The breathtaking climax to Paul Park’s lyrical and mesmerizing series. “Park...should be knighted.”--Entertainment Weekly
The Hidden World is the concluding volume in Paul Park’s remarkable tale of Roumania, a world that is both more real and yet also more mysterious and magical than our own.
After finding out that she is the lost princess of Roumania and the mythical White Tyger, Miranda’s fate is still uncertain. The ghosts of her enemies cluster about her, the insane spirit of the Baroness takes possession of her body for a time, and demons released by her mother are abroad. And through it all her heart calls out to Peter, away with the army, whom she has come to love, and her best friend Andromeda, sworn to help her and protect her. There are no easy answers; it all looks impossible. Any hope may lie in the hidden world of spirits, where death is but an inconvenience.
"synopsis" may belong to another edition of this title.
Paul Park lives in North Adams, Massachusetts.Excerpt. © Reprinted by permission. All rights reserved.:
Two hundred kilometers to the north and east of Bucharest, in a farmhouse in the village of Stanesti-Jui, Miranda lay asleep. After dinner she had retired to her bedroom with a head cold. Now past midnight, propped up on the pillows, she lay with her mouth open. Then she turned onto her side and her dream changed.
It wasn’t entirely a dream. That winter in her room she had become accustomed to the many intermediate states between sleeping and waking. She had been sick for much of the season, a lung infection that, without antibiotics, had lingered until the weather turned. Her hostess, the Condesa de Rougemont, and then later her mother, had dosed her with medicinals. She’d scarcely left her room. Of course she had undertaken several small journeys to the secret world, with the help of her secret tourmaline, Johannes Kepler’s eye.
Now it was almost springtime, and she was feeling better. This particular journey had started with a daydream. She had sat with a French novel, her mind wandering. And as often happened, it had wandered back to the invented refuge that her aunt Aegypta Schenck von Schenck had made for her in Berkshire County, Massachusetts, where she had gone to high school. She had lived with Stanley and Rachel, her adoptive parents, in the house on the college green in the middle of town.
Her best friend had been Andromeda Bailey, boyish and beautiful, her gray eyes spotted with blue and black and silver. Peter Gross had been in her class at school, and she had gotten to know him, too. They had spent some time together in the woods the summer Andromeda had gone to Europe. Often, as he sat cross-legged in the dirt or on a rock, he’d have a piece of a leaf or a twig in his brown hair. Often he’d have a blade of grass between his teeth. Sometimes he’d be playing his harmonica, a poor, private kind of music that she indulged. He only had the one hand. His right hand was missing because of a birth defect.
In those days all her knowledge of Roumania had come from dreams, fantasies, and a few stray memories. The facts she’d learned in school or on her own had been all lies or else distortions. The Communist dictator, Nicolae Ceausescu, the history of Eastern Europe—no, it had been the Baroness Nicola Ceausescu who had sent an emissary to bring her home to Bucharest. His name was Kevin Markasev, and he was famous here. He’d gone all that way to find her, and he had burned the book of her invented childhood in a fire on Christmas Hill above the art museum. Then morning came and the world was different. Peter and Andromeda were different, too.
Daydreaming in Stanesti-Jui, Miranda had found her way to Christmas Hill again, and she had climbed it in the dark. She had climbed back to the start of the story. The French novel lay in her lap, spine up, inverted. Three-quarters of the way through, already she could see the end, the denouement. It was reassuring and annoying to perceive it in the distance, the place where everything was sealed up in a circle and some kind of homecoming was possible, some journey or at least some reference to the beginning once again.
You’d go back, and you’d know something new. And you would take consolation from that new thing, a consolation that was phony and real at the same time.
So she indulged herself. She closed her eyes and imagined the dark night, the bonfire in the hummocks of grass on the hillside. The place was still there for her, and in a moment she could see it clearly, and Kevin Markasev above her with the little book, her essential history, the entire story of her childhood, balanced in his hands. Only this time as he dropped it, she thought she might reach up to catch it, bat it away from the consuming fire. Andromeda was there, and Peter might come running down to help her, tripping and sliding down the slope. As she struggled with Kevin Markasev, he might pull him off her, chase him away. And she’d lie on her back. Maybe she’d have knocked her head against a stone. And Peter would be on his knees above her. “Are you all right?” he’d say, reaching to touch her face. “Are you all right?” he’d repeat, and she’d be happy to hear his voice, even though he might be implying some kind of weakness.
Of course I’m all right, she’d think, and then she’d say aloud, “I’m fine,” which maybe she could make into the truth.
But the question was, if she had known then what she knew now, would she have wanted to preserve the book or to destroy it? Would she have been strong enough to hold out her bruised hands, accept the changing world and everything that was to come? In the dream she was not strong enough. Propped on pillows in her bed in Madame de Rougemont’s farmhouse, she found herself muttering these words again: “I’m fine.” Her French novel dropped to the floor.
She turned onto her side. Her daydream was no longer in her strict control. It had turned into an actual dream, a provisional dream only one step below consciousness. The three friends left Kevin Markasev where he lay stunned beside the burning fire. They left him and continued down the cow field, through the fences and the trees, until they reached the art museum parking lot at the bottom of the hill. There was some tension between them as they split up, each to walk home through the deserted predawn streets.
