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What is the process by which a painting comes into being? What goes on in the artist's mind? What different techniques are used in creating a still life, landscape, or portrait? In this look at the complex, often mysterious painting process, painter/museum director Thomas S. Buechner combines clear how-to instruction with striking insights to help us look at pictures in a wholly new way.
An expert on painting techniques, Buechner offers valuable tips for both amateur and professional painters on traditional methods that many schools do not teach today. An impassioned painter himself, whose work hangs in The Metropolitan Museum of Art and the Smithsonian Institution's National Museum of American Art, Buechner includes illustrations of many of his most inspired paintings and drawings-some shown in step-by-step series with enlarged details-illuminating for us the intimate relationship between the artist and his materials.
129 illustrations, 98 in full color, 8 1/2 x 10 3/4"
THOMAS S. BUECHNER, former director of the Brooklyn Museum of Art and the Corning Museum of Glass, is the author of several books, most notably Abrams' definitive biography Norman Rockwell: Artist and Illustrator. In addition to his long experience in interpreting works of art for museumgoers, Buechner brings to this book the perspective gained from decades of teaching painting.
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Thomas S. Buechner is an accomplished artist who has painted some 2,500 pictures in his long career, some of which are in the collections of the Metropolitan Museum of Art and the Smithsonian's National Museum of American Art. For How I Paint: Secrets of a Sunday Painter, he selected 50 works that he uses to illustrate what, why, and how he paints. The book explores not only how paintings can be better appreciated and enjoyed (Buechner is also the former director of the Brooklyn Museum and the Corning Museum of Glass), it also reveals the working insights that go into making a painting vital. Buechner outlines traditional methods of composition that many art schools no longer teach today. Though capable of composing majestic, calm landscapes and still lives of such exactitude and feeling that even a lowly red onion seems poised to address the viewer, Buechner excels in portraiture. He tends to place his sitters in dark, empty space, explaining, "We are, each of us, quite alone, and that's what I try to paint." This is a book about technique, practice, and the timeless fundamentals of the creative process from the perspective of a mature artist whose works reflect the luminescent lessons of the old masters. --Mary RibeskyFrom Library Journal:
At age 73, Buechner looked at the rest of his life and decided that it was time to be tidying up my thoughts on painting. From this modest premise, he has written a thoughtful, very personal work on oil painting. His chapters on tools, composition, and the painting of portraits, still lifes, etc., are well done. It is his meditations on topics like Knowing, Seeing, Wanting and Reality and Imagination, that give this book depth. The author!s years as director of the Brooklyn Museum of Art and the Corning Museum of Glass and his decades of teaching painting lend a authority to his sensitive words. Highly recommended; for a comparable volume on watercolor, see John Yardley!s Watercolor: A Personal View (LJ 7/97).
Copyright 2000 Reed Business Information, Inc.
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