The Ontario farmland described with arresting clarity in White Narcissus is, despite its beauty and abundance, “a place of choked vistas” where bitterness and rivalry have taken root. Against this backdrop Raymond Knister portrays the triumph of longing over despair, as his hero, Richard Milne, struggles to redeem his childhood sweetheart from the spiritual imprisonment of her parents’ home.
First published in 1929, White Narcissus was a groundbreaking work in the development of the Canadian realist novel, fusing Knister’s imagistic sensibility with the deeply felt experience of a real time and place.
Knister died tragically at the age of thirty-three, before his contribution was recognized in his own country and before the full potential of his remarkable talent could be realized.
From the Paperback edition.
"synopsis" may belong to another edition of this title.
Raymond Knister was born in Ruscom, Ontario, in 1899. He enrolled in Victoria College, University of Toronto, in 1919, but contracted pneumonia and was forced to withdraw. From 1920 until 1923 he continued writing and studying on his own while working on his father’s farm near Blenheim, Ontario. In 1923 he went to Iowa City for a year as one of the associate editors of The Midland, an avant-garde literary magazine; he also took some courses in creative writing at the University of Iowa. He returned to Canada in 1924 to help his father move to a new farm. In 1926 he moved to Toronto to embark on a full-time writing career.
In the eleven years from his first short story in 1921 until his drowning in 1932, Knister wrote three novels set in Ontario, a non-fiction novel, My Star Predominant, based on the life of John Keats, nearly one hundred short stories, about the same number of poems, and a play. In addition to countless book reviews and articles, he also edited Canadian Short Stories (1928), the first anthology of Canadian short fiction.
White Narcissus, published in 1929 in Canada, England, and the United States, was the only novel Knister published in his lifetime.
Raymond Knister drowned off Stoney Point, Ontario, in 1932.
From the Paperback edition.
Richard Milne was only two hours away from the city, and it seemed to be still with him. He found incredibly foreign the road down which he swung, as though with resolution. Its emptiness shortly became impressive. He met no one, and it seemed to lead burrowing, dusty, into the bleak wind, into the centre of lost wastes screened by scattered and fretful trees. The trees sighed as though in abandonment from struggling forests which, the man knew, would seem to recede as he went forward. He felt lost in this too-familiar country, and slackened his pace.
It was an immediate relief to get out of Lower Warping after ten minutes tramping its empty and shrunken streets, and inquire for a lodging-place. The old Hotel, known to his boyhood by no other name – blue-grey clapboards, two storeys and gable windows breasting the cross-roads – was closed. Richard Milne saw that before he had gone a hundred yards down the cindered path from the station. He went back to learn from a meditative youth on a baggage truck whether there was now any other hotel in the place.
“Nope!” The fellow’s grin showed a gap in his teeth. He raised his voice against an irruption of the departed, hooting train. “Tom Hughes puts up the travellers sometimes. If you’re travellin’ with some line he buys, you might try there. He lives above the store. Was you going to stay long?”
Prohibition, it appeared, had caused the place to close, at which Milne was inclined to wonder, since it had afforded hospitality to his last visit, scarcely a year ago. In any event, the remainder of the hamlet was so torpid that on the spur of the moment he determined to get out of it at once, and without seeking a welcome from any of these people who, it came to him, must exist, for the flowers beside their coloured verandas twitched peevish, proud heads in the wind, while the wire gates before their lawns were primly closed. And if he succeeded in finding them, would anyone remember him? No, he would walk out to the farm. For some reason he did not leave his bag, but carried it in his hand.
This matter was only one in the series of actions and adjustments which were a part of his determination, of his plans, and of the trip from the city. He had passed through it all with the impulsive consciousness of nothing but the goal. He must see Ada Lethen, though it were for the last time. Now, alone on the windy road, he began to hesitate, to wonder. The fields, river banks, the astounding, overwhelming sky he seemed to have forgotten, questioned him as an alien. What was he doing there? And what good, he further asked himself, would his coming do? He had returned often enough before. He was moved to ward off despair by reminding himself that he could do nothing else. He had been compelled to come back. But if memory could prove so fugacious, how had he trusted it so long? Uncertainty came into his mind. But lifting his head he went forward.
