Considered by many to be the greatest baseball novel ever written, this classic morality tale features one of the most memorable characters in all of literature, Roy Hobbs -- a talented athlete whose promising career is derailed by a youthful indiscretion. When Roy makes a comeback as an aging player, his struggle to achieve greatness in the midst of recreant temptations becomes the subject of an epic story about our national need for heroes and our simultaneous desire to see them fail.
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Roy Hobbs, the protagonist of The Natural, makes the mistake of pronouncing aloud his dream: to be the best there ever was. Such hubris, of course, invites divine intervention, but the brilliance of Bernard Malamud's novel is the second chance it offers its hero, elevating him--and his story--into the realm of myth.
Bernard Malamud, one of America's most important novelists and short-story writers, was born in Brooklyn in 1914. He took his B.A. degree at the City College of New York and his M.A. at Colombia University. From 1940 to 1949 he taught in various New York schools, and then joined the staff of Oregon State University, where he stayed until 1961. Thereafter, he taught at Bennington State College, Vermont. His remarkable, and uncharacteristic first novel, The Natural, appeared in 1952. Malamud received international acclaim with the publication of The Assistant (1957, winner of the Rosenthal Award and the Daroff Memorial Award). His other works include The Magic Barrel (1958, winner of the National Book Award), Idiots First (1963, short stories), The Fixer (1966, winner of a second National Book Award and a Pulitzer Prize), Pictures of Fidelman (1969), The Tenants (1971), Rembrandt's Hat (1973, short stories), Dubin's Lives (1979) and God's Grace (1982). Bernard Malamud was made a member of the National Institute of Arts and Letters, USA, in 1964, a member of the American Academy of Arts and Sciences in 1967, and won a major Italian award, the Premio Mondello, in 1985. Benard Malamud died in 1986.
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