In 1977, Scarecrow Press published Richard Miller's study, English, French, German and Italian Techniques of Singing: A Study in National Tonal Preferences and How They Relate to Functional Efficiency. He compared the historic and then current techniques practiced in the four major Western European schools of vocalism and evaluated technical maneuvers found within each.Recent years have placed greater demands on the vocal talents of professional singers with the growth of performance spaces, the emergence of the stage director, louder orchestral sound, and even the infusion of pop culture sounds into traditional music. As 'world culture' continues to expand, and vocal talent becomes more homogenous, the need for continued recognition of lingering national and regional vocal training techniques becomes more important for the singer's quest to develop a certain style. This update of Miller's original study incorporates these new concerns with a continued investigation into which techniques within the national schools are common to them all and which idiosyncratic regional tendencies remain.
"synopsis" may belong to another edition of this title.
Known internationally for master classes and institutes in systemic vocal techniques and artistic interpretation, Richard Miller is Professor of Singing and Director of the Otto B. Schoepfle Vocal Arts Center, Oberlin Conservatory of Music, Oberlin College, Oberlin, Ohio. He also serves as adjunct staff member in the department of Otolaryngology and Communicative Disorders, Cleveland Clinic, is an Associate of Collegium Medicorum Theatri, and a member of the American Academy of Teachers of Singing.
"About this title" may belong to another edition of this title.
Book Description Scarecrow Press, 1997. Hardcover. Book Condition: New. Bookseller Inventory # P110810832372
Book Description Scarecrow Press, 1997. Hardcover. Book Condition: New. Rev Sub. Bookseller Inventory # DADAX0810832372