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Diane is the frank and compelling story of an extraordinary woman and her adventures in fashion, business, and life. "Most fairy tales end with the girl marrying the prince. That's where mine began," says Diane Von Furstenberg.
She didn't have to work, but she did. She lived the American Dream before she was thirty, building a multimillion-dollar fashion empire while raising two children and living life in the fast lane.
Von Furstenberg's wrap dress, a cultural phenomenon in the seventies, hangs in the Smithsonian Institution. "No one was making a little bourgeois dress, so I did," she told Newsweek in her 1976 cover story. The dress achieved such popularity that in the five years it was on the market, Diane sold more than five million of them. Her entry into the beauty business in 1979 was as serendipitous and as successful.
Diane learned her trade in the trenches, crisscrossing the country to make personal appearances at department stores, selling her dresses and cosmetics. "As I was learning to be a woman and enjoying being one, I was sharing my discoveries, designing for my needs, and making a business of it," she writes. That business had its ups and downs. Eventually, there was so much demand for and exposure of the dress that the market became saturated; on the verge of bankruptcy, she licensed that part of the business, focusing on her fragrance and beauty products.
Von Furstenberg's personal world unraveled a bit in 1980 when her mother, Lily, a survivor of Auschwitz, had a breakdown. Diane of course knew about her mother's experience in the camps, though her mother had never wanted to dwell on it. She understood that her own need for freedom came from her mother's lack of it, and that her resilience derived from her mother's life lesson to always turn a negative into a positive.
Leaving the glitz of Manhattan and the music of Studio 54 behind, Diane escaped to Bali with her children, returning inspired and renewed. With all of this energy, the cosmetics business flourished. But it grew so fast that in 1983 she found herself undercapitalized and was forced to sell.
In 1985, having given up control of her brand to licensees and with her children away at school, Diane turned her back on America and packed for Paris. She spent four years in her new role as part of the literary scene there, trading in her spike heels for flat shoes and tweed.
In 1990, she found she missed the chase and returned to New York to regain control of her name and relaunch her company. Frustrated by the degraded status of her brand and dismissed by the retail community, she searched for a new way to reconnect with her customers. She found it through the revolutionary new medium of teleshopping and once again became a success. However, she still wanted to return to retail.
In 1997, as the wrap dress was making a comeback with the nostalgia for the seventies, Von Furstenberg, with the help of her beautiful daughter-in-law, Alexandra, redesigned the dress for the nineties and made her name relevant to a whole new generation.
Now, at fifty, Diane works to make sense of the contradictions in her life: glamour vs. hard work, European vs. American, daughter of a Holocaust survivor vs. wife of an Austro-Italian prince, mother vs. entrepreneur, lover vs. tycoon. She emerges wiser, stronger, and ever more determined never to sacrifice her passion for life.
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Diane Von Furstenberg is a designer and entrepreneur who created one of the world's most recognized fashion labels. She has two grown children and divides her time between her design studio in New York and homes in Connecticut, Paris, and the Bahamas.From Kirkus Reviews:
Build a better dress and they will come: this is the theme of this celebrity autobiography by designer/jet setter Von Furstenberg. The daughter of a concentration camp survivor, 22-year-old Von Furstenberg was living in 1960s New York with her husband, German Prince Eduard Egon Von Furstenberg, when she introduced the dress that would make her a fashion icon and a millionaire in her own right. The wrap dress, she says, was `' . . . nothing really. just a few yards of fabric with two sleeves and a wide wrap sash.'' But it caught the imaginations of millions of women and even entered the Smithsonian Institution's pop culture collection. Von Furstenberg also worked hard, crisscrossed the country promoting her line of clothing, sometimes chasing a potential customer across the selling floor to insist the matron was not ``too old and too fat'' to wear the dress. Although separated from her husband after less than four years of marriage, Von Furstenberg was devoted to her two children, characterizing herself as as ``a single, working mother.'' Unlike most single mothers, she dined and danced at the White House, becoming friends with Henry Kissinger, California's former governor Jerry Brown, and movie mogul Barry Diller. When women's power suits and some unfortunate business decisions led to the decline of The Dress and of the value of her name, she sold it all (very profitably) and moved to Paris with an Italian novelist. There she ran a literary salon, welcoming writers from Alberto Moravia to Bret Easton Ellis. But business was where her talent lay; she returned to New York in 1989 and found her way onto QVC, a TV shopping channel, where in four years she sold $40 million worth of her designs. She also survived a bout with cancer. Decorated by a glamorous roster of friends and acquaintances (from Andy Warhol to Queen Elizabeth II), this biography is direct and unpretentious, but essentially insubstantialmuch like the wrap dress. (16 pages b&w photos, not seen) (Author tour) -- Copyright ©1998, Kirkus Associates, LP. All rights reserved.
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