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Here's where it all began -- the three audiobooks that first brought us Stephanie Plum, that bounty hunter with attitude who stepped out of Trenton's blue-collar "burg" and into the heart of America.
ONE FOR THE MONEY: Stephanie's all grown up and on her own, living five miles from Mom and Dad and doing her best to sever the world's longest cord. Out of work and out of money, Stephanie blackmails her bail-bondsman cousin Vinnie into giving her a try as an apprehension agent. Her first assignment: nail Joe Morelli, a former vice cop on the run from a charge of murder one. Morelli's the inamorata who charmed Stephanie out of her virginity at age sixteen. There's still powerful chemistry between them, so the chase is interesting.
TWO FOR THE DOUGH: Stephanie takes to the mean streets of Trenton, armed with attitude (not to mention stun guns and defense sprays), to find Kenny Mancuso. Aided by her irrepressible Grandma Mazur, Stephanie forms a shaky alliance with her favorite cop, Joe Morelli, for a tumultuous chase through back alleys and Grandma's favorite funeral parlors.
THREE TO GET DEADLY: Stephanie is having a bad hair day -- for the whole month of January. She's looking for Mo Bedemier, Trenton's most beloved citizen, who got charged with carrying concealed and skipped bail. To help her she's got Lula, a former hooker turned file clerk itching to lock up a crook in the trunk of her car. And Morelli, the cop with the slow-burning smile, is acting polite even after Stephanie finds more bodies than the Trenton PD has seen in years.
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Janet Evanovich is the #1 New York Times bestselling author of the Stephanie Plum series, the coauthored Fox and O’Hare series, the Knight and Moon series, and the Lizzy and Diesel series as well as twelve romance novels, the Alexandra Barnaby novels, and Troublemaker graphic novel.Excerpt. © Reprinted by permission. All rights reserved.:
There are some men who enter a woman's life and screw it up forever. Joseph Morelli did this to me -- not forever, but periodically.
Morelli and I were both born and raised in a blue-collar chunk of Trenton called the burg. Houses were attached and narrow. Yards were small. Cars were American. The people were mostly of Italian descent, with enough Hungarians and Germans thrown in to offset inbreeding. It was a good place to buy calzone or play the numbers. And, if you had to live in Trenton anyway, it was an okay place to raise a family.
When I was a kid I didn't ordinarily play with Joseph Morelli. He lived two blocks over and was two years older. "Stay away from those Morelli boys," my mother had warned me. "They're wild. I hear stories about the things they do to girls when they get them alone."
"What kind of things?" I'd eagerly asked.
"You don't want to know," my mother had answered. "Terrible things. Things that aren't nice."
From that moment on, I viewed Joseph Morelli with a combination of terror and prurient curiosity that bordered on awe. Two weeks later, at the age of six, with quaking knees and a squishy stomach, I followed Morelli into his father's garage on the promise of learning a new game.
The Morelli garage hunkered detached and snubbed at the edge of their lot. It was a sorry affair, lit by a single shaft of light filtering through a grime-coated window. Its air was stagnant, smelling of corner must, discarded tires, and jugs of used motor oil. Never destined to house the Morelli cars, the garage served other purposes. Old Man Morelli used the garage to take his belt to his sons, his sons used the garage to take their hands to themselves, and Joseph Morelli took me, Stephanie Plum, to the garage to play train.
"What's the name of this game?" I'd asked Joseph Morelli.
"Choo-choo," he'd said, down on his hands and knees, crawling between my legs, his head trapped under my short pink skirt. "You're the tunnel, and I'm the train."
I suppose this tells something about my personality. That I'm not especially good at taking advice. Or that I was born with an overload of curiosity. Or maybe it's about rebellion or boredom or fate. At any rate, it was a one-shot deal and darn disappointing, since I'd only gotten to be the tunnel, and I'd really wanted to be the train.
Ten years later, Joe Morelli was still living two blocks over. He'd grown up big and bad, with eyes like black fire one minute and melt-in-your-mouth chocolate the next. He had an eagle tattooed on his chest, a tight-assed, narrow-hipped swagger, and a reputation for having fast hands and clever fingers.
My best friend, Mary Lou Molnar, said she heard Morelli had a tongue like a lizard.
"Holy cow," I'd answered, "what's that supposed to mean?"
"Just don't let him get you alone or you'll find out. Once he gets you alone...that's it. You're done for."
I hadn't seen much of Morelli since the train episode. I supposed he'd enlarged his repertoire of sexual exploitation. I opened my eyes wide and leaned closer to Mary Lou, hoping for the worst. "You aren't talking about rape, are you?"
"I'm talking about lust! If he wants you, you're doomed. The guy is irresistible."
Aside from being fingered at the age of six by you-know-who, I was untouched. I was saving myself for marriage, or at least for college. "I'm a virgin," I said, as if this was news. "I'm sure he doesn't mess with virgins."
"He specializes in virgins! The brush of his fingertips turns virgins into slobbering mush."
Two weeks later, Joe Morelli came into the bakery where I worked every day after school, Tasty Pastry, on Hamilton. He bought a chocolate-chip cannoli, told me he'd joined the navy, and charmed the pants off me four minutes after closing, on the floor of Tasty Pastry, behind the case filled with chocolate éclairs.
The next time I saw him, I was three years older. I was on my way to the mall, driving my father's Buick when I spotted Morelli standing in front of Giovichinni's Meat Market. I gunned the big V-8 engine, jumped the curb, and clipped Morelli from behind, bouncing him off the front right fender. I stopped the car and got out to assess the damage. "Anything broken?"
