African Filmmaking: North and South of the Sahara is the first comprehensive study in English linking filmmaking in the Maghreb (Algeria, Morocco and Tunisia) with that in francophone West Africa and examining the factors (including Islam and the involvement of African and French governments) which have shaped post-independence production. The main focus is the development over forty years of two main traditions of African filmmaking: a social realist strand examining the nature of postcolonial society and a more experimental approach where emphasis is placed on new stylistic patterns able to embrace history, myth and magic. The work of younger filmmakers born since independence is examined in the light of these two traditions. Features: *An overview of the socio-political context shaped by Islam and French colonialism. *A look at filmmaking in Africa before the mid-1960s. *An examination of the inputs of African and French governments into post-independence developments North and South of the Sahara. *A historical survey of the two major tendencies in African film production over the past 40 years. *A detailed analysis of the work of five talented young filmmakers, representative of those born since independence.
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Roy Armes is Emeritus Professor of Film at Middlesex University and author of numerous books on cinema, including Postcolonial Images: Studies in North African Film (IUP, 2005), Arab and African Film Making (with Lizbeth Malkmus), and Dictionary of North African Film Makers.
African Filmmaking is very much a film studies narrative . . . For classes that cover this terrain, it is supremely useful for students. Not only does Armes canvass enormous territory, succinctly and in elegant prose, but he has also made a judicious selection of directors and films. Most important, he takes an approach that brings together North Africa and Francophone West and Central Africa to draw out insights that might otherwise be blurred . . . (AfrArts)
African Filmmaking is very much a film studies narrative . . . For classes that cover this terrain, it is supremely useful for students.[1] Not only does Armes canvass enormous territory, succinctly and in elegant prose, but he has also made a judicious selection of directors and films. Most important, he takes an approach that brings together North Africa and Francophone West and Central Africa to draw out insights that might otherwise be blurred . . . . ―H―AfrArts (Net Feb. 2008)
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Condition: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9780748621248. Seller Inventory # 8846238
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Paperback. Condition: new. Paperback. African Filmmaking: North and South of the Sahara is the first comprehensive study in English linking filmmaking in the Maghreb (Algeria, Morocco and Tunisia) with that in francophone West Africa and examining the factors (including Islam and the involvement of African and French governments) which have shaped post-independence production. The main focus is the development over forty years of two main traditions of African filmmaking: a social realist strand examining the nature of postcolonial society and a more experimental approach where emphasis is placed on new stylistic patterns able to embrace history, myth and magic. The work of younger filmmakers born since independence is examined in the light of these two traditions.Features: *An overview of the socio-political context shaped by Islam and French colonialism.*A look at filmmaking in Africa before the mid-1960s.*An examination of the inputs of African and French governments into post-independence developments North and South of the Sahara.*A historical survey of the two major tendencies in African film production over the past 40 years.*A detailed analysis of the work of five talented young filmmakers, representative of those born since independence. A study of African filmmaking Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780748621248
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Paperback. Condition: New. African Filmmaking: North and South of the Sahara is the first comprehensive study in English linking filmmaking in the Maghreb (Algeria, Morocco and Tunisia) with that in francophone West Africa and examining the factors (including Islam and the involvement of African and French governments) which have shaped post-independence production. The main focus is the development over forty years of two main traditions of African filmmaking: a social realist strand examining the nature of postcolonial society and a more experimental approach where emphasis is placed on new stylistic patterns able to embrace history, myth and magic. The work of younger filmmakers born since independence is examined in the light of these two traditions.Features: *An overview of the socio-political context shaped by Islam and French colonialism.*A look at filmmaking in Africa before the mid-1960s.*An examination of the inputs of African and French governments into post-independence developments North and South of the Sahara.*A historical survey of the two major tendencies in African film production over the past 40 years.*A detailed analysis of the work of five talented young filmmakers, representative of those born since independence. Seller Inventory # LU-9780748621248
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Condition: New. A study of African filmmaking Series: Traditions in World Cinema. Num Pages: 240 pages, 12 black & white illustrations. BIC Classification: 1H; APF. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 232 x 156 x 13. Weight in Grams: 368. . 2006. Paperback. . . . . Seller Inventory # V9780748621248
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