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The Norseman Eyvind, a fierce and loyal Wolfskin, came to a new land on top of the world to find his destiny. With his priestess bride Nessa he saved the land and weathered the treachery that was caused by Eyvind's blood-sworn friend Somerled. After much pain and sorrow the two lovers have managed to create a society where the Norse warriors and the gentle folks of the Orkney Isles live and thrive in contentment at last. A decade and more has passed since the devastating events of the creation of the settlement and Eyvind and Nessa have watched their children grow and thrive in peace.
But not all on the islands are content or at peace. Thorvald, the young son of Margaret, widow of the slain king and Eyvind's war leader, has always felt apart and at odds with all he knows. He learns upon his coming to manhood that he is not his father's son but that of the love that Margaret bore for the hated Somerled and that Somerled was not killed for his treachery but sent on a boat, adrift with little more than a knife and skein of water, doomed to the god's will. Thorvald is determined to find a boat and cast off to the West in a desperate bid to find a father he never knew...and to find out if he is made of the same stuff as the henious traitor.
The tragedy of this scheme would be horrific enough...if it were not for the fact that Creidhe, the winsome daughter of Eyvind and Nessa has loved Thorvald since birth and unbeknownst to him conspires to go along on this most perilous of quests.
What happens to them on their journey of discovery will ultimately change the lives of all they know and love...and will doom (or redeem) an entire people.
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Juliet Marillier was born in Dunedin, New Zealand, a town with strong Scottish roots. She currently lives in a rural area of Western Australia, sharing her house with a cat and a dog. A university graduate in music and languages, she has had a varied career that includes working for government agencies, opera singing, and raising four children. Juliet now writes full time. Her lifelong interest in myth, legend, folklore and traditional music is a strong influence on both style and theme in her writing. A passion for early British history, reflecting her Celtic ancestry, is evident in her choice of settings.
Juliet Marillier achieved international recognition in 1999 with the publication of her award-winning novel Daughter of the Forest. This is the first book of the Sevenwaters Trilogy, a historical fantasy set in Ireland and Britain in the ninth century, and is loosely based on the traditional fairy tale, The Six Swans. The second book in the series, Son of the Shadows, won the 2000 Aurealis Award for best fantasy novel. Child of the Prophecy completes this trilogy.
Juliet Marillier's second series is based on the first Viking voyage from Norway to Orkney, and weaves history and folklore into a saga of adventure, romance and magic. The series is made up of two novels, Wolfskin and Foxmask. Juliet is currently working on a new trilogy set in the north of Britain in the time of the Picts.
...if anyone can understand, it will be you; I have always respected your intellect. I had so much to offer here. I could have achieved great things, and in time all would have thanked me for it. Yes, even the Wolfskin. That he has been the one to wrench the possibility from my grasp is bitter indeed...
Excerpt from letter
The day Thorvald's mother gave him the letter, everything changed. Creidhe was weaving, hands busy on the loom, shuttle flying, a fine web of blue and crimson unfolding before her in perfect pattern, testimony to the skills Aunt Margaret had taught her. So industrious was she, and so quiet, that it seemed she had been forgotten. The bestowal of such a perilous gift as that letter was surely best suited to a moment of complete privacy. Aunt Margaret spoke to her son quietly, in the long room before the hearth. Creidhe could see them through the doorway from the weaving chamber. They did not argue. Voices were seldom raised in this most orderly of households. But Creidhe heard the front door slam open, and she saw Thorvald go down the three steps in a single stride, then vanish across the yard and out over the spring fields as if hunted by demons. She saw the bloodless, driven look on his face. And although she did not know it at the time, that was the moment Thorvald's life, and her own, took a twist and a turn and set off on an entirely different path.
