Smit addresses the abstraction and complexity of Henry James’ late style through three basic critical approaches: style as identification, as expression, and as imitation.
Those critics who focus on James’ style as identification are concerned with the unique or distinctive elements of his prose. Smit argues that the basis for choosing these features is subjective. The features studied are not evenly distributed in James’ work, and at the level of most literary analysis the perception of the style varies from one reading to the next.
Style as expression stresses the aesthetic quality or personality of the writer. Smit compares five kinds of writing James produced during the winter of 1899 1900 and shows that the variety of his writing cannot be correlated with any specific expression of personality.
Smit surveys the Jamesian devices for representing mental activity and concludes that they are independent of his style. The most convincing explanation for James’ style is psychological. As a shy man, James developed a way of talking that kept people at a distance, and this carried over into his writing.
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David W. Smit is Assistant Professor of English at Kansas State University.
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Book Description Southern Illinois Univ Press, 1988. Hardcover. Book Condition: New. No Jacket. 1st Edition... New (1988)/Unused/Unmarked/Unread from the Publisher. No Dust Jackets Issued/Beige-Tone Boards. Not a Remainder, Return, or Previously Owned, just an older printing. U.S. Domestic Tracking/Confirmation Included. Will Ship APO/FPO, PO Boxes, all US 50 States/Territories, and Priority. All orders are packed carefully/securely, with packing materials for quality control, so your order is received as described or better, and shipped directly from our facility to provide fast/personal service. We do our best to ship before expected shipping date and provide honest descriptions. Please contact us anytime for assistance. Thank you for your business! [Product Description: The Author addresses the abstraction and complexity of Henry Jamesí late style through three basic critical approaches: style as identification, as expression, and as imitation. Smit argues that the basis for choosing these features is subjective that the features studied are not evenly distributed in Jamesí work, and at the level of most literary analysis the perception of the style varies from one reading to the next.] Language: eng Language: eng Language: eng. Bookseller Inventory # ABE-586619018
Book Description Southern Illinois University P, 1988. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110809313995