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From the author of the best-selling novel The Street comes a stunning collection of stories that captures a remarkably diverse panorama of African-American experience in the 1950s and 1960s--stories of "a small town pharmacist's family, a New York nightclub drummer, a high school English teacher, a factory worker, a junk dealer, [and] a charmingly perceptive 12-year-old" (Christian Science Monitor). Set mainly along the East Coast, these realistic tales are, as one reviewer said, "a rare pleasure" (Belles Lettres) to read, as powerful today as they were when they were first published in 1971.
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Ann Petry (1908-1997), a black novelist, short story writer, and writer of books for young people, is one of America's most distinguished authors. Ann began by studying pharmacology, and in 1934, received her Doctor of Pharmacy degree from the University of Connecticut College of Pharmacy. She worked as a registered pharmacist in Old Saybrook and in Lyme, and during these years wrote several short stories. When she married George David Petry in 1938, the course of her life changed. They lived in New York City, and Ann went to work for the Harlem Amsterdam News. By 1941, she was covering general news stories and editing the women's pages of the People's Voice in Harlem. Her first published story appeared in 1943 in the Crisis, a magazine published monthly by the NAACP. Subsequent to that, she began work on her first novel, The Street, which was published in 1946 and for which she received the Houghton Mifflin Literary Fellowship. Mrs. Petry has written two more novels, The Country Place and The Narrows, and numerous short stories, articles and children's books. In addition, she was appointed visiting professor of English at the University of Hawaii (1944 - 45) and has lectured widely throughout the United States. Ann returned with her husband to Old Saybrook in 1947 and lived there until here death. They have one daughter.Review:
"Miss Muriel and Other Stories adds more tenor to questions that surely have haunted fans of [Petry's] novels . . . Black women’s voices matter, yet they are often silenced, ignored, or relegated to the margins of popular discourse . . . Some eight decades after Ann Petry penned the first words that would make their way into Miss Muriel, let us give her the audience she deserves." —Jamilah Lemieux, from the foreword
"But Petry's stories, like her novels, refuse to settle for easy truths. In Miss Muriel, individuals, their relationships with others, and their communities are clearly formed by human bias, not just harmed by it." —Hilary Holladay, author of Tipton
“Ann Petry is an important, if underappreciated, American writer. The first to provide emotionally complex portraits of urban working-class African Americans, particularly women, Petry wrote fiction that is original, compelling, and timeless. Her political and aesthetic sensibilities continue to inform and influence new generations of writers, critics, and literary theorists.”--Farah Jasmine Griffin, Columbia University
"Miss Muriel and Other Stories is timeless. Petry's sense of place, subtly drawn characters, and exploration of complex ethical questions, especially when race and gender collide, make these classic examples of the American short story."—Barbara Smith, author of The Truth That Never Hurts: Writings on Race, Gender, and Freedom
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Book Description Beacon Press, 1989. Paperback. Condition: New. Seller Inventory # DADAX0807083119
Book Description Beacon Press, 1989. Condition: New. book. Seller Inventory # M0807083119