Creidhe knew Thorvald better than anyone. They had been childhood playmates, and they were fast friends. Thorvald had few friends; the fingers of one hand would be more than enough to count them. There were perhaps only two to whom he ever spoke freely, and whom he allowed close: herself, and Sam, the fisherman on whose boat Thorvald sometimes helped. As for Creidhe, she understood Thorvald well: his black moods, his lengthy silences, his sudden, brilliant schemes and his rare times of openness. She loved him, for all his faults. In her mind there was no doubt that one day they would marry. He wasn't a real cousin, just as Margaret wasn't a real aunt. The tie was one of old friendship, not kinship. If Thorvald hadn't seen yet that he and Creidhe were destined to be together forever, he'd realize some time. It was just a matter of waiting.
The shuttle slowed to a stop. Creidhe stood gazing out the doorway across a landscape dotted with sheep, new lambs at foot. From Aunt Margaret's house you could see all the way to the western ocean, where stark cliffs marked the margin of land and sea. Far off now, there was the small, dark figure of Thorvald, running, running away. Creidhe had seen a terrible change in his eyes.
Creidhe jumped. Margaret had come up beside her without a sound.
"N-no, but maybe I should go home. Father's due back from Sandy Island, and I should be helping--" Creidhe fell silent. Aunt Margaret had tears in her eyes. Such a phenomenon was astounding. Her aunt was a model of propriety and restraint. She never lost control.
This household, run by Margaret's long-time retainer, Ash, but ordered by Margaret herself, operated to a strict routine, with little allowance for errors. This approach was reflected in Margaret's own appearance. She was a handsome woman of around six-and-thirty, her hair a rich auburn, plaited neatly and pinned up under a snowy lace cap. Her linen gown was ironed into immaculate pleats, her woolen overdress fastened with twin brooches of patterned silver polished to a moon-bright shine. She bore the accouterments of a good housewife: knife, scissors and keys hanging from a chain. Margaret was capable. Some found her intimidating. She had never remarried after her husband died in the very first year of Norse settlement here in the Light Isles, before Thorvald was born. Creidhe did not find her aunt frightening; there was a bond between them. Creidhe might not be skilled in the arts of a priestess, as her sister Eanna was. She might not be beautiful in the style of the island girls, slender, dark and graceful. But she had other abilities. Young as she was, Creidhe had the best hands for midwifery in Hrossey, and had advanced quickly from assisting the island expert to taking a full share of responsibility. The women valued Creidhe's deft touch and cool head; these made her youth irrelevant. The same clever hands gave her a talent for spinning, weaving and embroidery. Margaret valued that talent, and over the years she had taken pleasure in fostering this buxom, fair-haired niece's skills.
If Thorvald never comes round to marrying me, Creidhe told herself sourly, some other man surely will, just so he can say his wife's the best weaver in Hrossey.
It wasn't as if nobody was interested. Creidhe was never short of partners for dancing. Sam had made her a whalebone comb with sea creatures carved on it. Egil had composed a poem for her and recited it, blushing. Brude had kissed her behind the cowshed when nobody was looking. The problem was, she didn't want sweet-natured Sam or scholarly Egil or handsome Brude with his merry blue eyes. She only wanted Thorvald. Thorvald had eyes dark as night and smooth auburn hair like his mother's. Creidhe loved his cleverness, his wit, the way he could always surprise her. She loved his moments of kindness, rare as they were. She wished, sometimes, that he were a little less aloof; she'd heard other girls call him arrogant, and she didn't like that. He did keep himself to himself; she was lucky to be one of those he considered a friend. Creidhe sighed. Thorvald was taking a long time to realize she could be more than just a friend to him. At sixteen she was a woman, and ready to be married; more than ready, she thought sometimes. If Thorvald didn't wake up to himself soon, her father would start suggesting likely husbands for her, and what could she say then? As her mother's daughter, she must wed and bear children. It could not be long before Eyvind began to apply subtle pressure.
"Oh! Sorry." She'd been daydreaming again. "Are you all right, Aunt Margaret?"
"Well enough." The words belied the red eyes, the tight mouth. "Go on then, if Nessa's expecting you home. This can wait for tomorrow. The design's coming out well, Creidhe. You're quite an artist."