Like the village which had seemed still smaller than a village, smaller than it had ever been before, this countryside had the look of having arisen about him foreignly with the incredible immediacy of a dream. The road made fitful efforts at directness, and would ignore the swing of the high riverbanks, only a little farther on to skirt a depression, a sunken, rich flat, bearing rank, blue-green oats surrounded by drooping willows, elms through which only a glimpse of the brown ripples of water could be seen; again, underbrush, small maples, wild apples, green sumach came right to the road and hung over the fence, hiding the drop of a ravine. A place of choked vistas.
The road was easy walking for the greater part, with firm gravel at first, and then, after a mile, occasional sandy spots, rutted, with hoof-beaten soil between the wheel marks. Richard Milne had buried his bare toes in this sand as a schoolboy. Recalling himself with a smile, he reflected that he was no longer much of a countryman, since he was allowing mere impressions of the place to take his mind, his eye, from its utilitarian aspect. He could not have told yet “how the crops looked,” compared with the country he had seen from the train. And doubtless he would be asked by the first acquaintance he met to deliver an opinion.
Passably flourishing, he surmised, almost having forgotten how far these harvests, so assiduously watched over by men, should have progressed in maturity at the end of June. The corn, he recalled, should be knee-high by the twelfth of July, and was far from that now. The wheat was in head, though still green, short and spindly, waving on almost discernible soil of light-coloured knolls. Oats were dark in the rich hollows, fading to a brighter green on the slopes. The clover heads were red, clustered; ah, there was something on which he could compliment an old-time friend. Perhaps the other things would come on better later.
He wasn’t sure that he cared, he admitted, after these years. He had borne his share of such preoccupations, which seemed designed to pen his youthful hopes forever within this congeries of haphazard mis-shapen fields. Yet it all came back to him, fields and years, more poignant at every yard he traversed, and he knew that he could never be freed from the hold of this soil, however far from it he had travelled, though he were never to be called back by itself, but by a forfeit of love which in final desperation he had come to redeem or tear from its roots forever.
Again he found that he had hastened; then sauntering on with an appearance of ease, the memories stirred within him so that he should not have wished to meet an old neighbour on the road. Nothing could be farther from his wishes than a revealing sign of these conflicting emotions. At best it would be inadequate. And the presence of another would make any such display ridiculous, he reflected, thinking of the rebellious period in which he nearly had hated the place and its inhabitants. He glanced at the house he was passing.
Until now buildings had been part of the village in his mind and, indeed, there had been no rural mail-box at the roadside before this one. Lilac bushes stood at either side of the gate; a path curved from townward between the gate and across the lawn, long grass of an evenness which showed that occasionally it was mown. The lumbering farm-house seemed to stand on the edge of a brink, for nothing showed behind it but, in the distance, the round tops of apple trees, grey-green in the almost apparent wind. At the first glance he felt that the barn and other buildings might have dropped away, but turning he saw the unpainted, sagging-ridged building standing on the edge of the hollow, as near the road where he had unwittingly passed it, as the house. It had been moved up from the slope behind in his absence.
He knew this place very well, but not these improvements. It was the farm his uncle had owned, where he had lived as a boy. As he passed he looked at the mail-box. William A. Burnstile was the name. . . . How? Raffish, turbulent Bill Burnstile, big boy of the country school, up to whom little Dick Milne had looked with the hero-worship only bad boys can evoke – chronically unstable on growing up, until his departure for “the West” – was Bill Burnstile the firmly-established, evidently prudent or lucky farmer of this place?
