The combination of the woodcuta print method devised early in the fifteenth centurywith Johannes Gutenberg's revolutionary invention of printing with moveable type resulted in a powerful explosion of information and ideas. For the first time, it was possible to use a mechanized system to print identical copies of books containing both text and images. Featured in A Heavenly Craft are the earliest surviving examples of these books from throughout Western Europe, all printed within the first century after Gutenberg's invention. The contributors bring these rare books to life, exploring the evolution of the technique, composition, and coloration of the woodcut beginning with the earliest publications. Many of the woodcut designs grew out of the tradition of manuscript illumination, in which book illustrations were painstakingly executed by hand. The authors also present the distinguishing features of national style and taste, treating the reader to examples from Germany, Italy, France, Spain, and the Netherlands. In addition, A Heavenly Craft describes the provenance of these volumes, providing an account of how Lessing J. Rosenwald purchased them from the heir to the Lea and Perrins fortune and later donated them to the Library of Congress. These early printed volumes are the predecessors of today's illustrated books. A Heavenly Craft celebrates these origins, making these early publications available to bibliophiles and print lovers. 100 color illustrations.
"synopsis" may belong to another edition of this title.
Daniel De Simone is the curator of the Lessing J. Rosenwald Collection at the Library of Congress. He was formerly the owner of an antiquarian book company and spent twenty-five years in the rare book trade. De Simone lives in Washington, D.C.
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Seller: Columbia Books, ABAA/ILAB, MWABA, Columbia, MO, U.S.A.
Oversized paperback. Condition: As new. George Braziller, 2004. 221pp., color, black and white illustrations throughout. tall 4to. As new oversize paperback with flaps. Seller Inventory # 107159
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. Folio. 222 pp. Stiff, printed wraps with red French folds. Very good with marginal creasing along back wrapper corners. Includes mostly color reproductions of gravures. Reproduction of black and white woodcut gravure as frontis. In association with the Library of Congress. Ex-libris, with label on interior of front wrap. Published for an exhibit at the Grolier Club in New York, NY in December of 2004, the Library of Congress in Washington D.C. in April of 2005, and at the Southern Methodist University in Dallas, TX in September of 2005. Heavy volume, extra shipping may apply. Seller Inventory # 18-2531
Seller: BOOKHOME SYDNEY, Annandale Sydney, NSW, Australia
Hardback large quarto, dustjacket, very good condition (in very good dustjacket), black & white & colour illustrations, illustrated endpapers, minor edgewear jacket (tiny tear bottom edge), minor edgewear corners few pages, top corner rear cover bumped. Heavy (1.6 Kg), and extra postage may be requested to destinations outside Australia. 222 pp. This book explores both books and art. Paul Needham chronicles the history of the C. W. Dyson Perrins book auction, noting highlights in the collection. Lilian Armstrong, an art historian, looks at woodcut designs printed in early Italian books. Daniela Laube looks at the 15th and early 16th-century work of printers and woodcut designers in Germany. Daniel De Simone begins to build on 19th and 20th century scholarship in early woodcut illustration. This book has been published for an exhibition in New York, Washington and Dallas in 2004 - 2005. Seller Inventory # 25781
Quantity: 1 available
Seller: Leopolis, Kraków, Poland
Hardcover. Condition: New. Dust Jacket Condition: Fine. 1st Edition. 4to (30 cm), 192 pp. Cloth and dust jacket. The catalogue of a Library of Congress exhibition that presented for the first time all the woodcut-illustrated books purchased by Lessing J. Rosenwald at the Dyson Perrins sale, now part of the legendary Rosenwald Collection at the Library of Congress. The volume explores the evolution of the technique, composition and coloration of the woodcut beginning with the earliest publications. It features examples from Germany, Italy, France, Spain and The Netherlands. Seller Inventory # 005027
Quantity: 1 available
Seller: Au bon livre, La Barre en Ouche, France
Feb 15, 2005. Condition: D'occasion - Très bon état. Braziller / Library of Congress, 2005. Harcover / Reliure toilée / Jacket ? Jaquette. Envoi rapide et soigné. Seller Inventory # 2C1A113
Quantity: 1 available
Seller: BennettBooksLtd, Los Angeles, CA, U.S.A.
hardcover. Condition: New. In shrink wrap. Looks like an interesting title! Seller Inventory # Q-0807615366
Seller: SHIMEDIA, Brooklyn, NY, U.S.A.
Condition: New. Satisfaction Guaranteed or your money back. Seller Inventory # 0807615366
Seller: Wittenborn Art Books, San Francisco, CA, U.S.A.
Condition: Good. 8vo. Hard cover. 222 pp. Very good. Color plates. **Additional shipping costs may apply**. Seller Inventory # 75-3486