This book offers an innovative examination of the interactions of science and technology, art, and literature in the nineteenth and twentieth centuries. Scholars in the history of art, literature, architecture, computer science, and media studies focus on five historical themes in the transition from energy to information: thermodynamics, electromagnetism, inscription, information theory, and virtuality. Different disciplines are grouped around specific moments in the history of science and technology in order...
“The essays in this remarkable collection are productively disruptive of disciplinary and historical boundaries, richly detailed, and elegantly argued. Written by some of the leading figures in the history of art, literary studies, and science studies (as well as a handful of emerging stars), these essays are virtuoso performances that will capture a wide audience in a number of disciplines and interdisciplinary fields.”—David Horn, Ohio State University
“Beyond...
Bruce Clarke is Professor of English and Director of the Center for the Interaction of the Arts and Sciences at Texas Tech University. He is the author, most recently, of Energy Forms: Allegory and Science in the Era of Classical Thermodynamics. Linda Dalrymple Henderson is David Bruton, Jr. Centennial Professor in Art History at the University of Texas at Austin. She is the author, most recently, of...
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Softcover. Gray wraps with color illustration on front, white and yellow lettering, xviii, 440 pages, illustrated in bw. "This book offers an innovative examination of the interactions of science and technology, art, and literature in the nineteenth and twentieth centuries. Scholars in the history of art, literature, architecture, computer science, and media studies focus on five historical themes in the transition from energy to information: thermodynamics, electromagnetism, inscription, information theory, and virtuality. Different disciplines are grouped around specific moments in the history of science and technology in order to sample the modes of representation invented or adapted by each field in response to newly developed scientific concepts and models. By placing literary fictions and the plastic arts in relation to the transition from the era of energy to the information age, this collection of essays discovers unexpected resonances among concepts and materials not previously brought into juxtaposition. In particular, it demonstrates the crucial centrality of the theme of energy in modernist discourse. Overall, the volume develops the scientific and technological side of the shift from modernism to postmodernism in terms of the conceptual crossover from energy to information." - rear cover. VG (light wear to block and wraps. Pages are clean and clear.). Seller Inventory # 179090
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