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Genuinely gripping, ingeniously plotted, and always convincingly researched, Bradley's novel has plenty of propulsive intelligence to keep the reader hooked. Bradley's first book was a volume of award-winning poetry, and he brings a poet's aptitude for language and repeated images to Wrack. Sometimes, however, this preoccupation hamstrings an otherwise compelling adventure tale. Imagery of shards crops up incessantly, which is perhaps a bit literal-minded for a novel with an archaeologist protagonist. "A memory, or perhaps less than a memory, a shard, a fragment" is a typical (fragmented) sentence--not very helpful prose and not even very nice poetry. If a book is going to invoke Michael Ondaatje as heavily as this one does, it needs to deliver more compelling writing. Still, fans of The English Patient--and Dava Sobel's Longitude, for that matter--should find much to admire in Bradley's cleverly looped and configured tale of ships at sea and lovers in sand.
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