Creidhe blushed. "Thank you, Aunt." She paused. "Aunt Margaret--"
Margaret raised a hand. It was a gesture that said plainly, no questions. Whatever it was that had sent Thorvald out of the house like a man pursued by dark dreams, it was not going to be shared just yet.
"Creidhe," said Margaret as her niece hovered in the doorway, small bundle of belongings in hand, "don't go after Thorvald. Not today. Believe me, he's best left alone awhile."
"If he wants to tell you, he'll tell you in his own time. Now off home with you. Your father's been away a long while. I expect he'd enjoy some of his daughter's fine cooking, perhaps your roasted mutton and garlic, or the baked cod with leek sauce. Off with you now."
The tone was light, kept carefully so, Creidhe thought. It was her aunt's eyes that gave her away. Thorvald's had held the same shadow.
Sometimes Creidhe did as she was told, and sometimes she didn't. Thorvald was sitting on the ground, his back to a low stone dike overlooking the western sea. He had his head in his hands, his face concealed. His sleek red hair had escaped its neat ribbon, and the wind whipped the strands like dark fire in the air around his head. He was very still. Behind him in the walled field, sheep bleated and lambs answered. Above in the sky, birds fluted songs of spring. Creidhe climbed over the wall and sat down by his side, saying not a word. She had become quite good at this kind of thing.
"Go away, Creidhe!" Thorvald growled after a while. He did not open his eyes.
There was a little boat out in the swell, coming in from fishing. The wind was picking up; the scrap of sail carried the vessel forward on a fast, rocking course southward, perhaps to Hafnarvagr, or some point closer. Creidhe raised a hand in greeting, but they did not see her.
"I mean it, Creidhe," snapped Thorvald. "Go home. Go back to your embroidery."
She took a deep breath and let it out, counting up to ten. It was useful to have wise women in the family; one might not learn the mysteries, for those were secret, but one did at least pick up techniques for staying calm.
"What is it?" she asked him quietly. "What did she give you?"
"I don't want to talk about it. Not to you, not to anyone."
"All right," Creidhe said after a moment. "I understand. When you do want to, I'll be here to listen."
Thorvald balled his hands into tight fists. His eyes were open now, staring out to the west. It seemed to Creidhe that what he saw were not cliffs, gulls, clouds, a wind-stirred ocean, but something quite different and much farther away.
Time passed. Father would be home soon; the remark about roast mutton had been true. Such simple pleasures had the power to bring a smile to Eyvind's lips and a light to his eyes that warmed his whole family. It was not so much the good food that did it, as his daughter's thoughtfulness and skill. Creidhe rose to her feet, picking up her bundle.
It was a dark whisper. She stood frozen in place a moment, then sat down again without a sound.
"A letter," Thorvald said. "From my father. She kept it all these years. She never even told me."
Creidhe was at odds to understand the bitterness in his tone. His father had died before he was born, and that was indeed sad, though surely sadder for Margaret than for this son who had never known the father he had lost. From what folk said, Margaret's husband Ulf had been a fine, noble chieftain who had led the first Norse expedition here to the Light Isles. He was a father to be proud of. A letter was good, wasn't it? It seemed not inappropriate that Margaret had saved it until her son was a man.
"From Ulf?" Creidhe asked gently. "I suppose that is distressing; it reminds you of what you might have had. It is a sorrow he was not here to watch you grow up."
"I didn't say it was from my mother's husband, the worthy Ulf Gunnarsson." Thorvald's voice was sharp-edged. "I said it was from my father. The man she tells me was my real father, that is. Here, if you're so interested. Why not find out all about it, since it seems half the island knows already?"
He drew the little roll of parchment from the breast of his tunic and thrust it into her hand. Creidhe was mute. What could he mean? She untied the cord that bound the letter and uncurled it to reveal row on row of neat, black script. It was old, the edges worn, the characters smudged here and there as if by drops of water. There was a pale line all across the outside where the cord had fastened it, as if the small scroll had lain long untouched.