He was sprawled on the pavement, looking up my skirt. "My leg."
"Good," I said. Then I turned on my heel, got into the Buick, and drove to the mall.
I attribute the incident to temporary insanity, and in my own defense, I'd like to say I haven't run over anyone since.
During winter months, wind ripped up Hamilton Avenue, whining past plate-glass windows, banking trash against curbs and storefronts. During summer months, the air sat still and gauzy, leaden with humidity, saturated with hydrocarbons. It shimmered over hot cement and melted road tar. Cicadas buzzed, Dumpsters reeked, and a dusty haze hung in perpetuity over softball fields statewide. I figured it was all part of the great adventure of living in New Jersey.
This afternoon I'd decided to ignore the August buildup of ozone catching me in the back of my throat and go, convertible top down, in my Mazda Miata. The air conditioner was blasting flat out, I was singing along with Paul Simon, my shoulder-length brown hair was whipping around my face in a frenzy of frizz and snarls, my ever vigilant blue eyes were coolly hidden behind my Oakleys, and my foot rested heavy on the gas pedal.
It was Sunday, and I had a date with a pot roast at my parents' house. I stopped for a light and checked my rearview mirror, swearing when I saw Lenny Gruber two car lengths back in a tan sedan. I thunked my forehead on the steering wheel. "Damn." I'd gone to high school with Gruber. He was a maggot then, and he was a maggot now. Unfortunately, he was a maggot with a just cause. I was behind on my Miata payments, and Gruber worked for the repo company.
Six months ago, when I'd bought the car, I'd been looking good, with a nice apartment and season tickets to the Rangers. And then bam! I got laid off. No money. No more A-1 credit rating.
I rechecked the mirror, set my teeth, and yanked up the emergency brake. Lenny was like smoke. When you tried to grab him, he evaporated, so I wasn't about to waste this one last opportunity to bargain. I hauled myself out of my car, apologized to the man caught between us, and stalked back to Gruber.
"Stephanie Plum," Gruber said, full of joy and faux surprise. "What a treat."
I leaned two hands on the roof and looked through the open window at him. "Lenny, I'm going to my parents' house for dinner. You wouldn't snatch my car while I was at my parents' house, would you? I mean, that would be really low, Lenny."
"I'm a pretty low guy, Steph. That's why I've got this neat job. I'm capable of most anything."
The light changed, and the driver behind Gruber leaned on his horn.
"Maybe we can make a deal," I said to Gruber.
"Does this deal involve you getting naked?"
I had a vision of grabbing his nose and twisting it Three Stooges style until he squealed like a pig. Problem was, it'd involve touching him. Better to go with a more restrained approach. "Let me keep the car tonight, and I'll drive it to the lot first thing tomorrow morning."
"No way," Gruber said. "You're damn sneaky. I've been chasing after this car for five days."
"So, one more won't matter."
"I'd expect you to be grateful, you know what I mean?"
I almost gagged. "Forget it. Take the car. In fact, you could take it right now. I'll walk to my parents'."
Gruber's eyes were locked halfway down my chest. I'm a 36B. Respectable but far from overwhelming on my 5' 7" frame. I was wearing black spandex shorts and an oversized hockey jersey. Not what you would call a seductive outfit, but Lenny was ogling anyway.
His smile widened enough to show he was missing a molar. "I guess I could wait for tomorrow. After all, we did go to high school together."
"Un huh." It was the best I could do.
Five minutes later I turned off Hamilton onto Roosevelt. Two blocks to my parents' house, and I could feel familial obligation sucking at me, pulling me into the heart of the burg. This was a community of extended families. There was safety here, along with love, and stability, and the comfort of ritual. The clock on the dash told me I was seven minutes late, and the urge to scream told me I was home.
I parked at the curb and looked at the narrow two-story duplex with its jalousied front porch and aluminum awnings. The Plum half was yellow, just as it had been for forty years, with a brown shingle roof. Snowball bushes flanked either side of the cement stoop, and red geraniums had been evenly spaced the length of the porch. It was basically a flat. Living room in front, dining room in the middle, kitchen at the rear. Three bedrooms and bath upstairs. It was a small, tidy house crammed with kitchen smells and too much furniture, comfortable with its lot in life.
Next door, Mrs. Markowitz, who was living on social security and could only afford closeout paint colors, had painted her side lime green.
My mother was at the open screen door. "Stephanie," she called. "What are you doing sitting out there in your car? You're late for dinner. You know how your father hates to eat late. The potatoes are getting cold. The pot roast will be dry."
Food is important in the burg. The moon revolves around the earth, the earth revolves around the sun, and the burg revolves around pot roast. For as long as I can remember, my parents' lives have been controlled by five-pound pieces of rolled rump, done to perfection at six o'clock.
Grandma Mazur stood two feet back from my mother. "I gotta get me a pair of those," she said, eyeballing my shorts. "I've still got pretty good legs, you know." She raised her skirt and looked down at her knees. "What do you think? You think I'd look good in them biker things?"
Grandma Mazur had knees like doorknobs. She'd been a beauty in her time...
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Book Description Simon & Schuster Audio, 2001. Audio CD. Condition: New. Never used!. Seller Inventory # P110743509471
Book Description Simon & Schuster Audio, 2001. Audio CD. Condition: New. Brand New!. Seller Inventory # VIB0743509471
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Book Description Simon & Schuster Audio, 2001. Audio CD. Condition: New. Abridged. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. Buy with confidence, excellent customer service!. Seller Inventory # 0743509471n