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Traces the history of large-scale panoramic paintings of cityscapes, battles, and other subjects which were created for public exhibition chiefly in the nineteenth century
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Before there was Titanic the movie or Phantom the musical, one of the great spectacles was the panorama. This art form, popular for a relatively brief period in the 19th century, saw large crowds turn out in cities across Europe and North America to view depictions of battles, great land- and cityscapes, and historic events in, most often, circular purpose-built structures. Many factors, including the cost of the paintings themselves as well as the rise of photography and eventually motion pictures, led to the death of the panorama. French writer Comment, in this excellent history of a mostly forgotten art form, traces the history of the panorama, describes audience reactions, and gives biographical sketches of many of the artists as well as a critical assessment of their work (when possible, as most of the panoramas themselves have been lost). A highlight of the book is the inclusion of the gatefold color illustrations of seven panoramas that give only the slightest hint of what the panorama experience must have been like. A fine complement to Stephan Oettermann's somewhat more academic The Panorama (LJ 1/98), this is an accessible introduction for informed lay readers.
-Martin R. Kalfatovic, Smithsonian Inst. Libs., Washington, DC
Copyright 2000 Reed Business Information, Inc.
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Book Description Harry N. Abrams, 2000. Hardcover. Condition: New. Seller Inventory # mon0000059589
Book Description Harry N. Abrams, 2000. Hardcover. Condition: New. Never used!. Seller Inventory # P110810943654
Book Description Harry N. Abrams, 2000. Condition: New. book. Seller Inventory # M0810943654
Book Description Harry N. Abrams. Hardcover. Condition: New. 0810943654 New Condition. Seller Inventory # NEW7.0396597
Book Description Harry N. Abrams, 2000. Hardcover. Condition: New. Rev Exp. Seller Inventory # DADAX0810943654