Last Gang in Town: The Story and Myth of the Clash

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9780805046403: Last Gang in Town: The Story and Myth of the Clash
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Whether you grew up with the Clash or discovered them after they broke up, you probably think you have at least a rough idea of the Clash story. It is far more likely, however, that what you have is a rough idea of the Clash myth. Over the years, the myth has been revisited and reworked numerous times by the band and by the music press that helped fashion the legend in the first place. The real story has never been told. Last Gang in Town is the first full, critical biography of the definitive punk band.
Joe Strummer, Mick Jones, and Paul Simonon grew up deluged with popular music and its associated culture. In 1976, inspired by the emerging Sex Pistols and in alliance with original Pistols idea man Bernie Rhodes, the group set out not only to redefine the rock and roll experience and to reform the music business, but to change the world.

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Twenty years after its loud birth even punk rock cannot avoid the grasp of nostalgia. The black leather, silver studs and pierced skin no longer shockingly new, the aging Sex Pistols are on tour again. The ultimate rejectionist philosophy is the subject of revivals, celebratory reissues, and analytical documentaries and books. Only one other band rivaled the Pistols as kings of punk: The Clash. Marcus Gray's account of the band that was led by Mick Jones and Joe Strummer offers "the story and myth." Gray details the early lives of the band, describing the genesis and then the decline of this most political of punk bands. Gray is highly critical of the band's later career, arguing that they sold out the punk philosophy by giving in to the lure of money.

From Kirkus Reviews:

A hopelessly rambling and combative biography of the seminal punk band. British writer Gray (It Crawled from the South: An R.E.M. Companion, not reviewed) is out to debunk what he calls the Clash Myth: the notion that the Clash were working-class outsiders who despised '70s rock culture as well as England's social status quo, and that they were motivated by righteous political anger, not by the desire to make money. In reality, the teenage Mick Jones played in garage bands influenced by the New York Dolls, only briefly lived in a council high-rise, and wore ultralong hair and flared jeans. Even more damning, according to Gray, Joe Strummer (n‚ John Mellor) attended a posh public school and actually had some pre- Clash musical success fronting the 101ers, a mid-'70s London R&B outfit. The two singer-songwriter-guitarists formed the Clash in 1976. Gray speciously portrays the band's stirring agitprop as sociobiographically suspect: `` `Career Opportunities' . . . came nowhere near to reflecting the realistic employment prospects of the band as a whole.'' Gray never conveys the impact the music had on the public, relying on sniping reviews in the notoriously fickle and trend-gobbling British music press. The Clash were plagued by management and record company conflicts, the heroin addiction of drummer Topper Headon, and the two singers' increasingly divergent personalities and musical tastes, but they produced sophisticated, melodic, incendiary rock and roll. Gray faults them for issuing contradictory political statements over the years and even for earning some money, but given that all concerned were in their 20s and were, after all, a band rather than a political action committee, his myth-busting on these fronts seems misguided. Gray's smug, repetitive prose utterly fails to put the Clash in a coherent context the way Jon Savage's towering England's Dreaming did for the Sex Pistols. (16 pages b&w photos, not seen) -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.

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Other Popular Editions of the Same Title

9780805046410: Last Gang in Town: The Story and Myth of the Clash

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ISBN 10:  0805046410 ISBN 13:  9780805046410
Publisher: Henry Holt & Co, 1997
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9781857021462: Learning Theories in Childhood

Sage P..., 1995
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9781857027310: Last Gang in Town: the Story and Myth of The Clash

Fourth..., 1997
Softcover

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