While Richard Milne meditated, wondering whether he could not satisfy his curiosity as well as his need by putting up here for the night, he was decided by a series of shouts, wails, and pursuing cries. A boy of eleven with yellow hair on a thin neck rushed around the corner of the house, followed by a series younger, and turned at bay against their tumbling charge. Obviously this was no place for his sojourning; still, fascinated, he stayed and watched the children. The first, with exultant yips, trotted in a circle, and held high above his head a kitten, which clawed wistfully for a footing on the air. Two smaller boys, with shouts, jumped to reach it, seized the other by the legs and downed him to his own deprecating yells of “No fair, le’ me ’lone.” While they wrestled and squirmed in the grass, a little girl approached, and stepping gingerly among legs, managed to get hold of the kitten. She was running toward the man, to hide behind the snowball bushes at the side of the lawn, when an older girl appeared, calling out to the others. At that instant both girls caught sight of the stranger, and a hush came over the whole serried group of children, puffing yet with their struggle.
For an instant Richard Milne did not know whether or not to pass on. Of course, he would not stay here by deliberate choice, even if he could be accommodated. Still, there was his curiosity. “Boys!” he called. “Is this where Mr. Burnstile lives?”
They nudged each other to go and see what the man wanted. Finally, the second boy, the doughty wrestler, left the others and came over to the fence, turning his head in the wind as though to listen, his yellow hair ruffling. “Can’t hear. Wind’s wrong way.”
“Is this where Mr. Burnstile lives? I mean, ah, Bill Burnstile?”
“Why, that’s me! Oh, you mean my dad. Yes, he lives here. He’s cutting hay. Will any of us do?”
The man smiled. “Yes. Your father was out West for a time, wasn’t he? Well, you tell him that Dick Milne was here. Just see if he remembers.”
“Ouch! That’s Poison Ivy.” The boy had been leaning too close to the fence. “What? Oh, all right. I’ll tell him.” With a last look of wonder at the clothes of the stranger he was gone, skipping into the midst of the other children, who in the meantime had approached nearer – like steam melting into a cloud. The girl with the forgotten cat dangling looked after him.
They were so like a little group of perturbed animals, crying out half-audibly there in the wind, that Richard Milne laughed as he went on. The sight of the country children strangely refreshed him, and no longer was the place alien, but lonesome, waiting to welcome the footsteps of any returning wanderer. He smiled. This life was all as it had been, though these boys and girls would lack the excitement of his own childhood in recognizing “an old tramp.”
Evening was coming on, and even the apparently endless stationary evening of June waned after the supper hour. That consideration at least should urge him forward. Again he wondered; it seemed strange that no one he knew appeared in these familiar spaces. There was, of course, the one unchanging farm, where all his hopes were centred, his ultimate destination, and where he could expect no welcome. But surely before reaching it he would find people less interested in himself. He would have no trouble about a place for the night, and somewhere, if needed, there would be a boarding place for longer. He had money, after all, and that was usually unfailing in incidental uses. Still, the club-bag was becoming notably heavy.
The land became more rolling, hummocky, confused, with bare cultivated spots, thick brush along random, half-concealed fences. The road and the river seemed to rival each other in the vagrancy of their courses. The banks were now white clay, now green with weedy grass or up-grown shrubbery, a brief row of tall trees – over all of which the sun flowed coldly. A man was tiny enough in the midst of great cities, he remembered strangely, but here it was possible to wonder how many more of these roads there were stretching away into the evening, endlessly, bearing each its strung-out farms, its weight of enigmatic human and animal circumstance.
He seemed suddenly to have walked a great distance. A burden of his own past seemed to have descended upon him. How beautiful all this had been, and as the years of his boyhood slipped past without more than a dream of wider freedom, how dreary! The changing of the seasons had only emphasized the impression of monotony, and he had been held by inertia, and uncertain hope of fulfilment, on the only soil he knew. He had begun to write, and it was comparatively late that he had obeyed that questing-spirit which is the heritage of youth. Well, he had gone into the world and done all that he had dreamed of doing, and he had returned frequently enough with the one purpose, to the one being which could call him back; and still the land was the same, with a sorrowful sameness. It seemed that the beauty of this country should have increased, become clear and undeniable even to its preoccupied inhabitants. It always seemed that these people should have found larger interest and a wider view during his own period of Wanderjahre and Lehrjahre.
