On July 4, 1863, Robert E. Lee and his Confederate army retreated in tatters from Gettysburg, Pennsylvania, and the Union began its march to ultimate victory in the Civil War. Nine days later, the largest riots in American history broke out on the streets of New York City, nearly destroying in four days the financial, industrial, and commercial hub of the nation. Northerners suspected a Confederate plot, carried out by local "Copperhead" sympathizers; however, the reality was more complex and far-reaching, exposing fault lines of race and class still present in America today.
Angered by the Emancipation Proclamation, issued six months earlier, and by Abraham Lincoln's imposition of the first federal military draft in U. S. history, which exempted those who could pay $300, New York's white underclass, whipped up by its conservative Democratic leaders, raged against the powerful currents of social change embodied by Lincoln's Republican administration. What began as an outbreak against draft offices soon turned into a horrifying mob assault on upper-class houses and property, and on New York's African American community. The draft riots drove thousands of blacks to the fringes of white society, hastening the formation of large ghettoes, including Harlem, in a once-integrated city.
As Barnet Schecter dramatically shows in The Devil's Own Work, the cataclysm in New York was anything but an isolated incident; rather, it was a microcosm―within the borders of the supposedly loyal northern states―of the larger Civil War between the North and South. The riots erupted over the same polarizing issues--of slavery versus freedom for African Americans and the scope of federal authority over states and individuals--that had torn the nation apart. And the riots' aftermath foreshadowed the compromises that would bedevil Reconstruction and delay the process of integration for the next 100 years.
The story of the draft riots come alive in the voices of passionate newspaper rivals Horace Greeley and Manton Marble; black leader Rev. Henry Highland Garnet and renegade Democrat Fernando Wood; Irish soldier Peter Welsh and conservative diarist Maria Daly; and many others. In chronicling this violent demonstration over the balance between centralized power and civil liberties in a time of national emergency, The Devil's Own Work (Walt Whitman's characterization of the riots) sheds new light on the Civil War era and on the history of protest and reform in America.
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Barnet Schecter is the author of The Battle for New York: The City at the Heart of the American Revolution. He lives in New York City.
The 1863 draft riots in New York City, the bloodiest in the nation's history, emerge as a microcosm of the convoluted and contradictory politics of the Civil War era in this absorbing study. Historian Schecter (The Battle for New York: The City at the Heart of the American Revolution) pens with a gripping account of the five days of rioting. But he also probes beneath the turmoil to examine the ethnic, religious and class conflicts that made the confrontation so explosive. The rioters, largely working-class Irish Catholics, vented their fury at a draft law that exempted those who could pay $300, at the city's WASP Republican business elite and, inflamed by racist demagoguery, at African-Americans with whom they competed for low-wage jobs and status in America's racial hierarchy.Schecter contends that these dynamics played out nationally in the gradual demise of Reconstruction, thus setting the stage for racial and labor conflict in the century to come. Copiously researched and highlighted with a wealth of period commentary, his lucid narrative colorfully recreates a historical watershed and offers a rich exploration of the Civil War's unfinished business. 40 b&w photos, maps, not seen by PW.
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When fireman Peter Masterson led a mob's attack on a federal draft office, producing the first murders of New York City's 1863 riot, he ignited social tinder that was not exclusive to New York in mid-nineteenth-century America. Historian Schecter backgrounds his thorough account of the tumult with social disorders that frequently occurred elsewhere. To existing social resentments, particularly of Irish immigrants toward economic competition from blacks, the Civil War added its combustibles, for New York was not stoutly Unionist. Peace Democrats dominated its politics; its business class sympathized with the South; and its Copperhead newspapers denounced the war and the draft. These factors affected the course of events that Schecter masterfully narrates. From Masterson's initial incitement to the frenzy's subsidence several days and hundreds of deaths later, the author moves seamlessly between the conflagration on the street and the frantic attempts of authorities to quell the mayhem, and explains the affair's ramifications on the Reconstruction era. An excellent encapsulation of the war's social context in the North. Gilbert Taylor
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