Bach’s "Well-Tempered Clavier": An Exploration of the 48 Preludes and Fugues

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9780786425440: Bach’s "Well-Tempered Clavier": An Exploration of the 48 Preludes and Fugues
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Through a musical language involving symbols, numbers, and tonality, J.S. Bach created emotional dimension in the preludes and fugues of The Well-Tempered Clavier. This book explores the use of that musical language, revealing how Bach used harmonic design and melodic and rhythmic motivic formulas to adhere to the basic doctrine of the Theory of Affects--i.e., that one mood will govern one piece. The book examines the significance of key and the emotional dimension Bach discerned in each tonality; the symbolism of melodic and rhythmic motifs; and the symbolism of numbers. It considers the thematic and rhythmic links between a prelude and its companion fugue in each book, and between a prelude and fugue in Book One and those in the same key in Book Two. It also includes reference to other instrumental works by Bach in the same key and melodic patterns.

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Marjorie Wornell Engels taught music professionally for 40 years, including 12 years on the faculty of the Royal Conservatory of Music of Toronto. She now lives in Campbell River on Vancouver Island.

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"Buy this book...this is a gem." --B.C. Registered Music Teachers Association Provincial Newsletter

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Book Description McFarland Publishing. Condition: BRAND NEW. BRAND NEW Full-Sized Laminated Softcover - 224pp - photos, bibliography, index - Through a musical language involving symbols, numbers, and tonality, J.S. Bach created emotional dimension in the preludes and fugues of The Well-Tempered Clavier. This book explores the use of that musical language, revealing how Bach used harmonic design and melodic and rhythmic motivic formulas to adhere to the basic doctrine of the Theory of Affects--i.e., that one mood will govern one piece. The book examines the significance of key and the emotional dimension Bach discerned in each tonality; the symbolism of melodic and rhythmic motifs; and the symbolism of numbers. It considers the thematic and rhythmic links between a prelude and its companion fugue in each book, and between a prelude and fugue in Book One and those in the same key in Book Two. It also includes reference to other instrumental works by Bach in the same key and melodic patterns. A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Seller Inventory # 2755516

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Book Description McFarland & Co Inc, United States, 2006. Paperback. Condition: New. Language: English. Brand new Book. Through a musical language involving symbols, numbers, and tonality, J. S. Bach created emotional dimension in the preludes and fugues of "The Well-Tempered Clavier". This book explores the use of that musical language, revealing how Bach used harmonic design and melodic and rhythmic motivic formulas to adhere to the basic doctrine of the Theory of Affects - i.e., that one mood will govern one piece. The book examines the significance of key and the emotional dimension Bach discerned in each tonality; the symbolism of melodic and rhythmic motifs; and the symbolism of numbers. It considers the thematic and rhythmic links between a prelude and its companion fugue in each book, and between a prelude and fugue in Book One and those in the same key in Book Two. It also includes reference to other instrumental works by Bach in the same key and melodic patterns. Seller Inventory # AAC9780786425440

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Book Description McFarland & Co Inc, United States, 2006. Paperback. Condition: New. Language: English. Brand new Book. Through a musical language involving symbols, numbers, and tonality, J. S. Bach created emotional dimension in the preludes and fugues of "The Well-Tempered Clavier". This book explores the use of that musical language, revealing how Bach used harmonic design and melodic and rhythmic motivic formulas to adhere to the basic doctrine of the Theory of Affects - i.e., that one mood will govern one piece. The book examines the significance of key and the emotional dimension Bach discerned in each tonality; the symbolism of melodic and rhythmic motifs; and the symbolism of numbers. It considers the thematic and rhythmic links between a prelude and its companion fugue in each book, and between a prelude and fugue in Book One and those in the same key in Book Two. It also includes reference to other instrumental works by Bach in the same key and melodic patterns. Seller Inventory # AAC9780786425440

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