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When it was first published in 1993, The Lone Ranger and Tonto Fistfight in Heaven established Sherman Alexie as a stunning new talent of American letters. The basis for the award-winning movie Smoke Signals, it remains one of his most beloved and widely praised books. In this darkly comic collection, Alexie brilliantly weaves memory, fantasy, and stark realism to paint a complex, grimly ironic portrait of life in and around the Spokane Indian Reservation. These twenty-two interlinked tales are narrated by characters raised on humiliation and government-issue cheese, and yet are filled with passion and affection, myth and dream. Against a backdrop of alcohol, car accidents, laughter, and basketball, Alexie depicts the distances between Indians and whites, reservation Indians and urban Indians, men and women, and, most poetically, modern Indians and the traditions of the past.
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Sherman Alexie is the author of the novels Reservation Blues and Indian Killer and three collections of poetry. He also wrotethe screeplay for the movie Smoke Signals. He lives in Seattle, Washington.From Kirkus Reviews:
With wrenching pain and wry humor, the talented Alexie, a Spokane/Coeur d'Alene Indian--and previously a small-press author (The Business of Fancydancing, a collection of poetry and prose-- not reviewed--etc.)--presents contemporary life on the Spokane Indian Reservation through 22 linked stories. Here, people treat each other (and life) with amused tolerance--although anger can easily erupt in this environment of endemic alcoholism and despair. The history of defeat is ever- present; every attempt to hold onto cultural tradition aches with poignancy: Thomas-Builds-the-Fire is the storyteller everyone mocks and no one listens to; Aunt Nezzy, who sews a traditional full- length beaded dress that turns out to be too heavy to wear, believes that the woman ``who can carry the weight of this dress on her back...will save us all.'' Meanwhile, young men dream of escape--going to college, being a basketball star--but failure seems preordained. These tales, though sad and at times plain- spokenly didactic, are often lyrically beautiful and almost always very funny. Chapters focus on and are narrated by several different characters, but voices and perspectives often become somewhat indistinguishable--confusing until you stop worrying about who is speaking and choose to listen to the voice of the book itself and enter into its particular sensibility. Irony, grim humor, and forgiveness help characters transcend pain, anger and loss while the same qualities make it possible to read Alexie's fiction without succumbing to hopelessness. Forgiveness seems to be the last moral/ethical value left standing: the ability both to judge and to love gives the book its searing yet affectionate honesty. (First printing of 25,000; First serial rights to Esquire and Story) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
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