The Ends of Literature: The Latin American “Boom” in the Neoliberal Marketplace (Cultural Memory in the Present)

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9780804743464: The Ends of Literature: The Latin American “Boom” in the Neoliberal Marketplace (Cultural Memory in the Present)

The Ends of Literature analyzes the part played by literature within contemporary Latin American thought and politics, above all the politics of neoliberalism. The "why?" of contemporary Latin American literature is the book's overarching concern. Its wide range includes close readings of the prose of Cortázar, Carpentier, Paz, Valenzuela, Piglia, and Las Casas; of the relationship of the "Boom" movement and its aftermath; of testimonial narrative; and of contemporary Chilean and Chicano film. The work also investigates in detail various theoretical projects as they intersect with and emerge from Latin American scholarship: cultural studies, deconstruction, psychoanalysis, and postcolonial studies. Latin American literature, both as a vehicle of conservatism and as an agent of subversion, is bound from its inception to the rise of the state. Literature's nature, role, and status are therefore altered when the Latin American nation-state succumbs to the process of neoliberalism: as the "too-strong" state (dictatorship) yields to the "too-weak" state (the market), and as the various practices of civil society and public life are replaced by private or privatized endeavors. However, neither the "end of literature" nor the "end of the state" can be assumed. The end of literature in Latin America is in fact the call for more literature; it is the call of literature, in particular that of the Boom. The end of the state, likewise, is the demand upon this state. The book, then, analyzes the "ends" in question as at once their purpose, direction, future, and conclusion. Also key to the study is the notion of transition. Within much recent Latin American political discussion la transición refers to the passage from dictatorship to democracy, as well as to the failure of this shift, the failure of post-dictatorship. The author argues that the movement from literary to cultural studies, while issuing from intellectual and aesthetic circles, is an integral component of this same transition. The thematization of the bind between these two displacements―hence of Latin America's voyage into "post-transition"―forms a fundamental portion of the text.

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From the Back Cover:

“This book will be recognized as one of the major works in Latin American literary and cultural studies of the last 20 years—an instant classic. It is masterfully concise, highly articulate, well written, and powerful as a theoretical statement. . . . It signals the beginning of a new paradigm of contemporary Latin American cultural production.”—Alberto Moreiras, Duke University
“Provocative.”—CHOICE

About the Author:

Brett Levinson is Associate Professor of Comparative Literature at SUNY, Binghampton. He is the author of Secondary Moderns: Mimesis, History, and Revolution in Lezama Lima's "American Expression."

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Book Description Stanford University Press, United States, 2002. Paperback. Book Condition: New. Anniversary.. Language: English . Brand New Book. The Ends of Literature analyzes the part played by literature within contemporary Latin American thought and politics, above all the politics of neoliberalism. The why? of contemporary Latin American literature is the book s overarching concern. Its wide range includes close readings of the prose of Cortazar, Carpentier, Paz, Valenzuela, Piglia, and Las Casas; of the relationship of the Boom movement and its aftermath; of testimonial narrative; and of contemporary Chilean and Chicano film. The work also investigates in detail various theoretical projects as they intersect with and emerge from Latin American scholarship: cultural studies, deconstruction, psychoanalysis, and postcolonial studies. Latin American literature, both as a vehicle of conservatism and as an agent of subversion, is bound from its inception to the rise of the state. Literature s nature, role, and status are therefore altered when the Latin American nation-state succumbs to the process of neoliberalism: as the too-strong state (dictatorship) yields to the too-weak state (the market), and as the various practices of civil society and public life are replaced by private or privatized endeavors. However, neither the end of literature nor the end of the state can be assumed. The end of literature in Latin America is in fact the call for more literature; it is the call of literature, in particular that of the Boom. The end of the state, likewise, is the demand upon this state. The book, then, analyzes the ends in question as at once their purpose, direction, future, and conclusion. Also key to the study is the notion of transition. Within much recent Latin American political discussion la transicion refers to the passage from dictatorship to democracy, as well as to the failure of this shift, the failure of post-dictatorship. The author argues that the movement from literary to cultural studies, while issuing from intellectual and aesthetic circles, is an integral component of this same transition. The thematization of the bind between these two displacements-hence of Latin America s voyage into post-transition -forms a fundamental portion of the text. Bookseller Inventory # AAJ9780804743464