But now he was coming to the Hymerson farm. Here he knew he would be safe, more or less at home. Old friends of his family in a large phrase, old neighbours at least, they would be glad to see him, if only from curiosity. There did not seem to be improvements in the place, he noted, nor neglect. Wire fencing extending part way along the road, then the old rankly growing hedge, until that was clipped low in front of the house. This was a great affair of cheap yellow brick, which had been a show-place in his boyhood. It already showed signs of decay. The roof, of wooden shingles, was brown, the wood of the gables stained brown with weather, and the originally white veranda posts and scrollings were flaked grey and lead-coloured. There were high weeds along the roadside, and the lawn itself was lush with grass, except for spots uprooted in irregular holes. The source of these holes became apparent in squeals from behind the house. The chorus, kept up so pertinaciously, foretold the supper hour of the pigs.
Entering in at the open lane, for there was no gate to the lawn, Richard Milne saw again the familiar buildings. The barn, an L-shaped huge structure of splotched grey beneath an old coat of pink paint, had been raised upon a foundation of cement blocks, abutted by lengthy graded approaches, which occupied much of the space of the yard.
The yard was a broad expanse strewn with apparent indiscrimination: smaller buildings and used machinery. A long, slatted corn-crib with sway-back roof looked as though, empty, it could have been drawn away by a team of horses. But yellow ears of corn protruded between the slats at one end, a remainder after the winter’s feeding. A similarly disreputable granary stood at the other side. And all about sprawled cultivators, harrows, discs, a mower, a bare wagon, the rack of which leaned against the side of the corn-crib.
These machines were not rusted in any state of disuse. In fact, they and the buildings, instead of giving the place a general effect of neglect, imparted a business-like aspect, as of work being in progress which forbade such fol-de-rols as neatness, newness, paint, and shelter from the elements of air and earth, for which all things were, in any case, ultimately destined.
Before Richard Milne came to the house he saw crossing the yard in the rear a flapping, overalled, small figure of a man, carrying a pair of dripping swill-pails. He waved, going forward without setting down his club-bag. It was Carson Hymerson, who went on to the swill-barrels and dipped the pails, heavin...
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Book Description Penguin Random House. Book Condition: New. Brand New. Bookseller Inventory # 0771094027
Book Description New Canadian Library, United Kingdom, 2010. Paperback. Book Condition: New. Reprint. Language: English . Brand New Book. The Ontario farmland described with arresting clarity in White Narcissus is, despite its beauty and abundance, a place of choked vistas where bitterness and rivalry have taken root. Against this backdrop Raymond Knister portrays the triumph of longing over despair, as his hero, Richard Milne, struggles to redeem his childhood sweetheart from the spiritual imprisonment of her parents home. First published in 1929, White Narcissus was a groundbreaking work in the development of the Canadian realist novel, fusing Knister s imagistic sensibility with the deeply felt experience of a real time and place. Knister died tragically at the age of thirty-three, before his contribution was recognized in his own country and before the full potential of his remarkable talent could be realized. From the Paperback edition. Bookseller Inventory # BZV9780771094026
Book Description New Canadian Library. PAPERBACK. Book Condition: New. 0771094027 *BRAND NEW* Ships Same Day or Next!. Bookseller Inventory # SWATI2132159571
Book Description New Canadian Library, United Kingdom, 2010. Paperback. Book Condition: New. Reprint. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The Ontario farmland described with arresting clarity in White Narcissus is, despite its beauty and abundance, a place of choked vistas where bitterness and rivalry have taken root. Against this backdrop Raymond Knister portrays the triumph of longing over despair, as his hero, Richard Milne, struggles to redeem his childhood sweetheart from the spiritual imprisonment of her parents home. First published in 1929, White Narcissus was a groundbreaking work in the development of the Canadian realist novel, fusing Knister s imagistic sensibility with the deeply felt experience of a real time and place. Knister died tragically at the age of thirty-three, before his contribution was recognized in his own country and before the full potential of his remarkable talent could be realized. From the Paperback edition. Bookseller Inventory # BZV9780771094026
Book Description New Canadian Library, 2010. Paperback. Book Condition: Brand New. reprint edition. 163 pages. 8.00x4.75x0.50 inches. In Stock. Bookseller Inventory # zk0771094027