The tale of K’s arrival in the village below the castle that seems to rule it is Kafka’s Magnum Opus. The study of relationships, particularly between the individual and society, and between thought and action, epitomizes Kafka’s vision of twentieth-century alienation and anxiety.
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They are perhaps the most famous literary instructions never followed: "Dearest Max, my last request: Everything I leave behind me ... in the way of diaries, manuscripts, letters (my own and others'), sketches, and so on, [is] to be burned unread...." Thankfully, Max Brod did not honor his friend Franz Kafka's final wishes. Instead, he did everything within his power to ensure that Kafka's work would find publication--including making some sweeping changes in the original texts. Until recently, the world has known only Brod's version of Kafka, with its altered punctuation, word order, and chapter divisions. Restoring much of what had previously been expunged, as well as the fluid, oral quality of Kafka's original German, Mark Harman's new translation of The Castle is a major literary event.
One of three unfinished novels left after Kafka's death, The Castle is in many ways the writer's most enduring and influential work. In Harman's muscular translation, Kafka's text seems more modern than ever, the words tumbling over one another, the sentences separated only by commas. Harman's version also ends the same way as Kafka's original manuscript--that is, in mid-sentence: "She held out her trembling hand to K. and had him sit down beside her, she spoke with great difficulty, it was difficult to understand her, but what she said--." For anyone used to reading Kafka in his artificially complete form, the effect is extraordinary; it is as if Kafka himself had just stepped from the room, leaving behind him a work whose resolution is the more haunting for being forever out of reach.
Mark Harman's new translation of "The Castle" was the winner of the Modern Language Association's Lois Roth Award (1999). The jury's citation read as follows:
"Mark Harman has produced a worthy successor to the long-established 1930 translation by Edwin Muir and Willa Muir. While maintaining high standards of literal accuracy and employing an English that is contemporary in its vocabulary and idiom, he has also fashioned a style that expressively re-creates Kafka's unsettling blend of the mundane and the unnerving, the wryly comic and the obliquely menacing. Harman's syntax in particular, with its controlled and grammatically subversive use of comma splices, captures the narrative's progressive mood of disorientation and bafflement. Mark Harman's translation has recharged the imaginative energy and impact of Kafka's novel, ensuring that its influence in English-speaking countries will in the next century be as powerful as it has been in this."
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Paperback. Condition: Very Good. The Castle (Vintage Classics) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. Seller Inventory # 7719-9780749399528
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Paperback. Condition: new. Paperback. 'He is the greatest German writer of our time. Such poets as Rilke or such novelists as Thomas Mann are dwarfs or plaster saints in comparison to him' Vladimir Nabokov'He is the greatest German writer of our time. Such poets as Rilke or such novelists as Thomas Mann are dwarfs or plaster saints in comparison to him' Vladimir NabokovThe story of K. and his arrival in a village where he is never accepted, and his relentless, unavailing struggle with authority in order to gain entrance to the castle that seems to rule it. K.'s isolation and perplexity, his begging for the approval of elusive and anonymous powers, epitomises Kafka's vision of twentieth-century alienation and anxiety. Such poets as Rilke or such novelists as Thomas Mann are dwarfs or plaster saints in comparison to him' Vladimir NabokovThe story of K. K.'s isolation and perplexity, his begging for the approval of elusive and anonymous powers, epitomises Kafka's vision of twentieth-century alienation and anxiety. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780749399528
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