And when she reached her parents’ house, the door was unlocked. She slipped inside as silently as she knew how. She could see from the front hall where Rachel had fallen asleep on the couch. She had waited up, which was comforting and irritating. She lay under the tartan blanket, curled up, mouth out of shape on the pillow. Sleep had cleaned her face; Miranda wouldn’t wake her. Silent as a ghost, she climbed the stairs to her own room on the third floor, feeling wired and exhausted from the eventful night. In the bathroom on the landing she undressed, put on her PJs, flossed and brushed her teeth. Then she slipped into her cozy bed, cozy and private as this one in the farmhouse, on the slope of the mountain outside of town.
She fell asleep, and in her dream her aunt Aegypta came to her.
This was a different kind of dreaming, deeper and more powerful. It felt like being awake. Aegypta Schenck was dressed in a long coat trimmed with fox fur, and the little wicked heads hung down. She was wearing gloves, and a small pillbox hat was pinned to her gray hair. Her face was partly covered in a veil. “Ma petite chère,” she said.
Miranda wouldn’t let her start with that. She sat up in her bed, which in her dream was the one she actually occupied, in Stanesti-Jui. “Tell me,” she said in English. “I was thinking about Peter Gross. Peter and Andromeda, my friends. Tell me, where are they?”
There was a pause. Miranda could see part of her aunt’s face under the veil. Her lips were thin.
“Pieter de Graz is in Staro Selo with the Eleventh Mountaineers. There is a Turkish offensive in that area.”
Miranda knew that much herself. She could see her aunt’s lips, part of her nose. Her smile had no joy in it: “My dear girl. You will not fail to surprise me, the loyalty you give to these two men, your father’s aides-de-camp. They were junior officers, and the ones closest to hand in a time of crisis. That is all. They were meant to protect you, at which task they have not distinguished themselves. Instead, you have saved de Graz’s life more than once.”
As sometimes happens in dreams, Miranda tried to speak but couldn’t. “I am punished for my cowardice and my mistakes,” continued her aunt. “I have been dead six years, and I am punished every day. In the book I gave you to take to Massachusetts, I described a war in Europe, a terrible war—do you remember? You asked me about it once.”
Now she pulled her veil back, and Miranda could see her eyes. They had a yellow tinge. She went on: “It was my plan to give you a book in a language you didn’t know, and as a grown woman you would learn to read it. Later you would follow the directives I had printed out, and with the coins I left in your possession you would find your way to Great Roumania. By yourself, you would find your way. I thought perhaps I would not live to see it—not that it mattered. But you would be wise with the wisdom from the book and your own life.”
Fat chance, Miranda thought, and tried to speak. But she could not speak aloud.
“Then my enemies were planning my destruction,” her aunt said, “and I didn’t want to die. I thought of a new plan, and I goaded Nicola Ceausescu to send that boy to bring you home—prematurely, as it turned out. And now the coins were for me, so you could free me from tara mortilor. Blind Rodica and Gregor Splaa, who were my contingency, now supported the entire scheme, and they were too weak for that. And you were too young to be sensible when I met you in the land of the dead. There also you worried about de Graz and Prochenko, because of the damage they had suffered. It was not meant to be like this. Mixtures of people and animals from two worlds—what good are they now? As for me, I gambled my life and could not win it back. And I think this is the reason: I could not bear the thought of never seeing you again.”
Because this was a dream, it could not capture the emotions of the real world. Her aunt Aegypta’s voice was calm, her face almost expressionless. “Oh, my dear, you were too young. And you are still too young. Too young for these tools I have put into your hands. Too young to leave your friends behind and accept your fortune. Too young to listen to my guidance.”
These words filled Miranda with an old frustration. How could I be too young? she thought. Her aunt had stolen away whole years, whole blocks of time, and yet still blamed her. And she was wrong—Miranda had done everything she wanted. How could she have done better, after all? Now Miranda could speak again, and so she totted up a list of her achievements. “The Germans have left Bucharest,” she said. “The empress is dead. The Elector of Ratisbon is dead, his prisoners are free. Nicola Ceausescu is dead. . . .”
Silence. Then her aunt spoke again. “That is true. That is all true, though you are not responsible for all of it. But even if you were, you have not accomplished everything, and there is still much more. We have new enemies. Enemies without end. Bocu, Antonescu. And now these demons Nicola Ceausescu managed to unlock before she died—I meant them to serve you! I meant you to use them wisely, with my guidance. Instead they are infected with Nicola Ceausescu’s hate, and they have brought the world into this war. So there are new tasks for us. It is an illusion if we reach a place of safety among the waves.”
Miranda listened to the coarse, grainy whisper, which continued: “But you still have weapons, even though you might not understand how to use them. You have the power I have given you—your father’s revolver and the black book. And the tourmaline, though you have managed to do something unexpected once again. Because of your stubbornness. But even so I think you must be able to learn. I have hope, and I have faith in you.”
