Synopsis
A reinterpretation of the tale of Cupid and Psyche combines elements of barbarism and fantasy with an understanding of human nature and psychology
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Review
At once more human and more mythic than his Perelandra trilogy, Lewis's short novel of love, faith, and transformation (both good and ill) offers the reader much food for thought in a compact, impressively rich story. Less heavy-handedly Christian-allegorical than Narnia, Till We Have Faces gives us characters who remind us of people we know facing choices and difficulties we recognize. This deceptively simple book takes on new depth with each rereading.
From the Back Cover
Fascinated by the myth of Cupid and Psyche throughout his life, C. S. Lewis wrote this, his last novel, to retell their story from the perspective of Psyche’s sister, Orual: “I saw well why the gods do not speak to us openly, nor let us answer . . . Why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?” Lewis provides an engaging retelling of one of the most popular myths from antiquity with what The Saturday Review called “new meaning, new depths, new terrors.” With his trademark insightfulness, Lewis reminds us of our own fallibility and the role of a higher power in our lives.
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