This specific ISBN edition is currently not available.View all copies of this ISBN edition:
The crisis of tradition early in the twentieth century—signaled by the collapse of perspective in painting and tonality in music and evident in the explosive ferment of the avant-garde movements—opened a new stage of modern art, which aesthetic theory is still struggling to comprehend. David Roberts situates the current aesthetic and cultural debates in a wider historical frame which extends from Hegel and the German Romantics to Lukács and Adorno, Benjamin and Baudrillard. Art and Enlightenment: Aesthetic Theory after Adorno is the first detailed analysis in English of Theodor Adorno’s seminal Philosophy of Modern Music, which can be seen as a turning point between modern and postmodern art and theory.
Adorno's diagnosis of the crisis of modernist values points back to Hegel's thesis of the end of art and also forward to the postmodernist debate. Thus the paradoxes of Adorno’s negative aesthetics return to haunt the current discussion by representatives of the second generation of the Frankfurt School, Anglo-American Marxism, and French poststructuralism. Going beyond Adorno's dialectic of musical enlighten-ment, Roberts proposes an alternative model of the enlightenment, of art applied to literature and exemplified in the outline of a theory of parody. In its critique of Adorno, Art and Enlightenment clears the way for a reconsideration of twentieth-century artistic theory and practice and also, in offering a model of postmodern art, seeks to disentangle critical issues in the discussion of the avant-garde, modernism, and postmodernism.
"synopsis" may belong to another edition of this title.
David Roberts, Reader in German at Monash University in Melbourne, Australia, is coeditor of the journal Thesis Eleven. He is the author of The Indirections of Desire: Hamlet in Goethe’s "Wilhelm Meister" (1980) and other books.From Library Journal:
Theodor Adorno's Philosophy of Modern Music was a key work in the attempt to bring aesthetic theory to modern art. Using Adorno's text as a centerpiece for critical analysis, Roberts places 20th-century aesthetic debates within a framework ranging backwards in time to Hegel and forward to the present postmodern period. Roberts has done a superb job here, and this book should win a solid place in the philosophy of art. The reader should be warned, however, that it is not easy going: Roberts assumes a fairly deep knowledge on the part of those approaching his book. But for those properly prepared, the effort will be well rewarded. Recommended for specialists in the field and for graduate programs in the philosophy of art.
- Terry Skeats, Bishop's Univ., Lennoxville, Quebec
Copyright 1991 Reed Business Information, Inc.
"About this title" may belong to another edition of this title.
Book Description University of Nebraska Press, Lincoln, 1991. hardcover. Condition: New. Dust Jacket Condition: Good. Hardcover. Jacket is slightly worn with two small tears. Boards are bowed. Seller Inventory # 152742
Book Description University of Nebraska Press, 1991. Condition: New. book. Seller Inventory # M0803238975
Book Description Condition: New. New. Seller Inventory # STR-0803238975