Like a photographer with his camera, John Berger uses words to capture moments: preserving them, denying their inherent transience. A passing encounter, an almost unnoticed gesture, a brief pause--Berger observes and transcribes them, and in so doing uncovers the extraordinary heart of the ordinary. This collection of stories brings a richly imagined landscape of elusive and ephemeral moments into eloquent existence.
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As well known for his art criticism as his novels, which include Pig Earth and To the Wedding, John Berger brings a visual acumen to his prose. And as a Marxist living among French peasantry, his politics inform his writing as well. The three--visual art, Marxist politics, poetic fiction--combine in these stories, or rather "memory visions," in a most effective way. The resulting alloy is larger than the elements, a beautiful and lyrical collection of narrative strands, frugal and melancholoy in tone.About the Author:
John Berger was born in London in 1926. He is well known for his novels and stories as well as for his works of nonfiction, including several volumes of art criticism. His first novel, A Painter of Our Time, was published in 1958, and since then his books have included Ways of Seeing, the fiction trilogy Into Their Labours, and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and lived in a small village in the French Alps. He died in 2017.
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Book Description Bloomsbury Publishing PLC, 1997. Book Condition: New. This item is printed on demand for shipment within 3 working days. Bookseller Inventory # GM9780747531722
Book Description Bloomsbury, 1997. Paperback. Book Condition: NEW. 9780747531722 This listing is a new book, a title currently in-print which we order directly and immediately from the publisher. Bookseller Inventory # HTANDREE0858725