Trevor Cole’s bestselling debut novel garnered rave reviews and comparisons to Truman Capote and Kingsley Amis. Now the Governor General’s Award finalist is back with The Fearsome Particles, a brilliantly observed comic tragedy about the widening cracks in a family’s picture-perfect veneer.
Gerald Woodlore, a window screen executive, wakes one morning to find, to his utter dismay, that he has reached the limits of what he can control. The company he works for is rapidly losing market share and a junior assistant seems to be the only one with an idea how to fix it. His wife, Vicki, a luxury real-estate dresser, appears to be bending under the pressures of constructing an image of perfect happiness both at work and at home. But most worrying of all is Gerald and Vicki’s twenty-year-old son, Kyle, who quit school to volunteer with the military’s civilian support staff in Afghanistan. Now he has returned early and retreated to his room in the wake of a mysterious and traumatic event.
With his trademark wit and strong emotional insight, Trevor Cole has created a compelling, tender story that captures a family at a crucial turning point.
The Fearsome Particles has recently been optioned for film.
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Trevor Cole’s first novel, Norman Bray In the Performance of His Life, was a finalist for the Governor General’s Award for Fiction, a regional finalist for the Commonwealth Writers’ Prize, and was longlisted for the International IMPAC Dublin Literary Award. The novel was serialized on CBC Radio and optioned for film. Trevor Cole is also a multiple-award-winning magazine journalist. He lives in Hamilton, Ontario.
1
An animal that small, that dextrous, could be anywhere. An animal that silent. There was no defining its limits. What troubled Gerald was not the threat of the threat per se, but his sense of helplessness in the face of it.
In his imagination, in those thoughts that lay just beyond his control, the cat he called Rumsfeld was stalking him. It was an absurd idea, but as he stood in his slippers at the foot of the bed, with the new light of April stealing across a floor of cinnamon cabreuva, Gerald could not quite reach the absurdity and smother it. So he was forced, in the sense that addicts are forced by their addictions, or invalids by their infirmities, to picture the cat mincing through the cavities and recesses (what interior design people liked to call “dead spaces”) of the sprawling turreted house on Breere Crescent. He was obliged to see in his mind’s eye its white whiskery face peering around the pants press and shoe trees of his closet, looking more resolute, more purposeful, than a cat’s face should be capable of looking. He was compelled to imagine it — ludicrous as it might sound to the great majority of people who weren’t him and didn’t live at 93 Breere — planning.
All Gerald Woodlore could do, and so did with conviction, was curse himself for thinking about the cat. Because this was not the time to be getting cat-fixated; this morning there were other things of far greater importance to be addressing, mentally. His son, Kyle, was returning home from a hostile territory with an uncertain injury. His wife, Vicki, was edging toward madness. Work entailed its own many, many challenges. For these reasons there was no force in the world worthier of invocation, in Gerald’s view, than the will to ignore the cat’s presence in their lives. And if there had been a way to call forth the will, and impose it on his thoughts the way he imposed plastic wrap on a freshly lopped lemon, to keep its spiky lemoniness contained, of course he would have. But Gerald had to acknowledge, unhappily, that he wasn’t built to ignore sneaking threats to normalcy, to order, to the way things were supposed to be. He was much too conscious; he was conscious to the point of affliction. And so to him, the black-and-white cat, which a neighbour named Lorie Campeau had brought to the door in a wild panic three weeks before —
LORIE CAMPEAU: It’s my mother. They’ve taken her to the hospital. She fell. She lives in Vancouver and she fell! So I have to fly there today, and of course I have to take my daughter, Jewels. But we just got her this cat. Literally just got it. And we can’t give it back because Jewels is completely in love. And I don’t know what to do. We haven’t even named it!
— the cat that Vicki had taken in without consultation though he, Gerald, was in the nearby den, listening and perfectly consultable, was a threat. It was a rogue presence. It was their own small, fluffy insurgency.
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