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Book Description Stanford University Press, United States, 2002. Paperback. Book Condition: New. Anniversary.. Language: English . Brand New Book. The Ends of Literature analyzes the part played by literature within contemporary Latin American thought and politics, above all the politics of neoliberalism. The why? of contemporary Latin American literature is the book s overarching concern. Its wide range includes close readings of the prose of Cortazar, Carpentier, Paz, Valenzuela, Piglia, and Las Casas; of the relationship of the Boom movement and its aftermath; of testimonial narrative; and of contemporary Chilean and Chicano film. The work also investigates in detail various theoretical projects as they intersect with and emerge from Latin American scholarship: cultural studies, deconstruction, psychoanalysis, and postcolonial studies. Latin American literature, both as a vehicle of conservatism and as an agent of subversion, is bound from its inception to the rise of the state. Literature s nature, role, and status are therefore altered when the Latin American nation-state succumbs to the process of neoliberalism: as the too-strong state (dictatorship) yields to the too-weak state (the market), and as the various practices of civil society and public life are replaced by private or privatized endeavors. However, neither the end of literature nor the end of the state can be assumed. The end of literature in Latin America is in fact the call for more literature; it is the call of literature, in particular that of the Boom. The end of the state, likewise, is the demand upon this state. The book, then, analyzes the ends in question as at once their purpose, direction, future, and conclusion. Also key to the study is the notion of transition. Within much recent Latin American political discussion la transicion refers to the passage from dictatorship to democracy, as well as to the failure of this shift, the failure of post-dictatorship. The author argues that the movement from literary to cultural studies, while issuing from intellectual and aesthetic circles, is an integral component of this same transition. The thematization of the bind between these two displacements-hence of Latin America s voyage into post-transition -forms a fundamental portion of the text. Bookseller Inventory # AAJ9780804743464

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Book Description Stanford University Press, United States, 2002. Paperback. Book Condition: New. Anniversary.. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. The Ends of Literature analyzes the part played by literature within contemporary Latin American thought and politics, above all the politics of neoliberalism. The why? of contemporary Latin American literature is the book s overarching concern. Its wide range includes close readings of the prose of Cortazar, Carpentier, Paz, Valenzuela, Piglia, and Las Casas; of the relationship of the Boom movement and its aftermath; of testimonial narrative; and of contemporary Chilean and Chicano film. The work also investigates in detail various theoretical projects as they intersect with and emerge from Latin American scholarship: cultural studies, deconstruction, psychoanalysis, and postcolonial studies. Latin American literature, both as a vehicle of conservatism and as an agent of subversion, is bound from its inception to the rise of the state. Literature s nature, role, and status are therefore altered when the Latin American nation-state succumbs to the process of neoliberalism: as the too-strong state (dictatorship) yields to the too-weak state (the market), and as the various practices of civil society and public life are replaced by private or privatized endeavors. However, neither the end of literature nor the end of the state can be assumed. The end of literature in Latin America is in fact the call for more literature; it is the call of literature, in particular that of the Boom. The end of the state, likewise, is the demand upon this state. The book, then, analyzes the ends in question as at once their purpose, direction, future, and conclusion. Also key to the study is the notion of transition. Within much recent Latin American political discussion la transicion refers to the passage from dictatorship to democracy, as well as to the failure of this shift, the failure of post-dictatorship. The author argues that the movement from literary to cultural studies, while issuing from intellectual and aesthetic circles, is an integral component of this same transition. The thematization of the bind between these two displacements-hence of Latin America s voyage into post-transition -forms a fundamental portion of the text. Bookseller Inventory # BTE9780804743464

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