Including pieces by creative critics as varied as Anne Carson, Jacques Derrida, Geoff Dyer, Hélène Cixous, Ali Smith, and John Cage, this anthology and guide celebrates the formal and intellectual inventiveness of works which also demonstrate a deep fidelity to the writing or art they address. The Anthology is of interest to all students, teachers and critics of literature and creative writing, and especially those students who are required to write critical essays. All 14 texts included respond innovatively to the question: How do we write criticism? As examples of academic critical writing they are all sympathetic to works whose aim is to change the ways in which we see and describe our world.
Unique as an anthology of and guide to creative critical writing
Demonstrates a range of ways to write critically and creatively
Extensive introduction & explanatory headnotes to each text
Roland Barthes, from A Lover's Discourse: Fragments; John Cage, from 'Where Are We Going? And What Are We Doing'; Anne Carson, 'Every Exit is an Entrance (A Praise of Sleep)'; Hélène Cixous, 'Without end, no, State of drawingness, no, rather: The Executioner's taking off'; Jacques Derrida 'Aphorism Countertime'; Geoff Dyer, from Out of Sheer Rage: In the Shadow of D.H. Lawrence; Benjamin Friedlander, 'Gertrude Stein: A Retrospective Criticism'; Peter Gizzi, 'Correspondences of the Book'; Kevin Kopelson, 'Music Lessons'; Denise Riley, 'Lyric Selves'; Eve Sedgwick, 'Jane Austen and the Masturbating Girl'; Ali Smith, 'Green'; John Wilkinson, 'Imperfect Pitch'; Sarah Wood, 'Anew Again'.
"synopsis" may belong to another edition of this title.
Stephen Benson teaches in the School of Literature, Drama and Creative Writing at the University of East Anglia. He is the author of Cycles of Influence: Fiction, Folktale, Theory (Wayne State University Press, 2002) and Literary Music: Writing Music in Contemporary Fiction (Ashgate, 2006), and the editor of Contemporary Fiction and the Fairy Tale (2008).
Clare Connors is a Lecturer in the School of Literature, Drama and Creative Writing at the University of East Anglia. She is the author of Literary Theory: A Beginner's Guide (Oneworld Publications, 2010) and Force from Nietzsche to Derrida (Legenda, 2010).
Inspiring reading for anyone frustrated by the institutional and social barriers between the values of literature and those of academia.
-- Forum for Modern Language Studies (2015) 51 (2): 231
"About this title" may belong to another edition of this title.
Book Description Oxford University Press. Book Condition: New. Brand New. Bookseller Inventory # 0748674322
Book Description 2014. HRD. Book Condition: New. New Book. Shipped from US within 10 to 14 business days. Established seller since 2000. Bookseller Inventory # VU-9780748674329
Book Description EDINBURGH UNIVERSITY PRESS, United Kingdom, 2014. Hardback. Book Condition: New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. This is the first anthology and guide to the creative possibilities of critical writing. We murder to dissect writes Wordsworth. It s a sentiment shared by many lovers of literature and art, as well as by artists and writers themselves. Too often academic critical writing seems to annihilate what it analyses. Too often, it brings pre-packaged language to bear on works whose whole essence and aim is to change the ways in which we see and describe our world. How, then, to write criticism? Creative-Critical Writing: An Anthology and Guide gathers together, for the first time, writers who strive to find answers to this dilemma. Including works by creative critics as different from one another as Anne Carson and Jacques Derrida, Geoff Dyer and Helene Cixous, it celebrates writing whose formal and intellectual inventiveness is inseparable from a deep fidelity to the writing, art or music it addresses. The Reader offers at once a guide and a goad for all students and teachers and critics of literature and creative writing. It offers a thorough introduction to the theory and practice of creative-critical writing. It is an anthology of innovative and inventive work from some of the most influential writer-critics of the past thirty years. Bookseller Inventory # BTE9780748674329
Book Description Edinburgh University Press, 2014. Hardcover. Book Condition: New. book. Bookseller Inventory # M0748674322
Book Description 2014. Hardcover. Book Condition: New. Hardcover. This is the first anthology and guide to the creative possibilities of critical writing. 'We murder to dissect' writes Wordsworth. It's a sentiment shared by many lovers of li.Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. 320 pages. 0.614. Bookseller Inventory # 9780748674329
Book Description Edinburgh Univ Pr, 2014. Hardcover. Book Condition: Brand New. 1st edition. 320 pages. 9.00x5.00x1.00 inches. In Stock. Bookseller Inventory # 0748674322