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The year is 1429. France is in political and religious turmoil as members of the royal family battle for rule. But one peasant girl from a remote village gave her country the miracle it was looking for. Milla Jovovich (The Fifth Element, Dazed and Confused) is Joan of Arc, a young woman who would inspire and lead her countrymen until her execution at the age of nineteen. Raised in a religious family, Joan witnessed her sister's rape and death at the hands of an invading army. Years later, as the same war raged on, Joan stood before her king with a message she claimed came from God: give her an army, and in God's name she would reclaim his diminished kingdom. But was the message real, or thedelusion of a girl whose life had been shattered? This startling epic drama by Luc Besson (The Fifth Element) explores the life of Joan of Arc, her amazing victories, relationship with God, and tragic death. Co-starring John Malkovich and Academy Award(r) winners Dustin Hoffman and Faye Dunaway, THE
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1999 may be remembered as the year of Joan of Arc: NBC created a miniseries in her honor, Carl Dreyer's long-lost The Passion of Joan of Arc was discovered in a mental hospital, and Facets re-released Jacques Rivette's Joan the Maid. Luc Besson rounds out the corpus with his stylistic and vaguely heretical grand-scale feature, The Messenger: The Story of Joan of Arc.
Besson (La Femme Nikita, The Fifth Element) challenges established notions about the Maid of Orleans as he creates a decidedly more human heroine than have previous biopics. The story line is the same--a young, illiterate peasant girl convinces the dauphin of France to give her an army, and she leads them to victory in Orleans, only to be burned at the stake for heresy--but Milla Jovovich, in the title role, is a woman possessed. Her influences are less than heavenly; as a child she witnesses the murder of her sister by the English, a death caused by the sister's giving her hiding place to young Joan, which causes an intense desire for revenge. Yes, God still speaks to Joan, but even this is undermined, as Dustin Hoffman, playing The Conscience, questions her motives.
Cinematically, The Messenger is stunning, with fantastical sequences of Joan in communication with higher powers. Yet the graphic violence (scenes include random decapitation and a dog gnawing on a body); the uneven accents, which make it difficult to tell who is fighting on which side; and the rewriting of lore may make this version of Joan of Arc appeal only to Besson fans. Jovovich is convincing, and while at times the film may drag (at times you wish they'd hurry up and burn her), it is a remarkable and insightful retelling of a well-known piece of history. --Jenny Brown
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