Poems deal with love, religion, art, movies, identity, mortality, music, grief, friendship, and money
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After Dinner At The White House: A Photograph
The Afterlife
Aguirre, The Wrath Of God
An Allegory Of Love
Aubade Solo
Breaking The Fast
Buttons
A Case Of Mistaken Identity
Chronicle
Confessed Witch
The Distance
Double Exposure: To A Man In A Chair, Reflected
Down Under
Drugs
Eclogue
Elegy
Elephant
An Etymology
Fear Of Travel
Flying To China
Folksong
From The Amtrak Roomette, Christmas Eve, As My Train Passes
Fuseli's The Blind Milton
The Goldberg Varitations
Heading For Trouble: A Scene From Ran
I Am Away From My House For The Week
I Love You
Impressionism
Just A Stage I'm Going Through
Justice
Last Rites
Life After Death
Life After Life
Light, May This Be The Last Time I Ever Look At You!
Lines Written A Few Inches From The Cathedral At Rouen
Lines Written Above The Mass Pike In Boston
The Loneliness Of Men Bathing
A Long Pause In A Contemporary Song
Love And Death
Metonymy
Money
Noise
Nostalgia
A Panic
The Perfect Gaze: An Admonition
The Poetry Of Empire
Precipitation
A Refining Passion
Scientific Explanations
Searchlights
Sexual Terrorist
Starry Night
Stripping: A Romance
The Structure Of Heavy Hydrogen
Sympathy
Theseus And Ariadne, Or, The First Telephone
U.s. Out Of El Salvador, Or, Amy & Bill 4-ever
Uses Of The Imperative
Voyeur
Warning: Nuclear Waste Dump
Whatever I Want
Why I Don't Publish In The New York (yet)
Your Fish Phobia
-- Table of Poems from Poem Finder®
Campbell's poems are suffused with light, and not just the incidence of light itself, or of incandescent language, but light in all its connotations: spiritual striving; perceptiveness; the desire to attain joy, to get free of the world--"the flesh is hardest to remove"; the radiance of angels. Though religious symbolism figures largely in these poems, Campbell's concerns are not strictly religious; instead, she aims to show that transcendence is implicated in everyday life: "My lover saw nothing but a woman doing woman's work for/ him./ When I lifted the stone . . ./ He could not see the burning foot of Raphael/ Light on it." The transcendence won't hold--faced with life after death, Campbell discovers, instead of the "feverish and splendid inactivity" she had expected, angels eating cornflakes--but readers who try these poems may touch it briefly. An exceptional beginning for the 1988 winner of the Barnard New Poets Prize.
- Barbara Hoffert, "Library Journal"
Copyright 1989 Reed Business Information, Inc.
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