Laughing Matters: Farce and the Making of Absolutism in France

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9780801445606: Laughing Matters: Farce and the Making of Absolutism in France

Bawdy satirical plays―many starring law clerks and seminarians―savaged corrupt officials and royal policies in fifteenth- and sixteenth-century France. The Church and the royal court tolerated―and even commissioned―such performances, the audiences for which included men and women from every social class. From the mid-sixteenth century, however, local authorities began to temper and in some cases ban such performances.

Sara Beam, in revealing how theater and politics were intimately intertwined, shows how the topics we joke about in public reflect and shape larger religious and political developments. For Beam, the eclipse of the vital tradition of satirical farce in late medieval and early modern France is a key aspect of the complex political and cultural factors that prepared the way for the emergence of the absolutist state. In her view, the Wars of Religion were the major reason attitudes toward the farceurs changed; local officials feared that satirical theater would stir up violence, and Counter-Reformation Catholicism proved hostile to the bawdiness that the clergy had earlier tolerated.

In demonstrating that the efforts of provincial urban officials prepared the way for the taming of popular culture throughout France, Laughing Matters provides a compelling alternative to Norbert Elias's influential notion of the "civilizing process," which assigns to the royal court at Versailles the decisive role in the shift toward absolutism.

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"This book will appeal across the spectrum of French historical, cultural, and theatrical scholarship from those primarily interested in politics to those interested in urban culture and society. Laughing Matters demonstrates the long-time cultural independence of local societies from the forms and norms of the center or the royal court. Sara Beam convincingly argues that urban elites were on their own quest to reform manners and decorum."--Lawrence M. Bryant, California State University, Chico, author of The King and the City in the Parisian Royal Entry Ceremony

"Laughing Matters is an important contribution to our understanding of the mechanics of absolutism in France as they emerged in the second half of the seventeenth century. Its clever argument and compelling examples follow the broad sweep of modern French history from the end of the 100 Years War to the Bourbon Restoration. Sara Beam's wonderful book will be read with interest by those who study the history of the French and European stage in an interdisciplinary context."--Jeffrey S. Ravel, MIT, author of The Contested Parterre

About the Author:

Sara Beam is Assistant Professor of History at the University of Victoria.

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Book Description Cornell University Press, United States, 2007. Hardback. Book Condition: New. Language: English . Brand New Book. Bawdy satirical plays--many starring law clerks and seminarians--savaged corrupt officials and royal policies in fifteenth- and sixteenth-century France. The Church and the royal court tolerated--and even commissioned--such performances, the audiences for which included men and women from every social class. From the mid-sixteenth century, however, local authorities began to temper and in some cases ban such performances. Sara Beam, in revealing how theater and politics were intimately intertwined, shows how the topics we joke about in public reflect and shape larger religious and political developments. For Beam, the eclipse of the vital tradition of satirical farce in late medieval and early modern France is a key aspect of the complex political and cultural factors that prepared the way for the emergence of the absolutist state. In her view, the Wars of Religion were the major reason attitudes toward the farceurs changed; local officials feared that satirical theater would stir up violence, and Counter-Reformation Catholicism proved hostile to the bawdiness that the clergy had earlier tolerated. In demonstrating that the efforts of provincial urban officials prepared the way for the taming of popular culture throughout France, Laughing Matters provides a compelling alternative to Norbert Elias s influential notion of the civilizing process, which assigns to the royal court at Versailles the decisive role in the shift toward absolutism. Bookseller Inventory # POW9780801445606

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Sara N. Beam
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Book Description Cornell University Press, United States, 2007. Hardback. Book Condition: New. Language: English . Brand New Book. Bawdy satirical plays--many starring law clerks and seminarians--savaged corrupt officials and royal policies in fifteenth- and sixteenth-century France. The Church and the royal court tolerated--and even commissioned--such performances, the audiences for which included men and women from every social class. From the mid-sixteenth century, however, local authorities began to temper and in some cases ban such performances. Sara Beam, in revealing how theater and politics were intimately intertwined, shows how the topics we joke about in public reflect and shape larger religious and political developments. For Beam, the eclipse of the vital tradition of satirical farce in late medieval and early modern France is a key aspect of the complex political and cultural factors that prepared the way for the emergence of the absolutist state. In her view, the Wars of Religion were the major reason attitudes toward the farceurs changed; local officials feared that satirical theater would stir up violence, and Counter-Reformation Catholicism proved hostile to the bawdiness that the clergy had earlier tolerated. In demonstrating that the efforts of provincial urban officials prepared the way for the taming of popular culture throughout France, Laughing Matters provides a compelling alternative to Norbert Elias s influential notion of the civilizing process, which assigns to the royal court at Versailles the decisive role in the shift toward absolutism. Bookseller Inventory # POW9780801445606

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