Book 1 of THE BELLS OF LOWELL. The mill town of Lowell, Massachusetts, comes to life with intrigue and drama from the creative writing team of Judith Miller and Tracie Peterson. Young women at the end of the 19th century seek employment from driven men intent on transforming America's textile industry. Daughtersof the Loom features Lilly Armbruster, who is forced to work in the mills as her only means for survival. But Lilly's resentment runs deep against the "lords of the loom"--the men she believes have stolen her father's farm and caused his premature death. Her animosity happens to include Matthew Cheever, her childhood friend and one-time betrothed. Though separated by their opposing views about the future of the mill and the community that surrounds it, the emotions of their hearts still bind them. Will their dreams for the future allow their fragile love to survive?
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Tracie Peterson is a full-time author who has written or co-written over fifty novels in both historical and contemporary genres, including the WESTWARD CHRONICLES, the YUKON QUEST and the SHANNON SAGA series.
Tracie also teaches writing workshops at a variety of conferences on subjects including inspirational romance and historical research. She and her family live in Montana.
Two veteran novelists team up in this evangelical Christian historical fiction series debut that explores interesting social issues, but eventually falls flat. Nineteenth-century New England is in the throes of change as it morphs from an agricultural economy to textile industry. Caught in the growing pains of her little town of Lowell, Mass., is the comely Lilly Armbruster, who has lost the family farm through the death of her parents and the greed of her older brother. Her devotion to the ambitious Matthew Cheever is dispelled when he seemingly sells out his values to become the prot‚g‚ of a dubious business mentor. Lilly contracts to work in the textile mills with the idea of becoming an "instrument of God" and sabotaging the business that she feels has cost her everything she loves. The story begins promisingly enough with some discerning historical insights about the problems of industrialization for women and ethnic groups (sexual harassment, poor working conditions, prejudicial treatment), but the pacing is slow, the dialogue and actions are often wooden and the abundant sermonizing is a constant distraction. Although there are some surprises in the character development of Lilly and Matthew, other characters are one-dimensional and undergo unbelievable transformations too quickly. The sulky Lilly is also difficult for the reader to like. However, fans of Peterson and Miller will likely appreciate that the authors wrap up enough loose ends to make this work not only as a stand-alone title but also as an introduction to the series.
Copyright 2002 Reed Business Information, Inc.
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