A portrait of the critically acclaimed twentieth-century American author draws on Stead's personal letters and diaries, as well as on sources close to the writer, to create a provocative portrait of an intensely private woman.
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Hazel Rowley is currently in residence at the Harry Ransom Humanities Research Center of the University of Texas.
In this eloquent, richly detailed biography, Christina Stead (1902-1983) emerges as a writer whose bristling, difficult fiction was fueled by a troubled life and touchwood temperament ("Every human being is a sort of monster, if you get to know them."). After leaving her native Australia and a divisive relationship with her brilliant father at age 26-reflected in her semiautobiographical novel The Man Who Loved Children, which she called "a Strindberg Family Robinson"-Stead led a peripatetic and sometimes impoverished life in Europe and America. Australia was slow to recognize her talent, and financial and critical support for her work eluded her elsewhere as well until late in life. Rowley, an Australian professor, points out that Stead's susceptibility to depression was assuaged by the devotion of her lover, Marxist historian and novelist William Blech. His forbearance with a hugely talented, intemperate and imperious figure is paralleled by Rowley's incisive, sympathetic prose. Photos.
Copyright 1994 Reed Business Information, Inc.
An absorbing biography that will help Stead's fans place her fiction in the context of her life and may well attract new readers to her work. Christina Stead (190283), who was born and died in Australia (about which, writes Rowley, she was ``both nostalgic and patronising''), did her writing during her years in Europe and the US. Although she tapped real events and people for her fiction--and not just for her autobiographical novels, including the superb The Man Who Loved Children--she could be secretive in her private papers, identifying people by fictional names, writing in code, and ultimately destroying many documents. Despite this obstacle, Rowley (an Australian academic, currently a visiting scholar at Columbia University) offers a coherent and convincing portrait that reaches back into a youth in which Stead was overshadowed by her father, who first instilled in her a lifelong socialist orientation, insecurity about her appearance (he dubbed her ``Pig Face''), and a yearning to be adored by a man. When she arrived in London in 1928, Stead found just the man--William Blake (originally Blech), whom Rowley succinctly describes as a ``Marxist investments manager who seemed to know something about everything.'' Blake hired her to be his secretary, and Stead accompanied him to Paris, where their romance flourished--despite a wife who would not divorce Blake for 23 years. When the bank employing Blake collapsed, the pair fled to New York. Stead's writings earned only modest royalties even when favorably reviewed, and Blake could not find work, so they returned to Europe in a consistently difficult hunt for economic security that gave their lives a nomadic flavor. By 1949, Stead said to a friend, ``I have been a writer, quite unsuccessfully for twenty years,'' although a revival of interest in her work, which began in the mid-1960s, helped her return to Australia in 1969 as a famous author and ``Official Personage.'' A welcome study of an underrated author. (16 pages of photos, not seen) -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.
Even if you've never heard of Australian writer Stead (The Man Who Loved Children, 1940; The Salzburg Tales, 1934), reading Rowley's biography will sweep you into Stead's life and make you want to read her work. Born in 1902 in Australia, Stead lived most of her adult life in Europe and the United States. She lived in London and Paris in the 1920s and 1930s, emigrated to the United States during the war years, and returned to Europe during the McCarthy era. For over 40 years, Stead's life and travels were guided by her companion, Bill Blake, a Marxist, financier, and writer. After the brief good fortune of the prewar years, Stead and Blake spent years in poverty, until Stead's work was reprinted and reassessed in the 1960s. This book is, above all else, a writer's life. Rowley does not portray Stead as a pleasant or noble person, but she does let us see Stead's passion and dedication to her muse. The biography is thoroughly researched and lovingly detailed. Recommended for public library literature collections.
Denise Johnson, Bradley Univ. Lib., Peoria, Ill.
Copyright 1994 Reed Business Information, Inc.
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