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Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story (Southern Literary Studies) - Softcover

 
9780807140031: Art Matters: Hemingway, Craft, and the Creation of the Modern Short Story (Southern Literary Studies)
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In Art Matters, Robert Paul Lamb provides the definitive study of Ernest Hemingway's short story aesthetics. Lamb locates Hemingway's art in literary historical contexts and explains what he learned from earlier artists, including Edgar Allan Poe, Paul Cezanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. Examining how Hemingway developed this inheritance, Lamb insightfully charts the evolution of the unique style and innovative techniques that would forever change the nature of short fiction. Art Matters opens with an analysis of the authorial effacement Hemingway learned from Maupassant and Chekhov, followed by fresh perspectives on the author's famous use of concision and omission. Redefining literary impressionism and expressionism as alternative modes for depicting modern consciousness, Lamb demonstrates how Hemingway and Willa Cather learned these techniques from Crane and made them the foundation of their respective aesthetics. After examining the development of Hemingway's art of focalization, he clarifies what Hemingway really learned from Stein and delineates their different uses of repetition. Turning from techniques to formal elements, Art Matters anatomizes Hemingway's story openings and endings, analyzes how he created an entirely unprecedented role for fictional dialogue, explores his methods of characterization, and categorizes his settings in the fifty-three stories that comprise his most important work in the genre.
A major contribution to Hemingway scholarship and to the study of modernist fiction, Art Matters shows exactly how Hemingway's craft functions and argues persuasively for the importance of studies of articulated technique to any meaningful understanding of fiction and literary history. The book also develops vital new ways of understanding the short story genre as Lamb constructs a critical apparatus for analyzing the short story, introduces to a larger audience ideas taken from practicing storywriters, theorists, and critics, and coins new terms and concepts that enrich our understanding of the field.

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Art Matters is the definitive study of Hemingway's short story aesthetics, locating Hemingway's art in literary historical contexts and explaining what he learned from earlier artists such as Edgar Allan Poe, Paul Cézanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. By examining how Hemingway developed this inheritance, the author charts the evolution of the unique style and innovative techniques that would forever change the nature of short fiction. Art Matters is a major contribution to Hemingway scholarship and offers new and vital ways for analyzing and understanding the short story genre

About the Author:
Robert Paul Lamb received his doctorate in History of American Civilization from Harvard University and is professor of English and American Studies at Purdue University, West Lafayette. He is the coeditor of A Companion to American Fiction, 1865-1914 (2005; reissued in paperback 2009), and the author of a monograph and dozens of articles on American literature, history, and culture. His new book, The Hemingway Short Story: A Study in Craft for Writers and Readers, will appear from LSU Press in fall 2012. The recipient of over forty teaching awards from Purdue and Harvard University, he was named the 2008 Indiana Professor of the Year by the Carnegie Foundation for the Advancement of Teaching.

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  • PublisherLSU Press
  • Publication date2011
  • ISBN 10 0807140031
  • ISBN 13 9780807140031
  • BindingPaperback
  • Number of pages296
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Book Description Paperback. Condition: new. Paperback. In Art Matters, Robert Paul Lamb provides the definitive study of Ernest Hemingway's short story aesthetics. Lamb locates Hemingway's art in literary historical contexts and explains what he learned from earlier artists, including Edgar Allan Poe, Paul CA(c)zanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. Examining how Hemingway developed this inheritance, Lamb insightfully charts the evolution of the unique style and innovative techniques that would forever change the nature of short fiction.Art Matters opens with an analysis of the authorial effacement Hemingway learned from Maupassant and Chekhov, followed by fresh perspectives on the author's famous use of concision and omission. Redefining literary impressionism and expressionism as alternative modes for depicting modern consciousness, Lamb demonstrates how Hemingway and Willa Cather learned these techniques from Crane and made them the foundation of their respective aesthetics. After examining the development of Hemingway's art of focalization, he clarifies what Hemingway really learned from Stein and delineates their different uses of repetition. Turning from techniques to formal elements, Art Matters anatomizes Hemingway's story openings and endings, analyzes how he created an entirely unprecedented role for fictional dialogue, explores his methods of characterization, and categorizes his settings in the fifty-three stories that comprise his most important work in the genre.A major contribution to Hemingway scholarship and to the study of modernist fiction, Art Matters shows exactly how Hemingway's craft functions and argues persuasively for the importance of studies of articulated technique to any meaningful understanding of fiction and literary history. The book also develops vital new ways of understanding the short story genre as Lamb constructs a critical apparatus for analyzing the short story, introduces to a larger audience ideas taken from practicing storywriters, theorists, and critics, and coins new terms and concepts that enrich our understanding of the field. Provides the definitive study of Ernest Hemingway's short story aesthetics. Robert Paul Lamb locates Hemingway's art in literary historical contexts and explains what he learned from earlier artists, including Edgar Allan Poe, Paul Cezanne, Henry James, Guy de Maupassant, Anton Chekhov, Stephen Crane, Gertrude Stein, James Joyce, and Ezra Pound. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780807140031

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