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Coraline went exploring one day . . .
Her family has just moved to a completely new town, and so Coraline already feels a bit strange. In her new house there is one door that opens onto a brick wall. At least, it does until one day the bricks are gone and Coraline finds herself stepping over the threshold into another house . . . a house that's just like hers.
At first things appear marvelous in this other house. The food is better. The toy box is filled with windup angels that flutter about, books whose pictures crawl and shimmer, and little dinosaur skulls that chatter their teeth. But there's another mother and another father—and they want Coraline to be their little girl and stay with them forever. They want to change her and never let her go.
Other children are also trapped, as lost souls behind a mirror, and Coraline is their only hope. She will have to find a way to meet the other mother's challenge in order to save the lost children, her ordinary life, and herself.
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Coraline lives with her preoccupied parents in part of a huge old house--a house so huge that other people live in it, too... round, old former actresses Miss Spink and Miss Forcible and their aging Highland terriers ("We trod the boards, luvvy") and the mustachioed old man under the roof ("'The reason you cannot see the mouse circus,' said the man upstairs, 'is that the mice are not yet ready and rehearsed.'") Coraline contents herself for weeks with exploring the vast garden and grounds. But with a little rain she becomes bored--so bored that she begins to count everything blue (153), the windows (21), and the doors (14). And it is the 14th door that--sometimes blocked with a wall of bricks--opens up for Coraline into an entirely alternate universe. Now, if you're thinking fondly of The Lion, the Witch, and the Wardrobe or Alice's Adventures in Wonderland, you're on the wrong track. Neil Gaiman's Coraline is far darker, far stranger, playing on our deepest fears. And, like Roald Dahl's work, it is delicious.
What's on the other side of the door? A distorted-mirror world, containing presumably everything Coraline has ever dreamed of... people who pronounce her name correctly (not "Caroline"), delicious meals (not like her father's overblown "recipes"), an unusually pink and green bedroom (not like her dull one), and plenty of horrible (very un-boring) marvels, like a man made out of live rats. The creepiest part, however, is her mirrored parents, her "other mother" and her "other father"--people who look just like her own parents, but with big, shiny, black button eyes, paper-white skin... and a keen desire to keep her on their side of the door. To make creepy creepier, Coraline has been illustrated masterfully in scritchy, terrifying ink drawings by British mixed-media artist and Sandman cover illustrator Dave McKean. This delightful, funny, haunting, scary as heck, fairy-tale novel is about as fine as they come. Highly recommended. (Ages 11 and older) --Karin SnelsonFrom the Back Cover:
"Coraline discovered the door a little while after they moved into the house. . . ."
When Coraline steps through a door to find another house strangely similar to her own (only better), things seem marvelous.
But there's another mother there, and another father, and they want her to stay and be their little girl. They want to change her and never let her go.
Coraline will have to fight with all her wit and courage if she is to save herself and return to her ordinary life.
Celebrating ten years of Neil Gaiman's first modern classic for young readers, this edition is enriched with a brand-new foreword from the author, a reader's guide, and more.
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Book Description Bloomsbury 2002, London, 2002. 170 p.romanzo - buono stato. Seller Inventory # ENG 0240