After the Death of Literature

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9780809321360: After the Death of Literature
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Calling Samuel Johnson the greatest literary critic since Aristotle, Richard B. Schwartz assumes the perspective of that quintessential eighteenth-century man of letters to examine the critical and theoretical literary developments that gained momentum in the 1970s and stimulated the culture wars of the 1980s and 1990s.

Schwartz speculates that Johnson—who revered hard facts, a wide cultural base, and common sense—would have exhibited scant patience with the heavily academic approaches currently favored in the study of literature. He considers it probable that the combatants in the early struggles of the culture wars are losing energy and that, in the wake of Alvin Kernan’s declaration of the death of literature, new battlegrounds are developing. Ironically admiring the orchestration and staging of battles old and new—"superb" he calls them—he characterizes the entire cultural war as a "battle between straw men, carefully constructed by the combatants to sustain a pattern of polarization that could be exploited to provide continuing professional advancement."

In seven diverse essays, Schwartz calls for both the broad cultural vision and the sanity of a Samuel Johnson from those who make pronouncements about literature. Running through and unifying these essays is the conviction that the cultural elite is clearly detached from life: "Academics, fleeing in horror from anything smacking of the bourgeois, offer us something far worse: bland sameness presented in elitist terms in the name of the poor." Another theme is that the either/or absolutism of many of the combatants is "absurd on its face [and] belies the complexities of art, culture, and humanity."

Like Johnson, Schwartz would terminate the divorce between literature and life, make allies of literature and criticism, and remove poetry from the province of the university and return it to the domain of readers. Texts would carry meaning, embody values, and have a serious impact on life.

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About the Author:

Richard B. Schwartz is a professor of English and dean of the Graduate School of Arts and Sciences at Georgetown University. He is the author of Samuel Johnson and the New Science, Samuel Johnson and the Problem of Evil, Boswells Johnson: A Preface to the "Life," Daily Life in Johnson’s London, and a novel, Frozen Stare.

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RICHARD B. SCHWARTZ
Published by Southern Illinois University November 1997 (1997)
ISBN 10: 080932136X ISBN 13: 9780809321360
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Book Description Southern Illinois University November 1997, 1997. Hardcover. Condition: New. What makes this book on the academic battlegrounds (multiculturalism, deconstruction, etc.) of the culture wars unique is the special attention the author gives to Samuel Johnson. Schwartz sees Johnson -- who enjoyed and appreciated classic and popular literature -- as a real model for readers, teachers and critics. Schwarz wields the already legendary stature of Samuel Johnson as lexicographer, editor, conversationalist, journalist, novelist, poet, cataloger of books, and critic, as a foil to expose the modern intellectual pathologies of specialization, abstraction and ideology. Seller Inventory # 20070607105453

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Book Description Southern Illinois University Press, United States, 1997. Hardback. Condition: New. New. Language: English . Brand New Book. Calling Samuel Johnson the greatest literary critic since Aristotle, Richard B. Schwartz assumes the perspective of that quintessential eighteenth-century man of letters to examine the critical and theoretical literary developments that gained momentum in the 1970s and stimulated the culture wars of the 1980s and 1990s. Schwartz speculates that Johnson - who revered hard facts, a wide cultural base, and common sense - would have exhibited scant patience with the heavily academic approaches currently favored in the study of literature. He considers it probable that the combatants in the early struggles of the culture wars are losing energy and that, in the wake of Alvin Kernan s declaration of the death of literature, new battlegrounds are developing. Ironically admiring the orchestration and staging of battles old and new - superb he calls them - he characterizes the entire culture war as a battle between straw men, carefully constructed by the combatants to sustain a pattern of polarization that could be exploited to provide continuing professional advancement. In seven diverse essays, Schwartz calls for both the broad cultural vision and the sanity of a Samuel Johnson from those who make pronouncements about literature. Running through and unifying these essays is the conviction that the cultural elite is clearly detached from life. Like Johnson, Schwartz would terminate the divorce between literature and life, make allies of literature and criticism, and remove poetry from the province of the university and return it to the domain of readers. Texts would carry meaning, embody values, and have a serious impact on life. Seller Inventory # AAN9780809321360

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Professor Richard B Schwartz MD Facep
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Book Description Southern Illinois University Press, United States, 1997. Hardback. Condition: New. New. Language: English . Brand New Book. Calling Samuel Johnson the greatest literary critic since Aristotle, Richard B. Schwartz assumes the perspective of that quintessential eighteenth-century man of letters to examine the critical and theoretical literary developments that gained momentum in the 1970s and stimulated the culture wars of the 1980s and 1990s. Schwartz speculates that Johnson - who revered hard facts, a wide cultural base, and common sense - would have exhibited scant patience with the heavily academic approaches currently favored in the study of literature. He considers it probable that the combatants in the early struggles of the culture wars are losing energy and that, in the wake of Alvin Kernan s declaration of the death of literature, new battlegrounds are developing. Ironically admiring the orchestration and staging of battles old and new - superb he calls them - he characterizes the entire culture war as a battle between straw men, carefully constructed by the combatants to sustain a pattern of polarization that could be exploited to provide continuing professional advancement. In seven diverse essays, Schwartz calls for both the broad cultural vision and the sanity of a Samuel Johnson from those who make pronouncements about literature. Running through and unifying these essays is the conviction that the cultural elite is clearly detached from life. Like Johnson, Schwartz would terminate the divorce between literature and life, make allies of literature and criticism, and remove poetry from the province of the university and return it to the domain of readers. Texts would carry meaning, embody values, and have a serious impact on life. Seller Inventory # AAN9780809321360

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Professor Richard B Schwartz MD Facep
Published by Southern Illinois University Press, United States (1997)
ISBN 10: 080932136X ISBN 13: 9780809321360
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Book Description Southern Illinois University Press, United States, 1997. Hardback. Condition: New. New. Language: English . This book usually ship within 10-15 business days and we will endeavor to dispatch orders quicker than this where possible. Brand New Book. Calling Samuel Johnson the greatest literary critic since Aristotle, Richard B. Schwartz assumes the perspective of that quintessential eighteenth-century man of letters to examine the critical and theoretical literary developments that gained momentum in the 1970s and stimulated the culture wars of the 1980s and 1990s. Schwartz speculates that Johnson - who revered hard facts, a wide cultural base, and common sense - would have exhibited scant patience with the heavily academic approaches currently favored in the study of literature. He considers it probable that the combatants in the early struggles of the culture wars are losing energy and that, in the wake of Alvin Kernan s declaration of the death of literature, new battlegrounds are developing. Ironically admiring the orchestration and staging of battles old and new - superb he calls them - he characterizes the entire culture war as a battle between straw men, carefully constructed by the combatants to sustain a pattern of polarization that could be exploited to provide continuing professional advancement. In seven diverse essays, Schwartz calls for both the broad cultural vision and the sanity of a Samuel Johnson from those who make pronouncements about literature. Running through and unifying these essays is the conviction that the cultural elite is clearly detached from life. Like Johnson, Schwartz would terminate the divorce between literature and life, make allies of literature and criticism, and remove poetry from the province of the university and return it to the domain of readers. Texts would carry meaning, embody values, and have a serious impact on life. Seller Inventory # BTE9780809321360

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