New York Times and USA Today bestselling author Mercedes Lackey presents three exciting short urban fantasy novels featuring three resourceful heroines and three different takes on the modern world and on magics both modern and ancient.Arcanum 101: Diana Tregarde, practicing witch, romance novelist, Guardian of the Earth. Studying at Harvard, Diana is approached by Joe O€™Brian, a young cop who has already seen more than one unusual thing during his budding career. The distraught mother of a kidnap victim is taking advice from a €œpsychic€ and interfering in the police investigation. Will Diana prove that the psychic is a fake? Unfortunately, the psychic is not a fake, but a very wicked witch€”and the child€™s kidnapper. Drums: Jennifer Talldeer, shaman, private investigator, member of the Osage tribe. Most of Jennie€™s work is regular PI stuff, but Nathan Begay brings her a problem
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Powerful women solve magical mysteries in this trio of short urban fantasy novels from the enormously prolific Lackey (The Phoenix Transformed). Fans of the Diana Tregarde series will welcome prequel story "Arcanum 101," in which Diana, a Harvard freshman in the early 1970s, must secretly work as a sorceress Guardian and investigate a psychic involved in a kidnapping case. "Drums" returns to the setting of 1994's "Sacred Ground," where Native American sleuth and medicine woman Jennie Talldeer must find a way to deter an angry Osage ghost determined to claim a living bride. In the standout "Ghost in the Machine," techno-shaman Ellen McBridge moves between the real world and that of an online role-playing game to debug a magical monster that's not behaving quite as programmed. This volume is a worthy addition to the urban fantasy bookshelf. (Oct.)
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Romance novelist and modern witch Diana Tregarde last appeared in a Lackey novel almost 20 years ago. She returns in a story introducing three novella-length urban fantasies, all featuring female sorceresses. “Arcanum 101” eavesdrops on Tregarde’s neophyte days in the super-secret coven of Guardians. As a freshman studying at Harvard, Diana is solicited by an officer intervening for a distraught mother whose daughter has been kidnapped. In hiring a psychic to find her daughter, the mother certainly means well, but Diana’s intuition quickly exposes the psychic as a witch with diabolical ends. In “Drums,” shaman and private investigator Jennifer Talldeer must thwart an angry Osage Indian spirit pestering a young couple. In “Ghost in the Machine,” Ellen McBridge is a computer programmer and techno-shaman who discovers that a wendigo is killing everyone in a popular computer game and arming itself to transcend computer code and enter the real world. Lackey’s well-seasoned talents for good storytelling and character development are on full display here. --Carl Hays
This is the first Diana Tregarde story in decades. And in a sense this is the first Diana Tregarde story, period.
It takes place in the early 1970s and it will be hard for anyone younger than thirty to realize what a very different world that was. Computers were the size of buildings. We were still putting men on the moon, but there is more computing power in a common iPhone than there was at all of Cape Kennedy. Watergate was about to happen. Nixon hadn’t yet resigned. U.S. soldiers were still fighting and dying in Vietnam. There was no such thing as being “openly gay.” There also was no such thing as HIV.
Jimi Hendrix, Janis Joplin, and Brian Jones were all recently dead of various self-indulgences, but John Lennon was still alive.
The only time you saw windmills was on a farm or in Holland.
Gas was twenty-five cents a gallon, threatening to go up to thirty.
No one had ever heard of, much less seen, a Japanese manga.
Britney Spears wasn’t even born. Neither was Leonardo DiCaprio.
Stand-up comedians only performed in nightclubs with bad reputations, or in Las Vegas. No one would consider going out for a night of comedy.
There was no MTV. Anytime there was a rock-themed television program, it was an event. There was barely cable TV. Most people made do with three channels and what was not yet called PBS. When you had cable TV, you had a whole twelve channels!
“Portable” music was via a transistor radio.
No one had ever heard of rap. And if anyone had heard a rap song, they would have considered it a quaint offshoot of beat poetry, which was so, so 1950s.
You bought most of your reading material at the drugstore from revolving racks, or digest-size monthly fiction magazines in a small magazine rack, unless you were really lucky and were in a town big enough to actually have a bookstore.
Research meant going to the library and looking things up in books.
So as you read this, if you find yourself thinking, “Well, why didn’t they just—” the answer is probably, “Because they didn’t have it then.”
Enjoy.
TRIO OF SORCERY Copyright © 2010 by Mercedes Lackey
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