Reclaiming Assia Wevill: Sylvia Plath, Ted Hughes, and the Literary Imagination reconsiders cultural representations of Assia Wevill (1927–1969), according her a more significant position than a femme fatale or scapegoat for marital discord and suicide in the lives and works of two major twentieth-century poets.
Julie Goodspeed-Chadwick’s innovative study combines feminist recovery work with discussions of the power and gendered dynamics that shape literary history. She focuses on how Wevill figures into poems by Sylvia Plath and Ted Hughes, showing that they often portrayed her in harsh, conflicted, even demeaning terms. Their representations of Wevill established condemnatory narratives that were perpetuated by subsequent critics and biographers and in works of popular culture. In Plath’s literary treatments, Goodspeed-Chadwick locates depictions of both desirable and undesirable femininity, conveyed in images of female bodies as beautiful but barren or as vehicles for dangerous, destructive acts. By contrast, Hughes’s portrayals illustrate the role Wevill occupied in his life as muse and abject object. His late work Capriccio constitutes a sustained meditation on trauma, in which Hughes confronts Wevill’s suicide and her killing of their daughter, Shura.
Goodspeed-Chadwick also analyzes Wevill’s self-representations by examining artifacts that she authored or on which she collaborated. Finally, she discusses portrayals of Wevill in recent works of literature, film, and television. In the end, Goodspeed-Chadwick shows that Wevill remains an object of both fascination and anger, as she was for Plath, and a figure of attraction and repulsion, as she was for Hughes.
Reclaiming Assia Wevill reconsiders its subject’s tragic life and lasting impact in regard to perceived gender roles and notions of femininity, power dynamics in heterosexual relationships, and the ways in which psychological traumas impact life, art, and literary imagination.
"synopsis" may belong to another edition of this title.
Julie Goodspeed-Chadwick is Chancellor’s Professor of English, affiliate faculty member in women’s, gender, and sexuality studies, and director of the Office of Student Research at Indiana University Columbus. She is the author of Reclaiming Assia Wevill: Sylvia Plath, Ted Hughes, and the Literary Imagination and coeditor, with Peter K. Steinberg, of The Collected Writings of Assia Wevill.
"In Reclaiming Assia Wevill, Professor Julie Goodspeed-Chadwick has given us an important book of a divisive figure; a work she calls 'a feminist recuperation of [Wevill's] reputation, artistic work, and influence.' More than a decade after the first biography of Assia Wevill was published, this first critical approach reassesses the person, the writer, and the artist. In doing so, Goodspeed-Chadwick conclusively positions the historical figure of Wevill as a significant contributor to and an original voice in mid-twentieth century literature."--Peter K. Steinberg, co-editor of the Letters of Sylvia Plath, Vol. 1: 1940-1956 and Vol. 2: 1956-1963
"Julie Goodspeed-Chadwick has written the first scholarly study of Assia Wevill, Ted Hughes's mistress and Sylvia Plath's rival. Assia, who committed suicide in 1969, played an important role in the lives and writing of Plath and Hughes and was herself a gifted translator. But until now she has not been given her critical due. Drawing upon new sources, Goodspeed-Chadwick rejects the mythic version of Assia as a femme fatale, or, as Hughes once called her, a 'Lillith of abortions.' She asks why so many readers and critics have accepted and perpetuated Plath and Hughes's disturbing representations of Assia, and what the Assia myth might teach us about our own biases regarding women artists and 'muses.' Throughout this original study, Goodspeed-Chadwick restores Assia's dignity and personhood while offering new approaches to Plath and Hughes's work. This is an important and necessary recovery of a woman artist caught in the crossfire of one of history's most turbulent literary marriages. --Heather Clark, professor of Contemporary Poetry, University of Huddersfield, and author of The Grief of Influence: Sylvia Plath and Ted Hughes
"At first, there was silence: she was written out of history. Then, she was vilified as Lilith and she-devil. Later she was labeled as a victim. When we published her biography in 2006, we wished to restore Assia Wevill's voice. Now the time has come to focus and acknowledge her many talents and literary influence.
