Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription! This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576 * A companion volume to The Baroque Guitar in Spain and the New World (MB21122) *Intended to help bridge the gap between scholarly editions and performance editions * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.
"synopsis" may belong to another edition of this title.
Frank Koonce is internationally acclaimed as a performer, teacher, and writer. He holds degrees from the North Carolina School of the Arts and from Southern Methodist University, studying first with Jesús Silva and then with Robert Guthrie. In 1974-75, he was a Fulbright Scholar and performer in Italy where he studied with Sergio Notaro and Alirio Diaz. Mr. Koonce's creative output includes an authoritative guitar edition of Johann Sebastian Bach's complete solo lute works and recordings with both English and Spanish narration of Mario Castelnuovo-Tedesco's Platero y yo. He has also recorded an album entitled A Southwest Christmas with the Phoenix Bach Choir and is featured in a live concert video with the renowned composer/guitarist, Nikita Koshkin (Mel Bay 99231VX). As a founding partner of Soundset Recordings he has helped produce other classical compact discs, including a premiere recording of works by Alan Hovhaness with the Korean Broadcasting System Symphony Orchestra and the first two recordings of Nikita Koshkin. A Professor of Music, Frank Koonce has directed the guitar program at Arizona State University since 1978. He was Director of "Guitar Festival 1987" an international event jointly sponsored by the Guitar Foundation of America and the American String Teachers Association, and has since served as Chair the GFA Advisory Board. He is an active performer, with recitals to his credit in England, Korea, Macedonia, Taiwan, China, Bangladesh, Costa Rica, Mexico, Spain, The Czech Republic, Austria, and throughout the United States.
"About this title" may belong to another edition of this title.
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Spiral. Condition: new. Spiral. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar.* A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576.* A companion volume to The Baroque Guitar in Spain and the New World (MB21122).* Intended to help bridge the gap between scholarly editions and performance editions.* An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780786678228
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