Selected by Choice Magazine as an Outstanding Academic Title
In this compact and illuminating history, Georges Minois examines how a culture's attitudes about suicide reflect its larger beliefs and values―attitudes toward life and death, duty and honor, pain and pleasure. Minois begins his survey with classical Greece and Rome, where suicide was acceptable―even heroic―under some circumstances. With the rise of Christianity, however, suicide was unequivocally condemned as self-murder and an insult to God. With the Renaissance and its renewed interest in classical culture, suicide reemerged as a philosophical issue. Minois finds examples of changing attitudes in key Renaissance texts by Bacon, Montaigne, Sidney, Donne, and Shakespeare.
By 1700, the term suicide had replaced self-murder and the subject began to interest the emerging scientific disciplines. Minois follows the ongoing evaluation of suicide through the Enlightenment and the Romantic periods, and he examines attitudes that emerge in nineteenth- and twentieth-century science, law, philosophy, and literature. Minois concludes with comments on the most recent turn in this long and complex history―the emotional debate over euthanasia, assisted suicide, and the right to die.
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Lydia G. Cochrane has translated three previous books for Johns Hopkins: On the Edge of the Cliff by Roger Chartier (1996), The Color of Melancholy by Jacqueline Cerquiglini-Toulet (1997), and History of Suicide by Georges Minois (1999). Her other translations include Alain Boureau's The Lord's First Night (1998) and The Myth of Pope Joan (2001), and Renzo Dubbini's Geography of the Gaze (2002).
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Paperback. Condition: new. Paperback. In this history, Georges Minois examines how a culture's attitudes about suicide reflect its larger beliefs and values - attitudes toward life and death, duty and honour, pain and pleasure. Minois begins his survey with classical Greece and Rome, where suicide was acceptable - even heroic - under some circumstances. With the rise of Christianity, however, suicide was unequivocally condemned as self-murder and an insult to God. With the Renaissance and its renewed interest in classical culture, suicide re-emerged as a philosophical issue. Minois finds examples of changing attitudes in key Renaissance texts by Bacon, Montaigne, Sidney, Donne and Shakespeare. By 1700, the term "suicide" had replaced "self-murder" and the subject began to interest the emerging scientific disciplines. Minois follows the ongoing evaluation of suicide through the Enlightenment and the Romantic periods, and he examines attitudes that emerge in 19th- and 20th-century science, law, philosophy and literature. Minois concludes with comments on the most recent turn in this long and complex history - the emotional debate over euthanasia, assisted suicide, and the right to die. Minois concludes with comments on the most recent turn in this long and complex history-the emotional debate over euthanasia, assisted suicide, and the right to die. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780801866470