"You know I can't read, Thorvald. What is all this about?"
"I'll tell you what it's all about. It means I'm nobody. Worse than nobody, I'm the son of some evil madman, a crazed killer. Forget Ulf; forget a conception in the respectability of marriage, and the sad demise of my father before I saw the light of day. Ulf was not my father. She kept that from me all these years. And they knew: your father, Nessa, Grim, everyone who came here in those first days. Even that stick of a serving man, Ash, knew the truth and kept quiet about it. A conspiracy of silence." His voice was shaking; he stared fixedly at the ground by his feet. "How could my own mother be so cruel?"
Creidhe was lost for words. She wanted to put an arm around him for comfort, as she would do if this were one of her sisters. But she did not; Thorvald would shake her off the instant she touched him. This news was indeed terrible, if true. What if such a thing had happened to her? Her own father was the center of her world, the warmth at the core of the family. Indeed, sometimes it seemed Eyvind was father to the whole community, guardian and loving protector to them all. To hear your father was not your father would be like the snatching away of everything safe. It would be like sundering the heart from the body. There seemed no way to comfort him.
"You're very quiet," Thorvald said suddenly, turning his head to glare at her. "No ready words of advice? No quick solutions to my problems?" His eyes narrowed; his mouth went tight. "But perhaps you knew this already. Perhaps I am indeed the last to be told the truth about my own heritage. Did you know, Creidhe?" His tone was savage; Creidhe shrank back before it.
"Of course not! How could you think--?"
Thorvald's shoulders sagged. His anger was turned inward again. "That's just it. I don't know what to think anymore."
"Who--who was he?" Creidhe ventured. "Was this letter written to you? Where is he?"
"Ask your father. He knows the answers."
"Ask Eyvind. He was the one who exiled my father from this shore, so that he never knew he had a son. The letter was to my mother. It says nothing of me. It attempts to explain to her why her lover killed her husband. It tries to justify his murder of his own brother. You see the delightful heritage my lady mother has chosen to make me aware of now I'm deemed to have reached years of maturity?" Thorvald picked up a stone and hurled it out beyond the cliff edge. A cloud of gulls rose, screaming protest. His face was sheet-white, the eyes dark hollows.
"What was his name?" Creidhe asked, playing for time as her mind searched frantically for the right thing to say. In such a situation, there probably was no right thing.
"Somerled." He threw another stone.
"Why don't they speak of such a man? They must all have known him."
"Why don't you ask them, if you're so interested?"
She breathed slowly. "Thorvald?"
"Aunt Margaret was wise not to tell you this before. You're grown up now. Couldn't you see this, not as a reversal but a challenge?"
His brows rose in scorn. "What can you mean, Creidhe?"
"You could find out about Somerled. As you said, there must be plenty of people in the islands who knew him back then. Maybe he wasn't as bad as you think. Everyone's got some good in them."
"And what comes after that?" Thorvald snapped. "I jump in a boat and go off looking for him, I suppose?"
The words hung between them as the silence stretched out, giving them a weight Thorvald had not intended. Blue eyes met black; there was recognition in both that this crazy idea was, in a way, entirely logical.
Thorvald rolled the letter up and knotted the cord around it. He put it away and leaned back against the wall, arms hugging his knees, eyes firmly closed. She waited again. At length, not opening his eyes, he said, "I know you're trying to help, Creidhe. But I really do want to be by myself." There was a pause. "Please," he added.
It was not possible to bestow a gesture of affection, a quick hug, a handclasp, although Creidhe longed to touch him. "Farewell, Thorvald," she said, and made her way home under darkening skies.
* * *
She couldn't ask them straightaway. This was not a topic that could be broached amidst the general joy and chaos of her father's return, with dogs and children jumping about making noise, with Nessa failing to hold back her tears, and Eyvind himself doing his best to hug everyone at once while burdened with axe, sword and large pack of belongings. He was not a man wh...
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