In this book, each of the chapters offers an analysis of the origins and development of an important aspect of Japanese culture, including religion (Pure Land Buddhism and Zen, Shinto and folk religions, Confucianism and Tokugawa era ideology), philosophy (classical Buddhism and the contemporary Kyoto School), literature and the arts (medieval poetry and drama, modern fiction and films), and social behavior (family system, feminism, nationalism, and economic growth). The central, underlying theme is the uniqueness and creativity of Japan as seen from twentieth century perspectives. One of the fascinating things about Japanese culture is that, on the one hand, it seems to have held onto its traditional foundations with a greater sense of determination and celebration than most societies and, at the same time, it appears to have attained a position at the forefront of international modernist and postmodernist developments. The authors explore several approaches to this issue. One school of thought is influenced by recent Japanese writers and intellectual historians such as Mishima, Tanizaki, Watsuji, and Nakamura. Another approach is influenced by Western poststructuralist commentators such as Barthes, Derrida, and Lyotard. A third approach is to argue against the thesis known as nihonjinron ("Japanism" or cultural exceptionalism), by suggesting that the notion of Japanese uniqueness is itself a cultural myth generated by nationalist and particularist trends originating in the Tokugawa era.
"synopsis" may belong to another edition of this title.
Charles Wei-hsun Fu is Professor of Buddhism and East Asian Thought at Temple University. He is the editor of several book series in America and Taiwan and has authored numerous books and articles and lectured extensively throughout East Asia.Review:
"A major point of attraction is the cross-disciplinary approach of this volume, which deals with issues of traditionalism and postmodernism in the fields of Japanese religion, philosophy, literature, film, economics, and social structure. It also serves as a solid, up-to-the-moment introduction to the subject of postmodernism and Japan. The editors set forth an ambitious and sophisticated hermeneutical agenda for the volume that not only brings postmodern approaches to bear on the interpretation of distinctive aspects of Japanese culture but also considers various ways in which traditional and postmodern perspectives interact in the Japanese context. It shows how these interactions can work both to undermine, and to perpetuate, the Orientalist and 'reverse Orientalist' stereotypes of Japanese and Western scholars." -- Jacqueline Stone, Princeton University
"About this title" may belong to another edition of this title.
Book Description SUNY Press. Book Condition: BRAND NEW. BRAND NEW Softcover A Brand New Quality Book from a Full-Time Veteran Owned Bookshop in business since 1992!. Bookseller Inventory # 2612504
Book Description State University of New York Press, 1995. Paperback. Book Condition: New. book. Bookseller Inventory # M0791424707
Book Description State University of New York P, 1995. Paperback. Book Condition: New. Never used!. Bookseller Inventory # P110791424707
Book Description State Univ of New York Pr, 1995. Paperback. Book Condition: Brand New. second impression edition. 366 pages. 9.25x6.00x0.75 inches. In Stock. Bookseller Inventory # zk0791424707
Book Description State University of New York Press, 1995. Paperback. Book Condition: New. 0. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. Buy with confidence, excellent customer service!. Bookseller Inventory # 0791424707n