For almost 25 years, William Wegman has been producing photographs with the 20 x 24" Polaroid camera. This body of work began in 1979, when Wegman - already well known in the art world for his wry video and conceptual photographic work - was invited by Polaroid to try out this unusual camera. When Wegman and his dog, Man Ray, travelled to Boston to use the camera for the first time, a remarkable collaboration was launched. After Man Ray died in 1982, Wegman continued his exploration of the medium with non-canine subjects. In the late 1980s, he began to work with the dog Fay Ray and an expanding universe of her progeny. William Wegman captures his canine subjects in a variety of poses and guises. This volume gathers together a collection of his work and includes a candid essay by the artist exploring his experiences with the large-format camera and his models.
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William Wegman is a contemporary artist known for the remarkable breadth of his audience, which ranges from the art world, to the dog lover, to the children who delight in his popular storybooks. First know for his cutting-edge conceptual photography and video in the 1970's, he has developed into a master of many mediums, including painting, drawing, photography, film and video. Wegman lives in New York City with his wife, two children, and many Weimaraners.From Library Journal:
There's no shortage of opportunities to see photographer Wegman's work, with numerous books currently in print, together with a minor industry producing notecards, calendars, and T-shirts; his dog photographs may be some of the best-known images of any contemporary artist. This title showcases Wegman's efforts with the Polaroid 20 24 camera, although it is an open question as to whether the book's concept merits the publication of yet another Wegman title. Still, it is beautifully produced, with many color illustrations (almost all of his pet Weimaraners), foldouts, and a lively, easygoing text by Wegman, who studied art in the early 1970s when Conceptualism was at its most robust. His style developed out of the philosophical, questing strategies employed by Conceptual artists, and, while one can find echoes of those strategies here, absent is the searching, intellectual honesty that characterizes the best Conceptual art. Wegman's work is undeniably charming, often amusing, and occasionally quite moving. Given the exposure he has, however, libraries with limited budgets might consider purchasing books about lesser-known contemporary artists influenced by Conceptualism or one of several titles currently in print discussing the achievements of Conceptual art. For collections already possessing large holdings in art and photography.
Michael Dashkin, PricewaterhouseCoopers, New York
Copyright 2002 Reed Business Information, Inc.
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Book Description U.S.A.: Harry N. Abrams, 2002. Hardcover. Book Condition: New. Dust Jacket Condition: As New. 2nd Edition. Clean pages and tight binding. DJ shows signs of light shelf wear. Bookseller Inventory # ABE-1486780891021
Book Description Harry N. Abrams, 2002. Hardcover. Book Condition: New. Bookseller Inventory # P110810934809
Book Description Harry N. Abrams. Hardcover. Book Condition: New. 0810934809 New Condition. Bookseller Inventory # NEW6.0481082
Book Description Harry N. Abrams, 2002. Hardcover. Book Condition: New. 2nd prt.. Bookseller Inventory # DADAX0810934809