Ingardeniana III: Roman Ingarden’s Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature (Analecta Husserliana)

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9780792310143: Ingardeniana III: Roman Ingarden’s Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature (Analecta Husserliana)
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In the footsteps of Ingardeniana II, this volume marks the 20th anniver≠ sary of Roman Ingarden's death, partly focusing upon his thought, partly bringing his aesthetics into the present-day framework of research. It might have appeared puzzling to the followers of our Analecta Husserliana why within the original horizon encircled by the research work of our International Society of Phenomenology and Literatur- whose research work is devised in a diametrically opposed direction to that of Roman Ingarden - there is steadfastly running through our discussions a line of Ingardenian reflection. The reason, as I have pointed out in the introduction to Ingardeniana II, expertly edited by Hans Rudnik, is clear: Ingarden's analysis of the intentional structures of works of art offers in its distinct and clear-cut forms an 'objective' correlate - as well as a point of reference - to the vast conundrum of issues concerning the creative endeavor of the writer, poet, artist in their struggle to endow life with its specifically human significance; a conundrum that in our research we are trying to disentangl- elucidating its mysterious ramifications, their sources and dynamic virtualities. As a matter of fact, Ingarden's thought, newly interpreted and originally expanded, occupies a legitimate place in the present collec≠ tion. We find here, in the first place, an original expansion of Ingarden's aesthetic theory in the monograph of ladwiga Smith followed by the essays of Wadaw Osadnik, Yushiro Takei and Charles Rzepka.

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Published by Springer, Netherlands (1991)
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Book Description Springer, Netherlands, 1991. Hardback. Condition: New. 1991 ed.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. In the footsteps of Ingardeniana II, this volume marks the 20th anniver- sary of Roman Ingarden s death, partly focusing upon his thought, partly bringing his aesthetics into the present-day framework of research. It might have appeared puzzling to the followers of our Analecta Husserliana why within the original horizon encircled by the research work of our International Society of Phenomenology and Literatur- whose research work is devised in a diametrically opposed direction to that of Roman Ingarden - there is steadfastly running through our discussions a line of Ingardenian reflection. The reason, as I have pointed out in the introduction to Ingardeniana II, expertly edited by Hans Rudnik, is clear: Ingarden s analysis of the intentional structures of works of art offers in its distinct and clear-cut forms an objective correlate - as well as a point of reference - to the vast conundrum of issues concerning the creative endeavor of the writer, poet, artist in their struggle to endow life with its specifically human significance; a conundrum that in our research we are trying to disentangl- elucidating its mysterious ramifications, their sources and dynamic virtualities. As a matter of fact, Ingarden s thought, newly interpreted and originally expanded, occupies a legitimate place in the present collec- tion. We find here, in the first place, an original expansion of Ingarden s aesthetic theory in the monograph of ladwiga Smith followed by the essays of Wadaw Osadnik, Yushiro Takei and Charles Rzepka. Seller Inventory # LIE9780792310143

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Book Description Springer, Netherlands, 1991. Hardback. Condition: New. 1991 ed.. Language: English . Brand New Book ***** Print on Demand *****. In the footsteps of Ingardeniana II, this volume marks the 20th anniver- sary of Roman Ingarden s death, partly focusing upon his thought, partly bringing his aesthetics into the present-day framework of research. It might have appeared puzzling to the followers of our Analecta Husserliana why within the original horizon encircled by the research work of our International Society of Phenomenology and Literatur- whose research work is devised in a diametrically opposed direction to that of Roman Ingarden - there is steadfastly running through our discussions a line of Ingardenian reflection. The reason, as I have pointed out in the introduction to Ingardeniana II, expertly edited by Hans Rudnik, is clear: Ingarden s analysis of the intentional structures of works of art offers in its distinct and clear-cut forms an objective correlate - as well as a point of reference - to the vast conundrum of issues concerning the creative endeavor of the writer, poet, artist in their struggle to endow life with its specifically human significance; a conundrum that in our research we are trying to disentangl- elucidating its mysterious ramifications, their sources and dynamic virtualities. As a matter of fact, Ingarden s thought, newly interpreted and originally expanded, occupies a legitimate place in the present collec- tion. We find here, in the first place, an original expansion of Ingarden s aesthetic theory in the monograph of ladwiga Smith followed by the essays of Wadaw Osadnik, Yushiro Takei and Charles Rzepka. Seller Inventory # APC9780792310143

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Book Description Springer, Netherlands, 1991. Hardback. Condition: New. 1991 ed.. Language: English . Brand New Book ***** Print on Demand *****.In the footsteps of Ingardeniana II, this volume marks the 20th anniver- sary of Roman Ingarden s death, partly focusing upon his thought, partly bringing his aesthetics into the present-day framework of research. It might have appeared puzzling to the followers of our Analecta Husserliana why within the original horizon encircled by the research work of our International Society of Phenomenology and Literatur- whose research work is devised in a diametrically opposed direction to that of Roman Ingarden - there is steadfastly running through our discussions a line of Ingardenian reflection. The reason, as I have pointed out in the introduction to Ingardeniana II, expertly edited by Hans Rudnik, is clear: Ingarden s analysis of the intentional structures of works of art offers in its distinct and clear-cut forms an objective correlate - as well as a point of reference - to the vast conundrum of issues concerning the creative endeavor of the writer, poet, artist in their struggle to endow life with its specifically human significance; a conundrum that in our research we are trying to disentangl- elucidating its mysterious ramifications, their sources and dynamic virtualities. As a matter of fact, Ingarden s thought, newly interpreted and originally expanded, occupies a legitimate place in the present collec- tion. We find here, in the first place, an original expansion of Ingarden s aesthetic theory in the monograph of ladwiga Smith followed by the essays of Wadaw Osadnik, Yushiro Takei and Charles Rzepka. Seller Inventory # APC9780792310143

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Book Description Springer. Hardcover. Condition: New. 365 pages. Dimensions: 9.5in. x 6.4in. x 1.1in.In the footsteps of Ingardeniana II, this volume marks the 20th anniver- sary of Roman Ingardens death, partly focusing upon his thought, partly bringing his aesthetics into the present-day framework of research. It might have appeared puzzling to the followers of our Analecta Husserliana why within the original horizon encircled by the research work of our International Society of Phenomenology and Literatur- whose research work is devised in a diametrically opposed direction to that of Roman Ingarden - there is steadfastly running through our discussions a line of Ingardenian reflection. The reason, as I have pointed out in the introduction to Ingardeniana II, expertly edited by Hans Rudnik, is clear: Ingardens analysis of the intentional structures of works of art offers in its distinct and clear-cut forms an objective correlate - as well as a point of reference - to the vast conundrum of issues concerning the creative endeavor of the writer, poet, artist in their struggle to endow life with its specifically human significance; a conundrum that in our research we are trying to disentangl- elucidating its mysterious ramifications, their sources and dynamic virtualities. As a matter of fact, Ingardens thought, newly interpreted and originally expanded, occupies a legitimate place in the present collec- tion. We find here, in the first place, an original expansion of Ingardens aesthetic theory in the monograph of ladwiga Smith followed by the essays of Wadaw Osadnik, Yushiro Takei and Charles Rzepka. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN. Hardcover. Seller Inventory # 9780792310143

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