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The film switches gears--and focus--with the introduction of a rather pathetic lawyer (the great Takashi Shimura) who takes Mifune's case to court. He's a sad but well-meaning man whose devotion to his chronically ill daughter (and constant need for money) leaves him vulnerable to corruptive influence, making Scandal an engrossing study of moral ambiguity and misguided zeal. It's surprising to see how maudlin Kurosawa can be in his handling of the sickly daughter, and certainly Kurosawa is guilty of total imbalance in his rabid treatment of the press. Still, this is a splendid film, rich with detail about postwar Japan and blessed by an abundance of superb performances, most notably that of Shimura, who would later achieve greater prominence in Ikiru and Seven Samurai. --Jeff Shannon
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