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Covers the filmmaking canon of Fellini from his neorealist beginnings to his last film in 1990, and addresses the auteur theory as it applies to him. Assesses his early films in terms of postwar Western individualism, analyzes the relation of his work to high modernism and postmodernism, and looks at how his films relate to contemporary critical and theoretical work on politics, gender, and sexual orientation. Includes b&w photos, a chronology, and a filmography. Paper edition (unseen), $16.95. Annotation c. by Book News, Inc., Portland, Or.
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"The Twayne Filmmakers Series provides students with rich opportunities for studying individual filmmakers, national cinema, and filmmaking technique. Books in the Filmmakers Series are written by major film scholars, historians, and critics who bring their special insights to a highly diverse collection of studies about the twentieth century's major art form: the motion picture."
-- Frank Beaver, Series Editor
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Book Description Twayne Publishers, 1996. Hardcover. Condition: New. Never used!. Seller Inventory # P110805738932
Book Description Twayne Publishers, 1996. Hardcover. Condition: New. Seller Inventory # DADAX0805738932