The Influence of European Literary and Artistic Representations of the 'Orient' on Western Orchestral Compositions, ca. 1840-1920: From Oriental Inspiration to 'Exotic' Orchestration

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9780773414266: The Influence of European Literary and Artistic Representations of the 'Orient' on Western Orchestral Compositions, ca. 1840-1920: From Oriental Inspiration to 'Exotic' Orchestration
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A comprehensive survey of the major sources of inspiration for Western composers who sought to infuse their musical works with an 'Eastern' flavor. It discusses the aesthetic, philosophical, political, geographical, literary and historical forces at work during the period.

THE AUTHORS' FOUNDATION / ROYAL LITERARY FUND AWARD WINNER 2011 (UK)

Companion volume from the same publisher:
Literary Sources of Nineteenth-Century Musical Orientalism: The Hypnotic Spell of the Exotic on Music of the Romantic Period

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From the Author:

CONTENTS

Foreword by Associate Professor Craig De Wilde                                                     
Prefatory Remarks and Acknowledgements                                                                
Introduction

PART 1      The Orient: 'as image or as thought'
Chapter 1:  Understanding the Retreat to the 'Exotic'                                               
Chapter 2:  Defining the 'Orient'                                                                                    


PART 2      The Historical Background
Chapter 3:  Pilgrimages to the 'Orient'
a)       The Politics of the Middle East
b)       Music and Musicians among 'the splendour and havoc of the East'
c)       En Espagne
Chapter 4:  Sailor Musicians and Musical Travelogues
Chapter 5:  Universal Expositions and the Inspiration of Contemporary Events
Chapter 6:  Diaghilev's Ballets Russes
Conclusion
Postscript on Colour and Atmosphere
Appendix - A guide to the 'lingua franca' of Musical Orientalism
An explanation of the fundamental 'Eastern' traits imitated by Western composers, including a list of the most characteristic 'formulae' employed by them to create 'Oriental' atmospheres
Bibliography
Index

About the Author:

Born in Australia, Dr. Jonathan Little studied Composition and Performance at the University of Melbourne, winning the Lady Turner Exhibition for overall excellence. He holds the degree of Doctor of Philosophy in music for his research into the development of "exotic" 19th- and 20th-century orchestration. Prior to joining the University of Chichester in 2006, Jonathan was Principal of the Academy of Contemporary Music in Guildford - Europe's largest specialist academy for students of contemporary music, and the first music education establishment to win the Queen's Award for Enterprise (Innovation category).

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Book Description The Edwin Mellen Press Ltd, United States, 2010. Hardback. Condition: New. Language: English . Brand New Book. This book examines the phenomenon of Orientalism during the 19th and early 20th centuries, focusing on its ramifications in musical terms. It discusses the aesthetic/philosophical, political/geographic, literary and historical forces at work during the period, and shows these factors to have influenced musicians and other creative artists in their choice of Oriental subject matter. It establishes the role and meaning of the Oriental vogue within the context of the times. Oriental inspiration is argued to have led to novel developments in the art of orchestration, using reference to many large-scale orchestral and operatic works. The study is a valuable contribution in both understanding the development of the modern symphone orchestra, as well as the compositional approaches made by the many composers who have produced some of the finest works in the orchestral repertoire. Seller Inventory # AAU9780773414266

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Book Description The Edwin Mellen Press Ltd, United States, 2010. Hardback. Condition: New. Language: English . Brand New Book. This book examines the phenomenon of Orientalism during the 19th and early 20th centuries, focusing on its ramifications in musical terms. It discusses the aesthetic/philosophical, political/geographic, literary and historical forces at work during the period, and shows these factors to have influenced musicians and other creative artists in their choice of Oriental subject matter. It establishes the role and meaning of the Oriental vogue within the context of the times. Oriental inspiration is argued to have led to novel developments in the art of orchestration, using reference to many large-scale orchestral and operatic works. The study is a valuable contribution in both understanding the development of the modern symphone orchestra, as well as the compositional approaches made by the many composers who have produced some of the finest works in the orchestral repertoire. Seller Inventory # AAU9780773414266

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