Miranda felt a surge of despondency. Because of my stubbornness, she thought. Then why was she so desperate to please? What should I do now? she almost asked. Tell me what to do, she almost asked. “Tell me,” she asked instead. “Is anything left of what I left behind? You know, where I grew up in Massachusetts. That was a calm place in the waves.”
And the smile on the ghost’s face was softer now, touched with love, or else a kind of condescension. “Child,” she said. “Every object has a symbol in the hidden world. Its counterpart.”
A moment, and then she started again: “That town, those streets, those people—you might make a version for yourself in the land of the dead. A little corner for yourself in tara mortilor. Or you might search for it and find it in the hidden world. Scientists have quarreled on this subject. You might find it with the tools I’ve given you. Would you abandon everything for that? Everything that’s yet to come? And if you did, it wouldn’t be the same, of course. That place, it was your childhood. Who can say she has not done what you have done?”
There was some more of that kind of talk before Miranda woke in the same dark bedroom, the same bed where she had spent the last part of the dream. But in the dream she hadn’t had this cold in her head, which filled up her sinuses as if with wadded cotton. Now awake, she found it hard to breathe until she sat up.
A lamp burned on the bedside table near her hand. There was a handkerchief beside the lamp, whose wick was turned down low. She blew her nose.
She did not disturb the woman curled on the settee under a plaid blanket. Rachel, her adoptive mother in the dream, also did not budge when Miranda had come in the door, climbed the creaking stairs.
The settee was in a bay of dark windows overlooking the vegetable garden. Miranda got out of bed, then crossed the bare floorboards. She stopped before an artist’s easel. Clara Brancoveanu was skilled at drawing in charcoal and red pencil. During Miranda’s illness she had occupied her time with a sketching pad. Most recently she had made a series of landscapes from the window: the back garden and the fields beyond, rising toward the forest and the mountainside.
Outside the glass it was gray night. Miranda turned her face toward the ticking clock. The hour before dawn.
She looked down at the woman’s hair, carefully pinned into little wheels. She felt a mix of comfort and annoyance that was familiar. Ever since she had caught this cold, her mother had insisted on sleeping in her room, afraid of a recurrence of the pneumonia. Though what she could have done if it came back, Miranda wasn’t sure. Hold her hand, she supposed. Bring her hot things to drink, as she had before. Hold the bowl for her to spit.
Even so, after these months of loving care it was still hard for Miranda to think this woman was her mother, her actual birth mother. Growing up in Massachusetts, she had resented Rachel the most when she was being too maternal. Sometimes, though, Rachel and Clara seemed to combine, unified by how she’d treated them. Unified also at moments like this, when they performed the same activity, occupied the same space—Clara Brancoveanu was propped on a little bolster in the arm of the settee. Her mouth was open and her breath came soft, a woman in her fifties, but prematurely old, with weak, sallow skin in the lamplight. Half her life a prisoner, she had been a beauty at one time. Miranda had seen a portrait in the People’s Palace. And of course there was the sepia photograph in her locket.
She found she could still remember every word Aegypta Schenck had said, standing in this corner of the room in her dream. Now Miranda tiptoed out the door and down the hall, hoping everyone would stay asleep. She was still in her clothes, and in the cabinet at the bottom of the stairs she groped in the darkness for a coat. The two big mutts were there on the round rug. They stirred to greet her, pressing their faces into her hand.
They were named Lucius and Lionel. When she opened the bolt they scratched against the doorjamb, eager to get out.
First light was coming. There was fog in the fields behind the house, and in the paddock on the other side of the stone wall. She followed the path to the edge of the evergreens and then climbed up through the meadow. From time to time she would stop to clear her n...
"About this title" may belong to another edition of this title.
Book Description Tor, 2008. Soft cover. Book Condition: New. No Jacket. 1st Edition. 2008. Advance Uncorrected Proof. First ed. 1st printing. The concluding volume in Paul Park's remarkable tale of Roumania, a world that is both more real and yet also more mysterious andmagical than our own. Mint in printed wrappers. Language: eng Language: eng 0.0. Bookseller Inventory # 9741
Book Description Hardcover. Book Condition: New. We ship daily Monday - Friday!. Bookseller Inventory # 1EY82M00CAE2
Book Description Tor Books, 2008. Hardcover. Book Condition: New. NEW and UNREAD hardcover with DJ, from bookstore stock. May contain a price sticker.; 100% Satisfaction Guaranteed! Ships same or next business day!. Bookseller Inventory # 121705090082
Book Description Tor Books. Hardcover. Book Condition: New. 0765316684 New Condition. Bookseller Inventory # NEW7.1265540
Book Description Tor Books, 2008. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110765316684
Book Description Tor Books, 2008. Hardcover. Book Condition: New. Brand New!. Bookseller Inventory # VIB0765316684
Book Description Tor Books. Hardcover. Book Condition: New. 0765316684 We guarantee all of our items - customer service and satisfaction are our top priorities. Please allow 4 - 14 business days for Standard shipping, within the US. Bookseller Inventory # XM-0765316684
Book Description Tor Books, 2008. Hardcover. Book Condition: New. Bookseller Inventory # DADAX0765316684