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Shortlisted for the Man Booker Prize Headlong begins when Martin Clay, a young would-be art historian, believes he has discovered a missing masterpiece. The owner of the painting is oblivious to its potential and asks Martin to help him sell it, leaving Martin with the chance of a lifetime: if he could only separate the painter from its owner, he would be able to perform a great public service, to make his professional reputation, perhaps even rather a lot of money as well. But is the painting really what Martin believes it to be? As Martin is drawn further into this moral and intellectual labyrinth, events start to spiral out of control...Shortlisted for the Man Booker Prize, Whitbread Novel Award and the James Tait Black Memorial Prize for fiction, Headlong is an ingeniously comic thriller that follows a young philosophy lectuerer's obsessive race through the art world in search of an elusive masterpiece. Michael Frayn's other novels include Spies, which won the Whitbread Best Novel award, and Skios, which was longlisted for the Booker Prize.
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With its sumptuous surfaces and alluring sense of gravitas, classic Dutch painting has fascinated writers for centuries. It's easy to see why. Giant religious representations and gaudy classical scenes already have the weight of literature behind them. But an enigmatic portrait or dimly lit interior seems like a virtual incubator for narrative, and now Michael Frayn joins the Netherlandish fray in Headlong, which features a Bruegel canvas in the starring role.
The other star of the novel is youngish art historian Martin Clay (a Hugh Grant character gone to fat), who identifies the lost Bruegel in a tumbledown country home. The picture elicits an immediate shock of recognition:
Already, somewhere in those first few instants, something has begun to stir inside me. In my head, in the pit of my stomach. It's as if the sun's emerging from the clouds, and the world's changing in front of my eyes, from grey to golden. I can feel the warmth of the sunlight spreading over my skin, passing like a wave of beneficence through my entire body.The sight of this masterwork glimmering through the "grimy pane of time" fires up Martin's customarily dilettantish intellect, and he decides to secure it for the nation--and make himself a fortune--without revealing its true value to the owner. Much double-dealing, bamboozling, and suppressed hysteria ensue as he and the owner try to outfox each other. Yet the heart of the novel is Martin's search for the meaning of the painting that has become his "triumph and torment and downfall." Bouncing from gallery to museum to library, he delivers an extended (and entertaining) lesson on iconography and landscape.
As Martin's obsession takes hold, the pace of the novel also accelerates into a breathless rush of action, comic anguish, and scholarly speculation. Not surprisingly, some of Martin's machinations go haywire, which leads to a certain amount of irritating slapstick--shady deals in underground parking lots, art treasures being tipped into the back of a filthy Land Rover, and so forth. But even if he makes his plot work overtime, Frayn is superb in the quest for the meaning of art, not to mention the lure of money and intellectual reputation. And for that alone, Headlong deserves to be called picture perfect. --Eithne FarryAbout the Author:
Michael Frayn was born in London in 1933 and began his career as a journalist on the Guardian and the Observer. His novels include Towards the End of the Morning, The Trick of It and A Landing on the Sun. Headlong (1999) was shortlisted for the Booker Prize and Spies (2002) won the Whitbread Best Novel Award. His most recent novel, Skios, was longlisted for the Booker Prize. His fifteen plays range from Noises Off to Copenhagen and, most recently, Afterlife. He is married to the writer Claire Tomalin.
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Book Description Chivers Audio Books, 2001. Condition: UsedAcceptable. book. Seller Inventory # M0754005674_4