Dr. Julie Goodspeed-Chadwick does a very fine job of placing Assia Wevill in the context of feminist thought and women's history. She cleverly analyses Assia's literary and artistic work and her unfortunate fate as the tragic muse of her contemporaries as well as of 21st century writers and readers. This book is long overdue."--Yehuda Koren and Eilat Negev, authors of Lover of Unreason: Assia Wevill, Sylvia Plath's Rival and Ted Hughes's Doomed Love
"In Reclaiming Assia Wevill, Professor Julie Goodspeed-Chadwick has given us an important book of a divisive figure; a work she calls 'a feminist recuperation of [Wevill's] reputation, artistic work, and influence.' More than a decade after the first biography of Assia Wevill was published, this first critical approach reassesses the person, the writer, and the artist. In doing so, Goodspeed-Chadwick conclusively positions the historical figure of Wevill as a significant contributor to and an original voice in mid-twentieth century literature." Peter K. Steinberg, co-editor of the Letters of Sylvia Plath, Vol. 1: 1940-1956 and Vol. 2: 1956-1963
"Julie Goodspeed-Chadwick has written the first scholarly study of Assia Wevill, Ted Hughes s mistress and Sylvia Plath s rival. Assia, who committed suicide in 1969, played an important role in the lives and writing of Plath and Hughes and was herself a gifted translator. But until now she has not been given her critical due. Drawing upon new sources, Goodspeed-Chadwick rejects the mythic version of Assia as a femme fatale, or, as Hughes once called her, a 'Lillith of abortions.' She asks why so many readers and critics have accepted and perpetuated Plath and Hughes s disturbing representations of Assia, and what the Assia myth might teach us about our own biases regarding women artists and 'muses.' Throughout this original study, Goodspeed-Chadwick restores Assia s dignity and personhood while offering new approaches to Plath and Hughes s work. This is an important and necessary recovery of a woman artist caught in the crossfire of one of history s most turbulent literary marriages. Heather Clark, professor of Contemporary Poetry, University of Huddersfield, and author of The Grief of Influence: Sylvia Plath and Ted Hughes
"At first, there was silence: she was written out of history. Then, she was vilified as Lilith and she-devil. Later she was labeled as a victim. When we published her biography in 2006, we wished to restore Assia Wevill's voice. Now the time has come to focus and acknowledge her many talents and literary influence.
Dr. Julie Goodspeed-Chadwick does a very fine job of placing Assia Wevill in the context of feminist thought and women's history. She cleverly analyses Assia's literary and artistic work and her unfortunate fate as the tragic muse of her contemporaries as well as of 21st century writers and readers. This book is long overdue." Yehuda Koren and Eilat Negev, authors of Lover of Unreason: Assia Wevill, Sylvia Plath s Rival and Ted Hughes s Doomed Love
"About this title" may belong to another edition of this title.
Seller: INDOO, Avenel, NJ, U.S.A.
Condition: New. Brand New. Seller Inventory # 9780807170564
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: New. Seller Inventory # 35736044-n
Seller: California Books, Miami, FL, U.S.A.
Condition: New. Seller Inventory # I-9780807170564
Seller: GreatBookPrices, Columbia, MD, U.S.A.
Condition: As New. Unread book in perfect condition. Seller Inventory # 35736044
Seller: Grand Eagle Retail, Bensenville, IL, U.S.A.
Hardcover. Condition: new. Hardcover. Reclaiming Assia Wevill: Sylvia Plath, Ted Hughes, and the Literary Imagination reconsiders cultural representations of Assia Wevill (1927- 1969), according her a more significant position than a femme fatale or scapegoat for marital discord and suicide in the lives and works of two major twentieth-century poets. Julie Goodspeed-Chadwick's innovative study combines feminist recovery work with discussions of the power and gendered dynamics that shape literary history. She focuses on how Wevill figures into poems by Sylvia Plath and Ted Hughes, showing that they often portrayed her in harsh, conflicted, even demeaning terms. Their representations of Wevill established condemnatory narratives that were perpetuated by subsequent critics and biographers and in works of popular culture. In Plath's literary treatments, Goodspeed-Chadwick locates depictions of both desirable and undesirable femininity, conveyed in images of female bodies as beautiful but barren or as vehicles for dangerous, destructive acts. By contrast, Hughes's portrayals illustrate the role Wevill occupied in his life as muse and abject object. His late work Capriccio constitutes a sustained meditation on trauma, in which Hughes confronts Wevill's suicide and her killing of their daughter, Shura. Goodspeed-Chadwick also analyzes Wevill's self-representations by examining artifacts that she authored or on which she collaborated. Finally, she discusses portrayals of Wevill in recent works of literature, film, and television. In the end, Goodspeed-Chadwick shows that Wevill remains an object of both fascination and anger, as she was for Plath, and a figure of attraction and repulsion, as she was for Hughes. Reclaiming Assia Wevill reconsiders its subject's tragic life and lasting impact in regard to perceived gender roles and notions of femininity, power dynamics in heterosexual relationships, and the ways in which psychological traumas impact life, art, and literary imagination. Reconsiders cultural representations of Assia Wevill (1927-1969). Julie Goodspeed-Chadwick's innovative study combines feminist recovery work with discussions of the power and gendered dynamics that shape literary history. She focuses on how Wevill figures into poems by Sylvia Plath and Ted Hughes. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780807170564
Seller: THE SAINT BOOKSTORE, Southport, United Kingdom
Hardback. Condition: New. New copy - Usually dispatched within 4 working days. Seller Inventory # B9780807170564
Quantity: 1 available
Seller: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Ireland
Condition: New. Seller Inventory # V9780807170564
Quantity: 1 available
Seller: Revaluation Books, Exeter, United Kingdom
Hardcover. Condition: Brand New. 224 pages. 9.00x6.00x0.75 inches. In Stock. Seller Inventory # __0807170569
Quantity: 1 available
Seller: PBShop.store UK, Fairford, GLOS, United Kingdom
HRD. Condition: New. New Book. Shipped from UK. Established seller since 2000. Seller Inventory # FW-9780807170564
Quantity: 1 available
Seller: Ria Christie Collections, Uxbridge, United Kingdom
Condition: New. In English. Seller Inventory # ria9780807170564_new
Quantity: 1 available