’s final role, in 1987. In 2006, Ellison was awarded the prestigious title of Grand Master by the Science Fiction and Fantasy Writers of America. Dreams With Sharp Teeth, the documentary chronicling his life and works, was released on DVD in May 2009.From Publishers Weekly:
Admirers of Ellison's Nebula-winning novella A Boy and His Dog (which was the basis of the cult film of the same title) will undoubtedly embrace this perplexing look at the creative process. The author disavows the film's misogynistic conclusion, but he realizes the strength of its characters: teenaged Vic and his telepathic dog, Blood, who are trying to survive in a post-WWIII wasteland. With this basis, Ellison wrote two more short stories about Vic and Blood (after A Boy and His Dog), explaining more of their prickly but trusting relationship, and showing the emotional consequences of Vic's actions in the original story. Now, Ellison says he's finished telling the overall story by writing Blood's a Rover as a screenplay that he'll later convert into a novel. In the meantime, this worthwhile book collects the texts of all three existing stories, along with some commentary. Unfortunately, a comics adaptation by Corben precedes each story, detracting from what Ellison is doing. Corben is best when depicting extremely grotesque situations, such as his version of Hodgson's The House on the Borderland. But that's only one aspect of Vic and Blood's world. When, for example, Vic is trapped in a "downunder"-one of the huge fallout shelters where WASP America has tried to preserve its way of life by severing ties to the survivors on the surface-he is nauseated by its banal wholesomeness, but Corben's inability to execute subtle exaggeration fails to suggest this. Still, an Ellison performance is always fascinating.
Copyright 2003 Reed Business Information, Inc.
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Book Description IBooks, 2003. Paperback. Book Condition: New. book. Bookseller Inventory # M0743459032
Book Description IBooks, 2003. Paperback. Book Condition: New. Never used!. Bookseller Inventory # P110743459032
Book Description IBooks. PAPERBACK. Book Condition: New. 0743459032 New Condition. Bookseller Inventory # NEW7.0300425
Book Description IBooks, 2003. Paperback. Book Condition: New. Bookseller Inventory # DADAX0743459032